Thursday, March 26, 2026

The Joy of Six 1495

Christopher M. Cruz says US Democrats have failed to offer a vision of a liberal education: "This is not just bad for Democrats, but bad for the world as we have seen the country slip into chaos. If liberals want to see things change in 2028, they (and everyone else) should concern themselves more forcefully with the role of the liberal arts in educational institutions and invest to become the primary champion of books in the public square."

"This is not what I wanted to write. I wanted to write about how I’m about to go on book tour for my new book in a few days. Instead I am writing about the fact that I was just informed that my first book Let’s Pretend This Never Happened was banned from the high school library of a nearby town I love and visit often." Jenny Lawson on how we should respond to censorship.

Adam Stanaland and Andrea Vial find that gender conformity starts young and that boys and girls fall in line in different ways.

The Argumentative Old Git takes on Dickens' detractors: "It is entirely characteristic of him that, after the comedy of Pickwick Papers, he wanted to try his hand at something quite different. Oliver Twist is, admittedly, highly melodramatic, and teeters at times on the edge of sentimentality. But nonetheless, it projects a very real sense of menace. And I cannot really think of any other novel so crammed full of iconic scenes and images."

"Because Lee plays him like this, resisting every temptation to wink at the audience, or signal his villainy, refusing to give Howie or the audience any purchase on what he really is, Lord Summerisle becomes one of the most quietly frightening villains in British cinema history." Adam Page argues that The Wicker Man provided Christopher Lee with his greatest film role.

"First published in 1999, when Elizabeth Jane Howard was nearing the twilight of her career, Falling was inspired by real-life events. When Howard was in her seventies, she fell for the charms of a con man – a seemingly attentive man who took advantage of the fact that she was unattached and vulnerable yet receptive to admiration." JacquiWine praises Howard's late masterpiece.

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