Sunday, July 19, 2026

The Joy of Six 1550

Jonathan Simons fears that Labour have picked a new leader who communicates well, but whose instincts are wrong: "This easy, reflexive tilt back to the left being about class, and steel mills and coalfields and shipyards and dockyards, and Northern men in Northern towns, is politically weird in 2026."

"Two weeks ago, the Sunday Times published a scoop: that Farage had failed to declare donations from George Cottrell, a convicted money launderer. In doing so, it thrust a new character on to the national stage. Only George Cottrell isn’t a new character. He has operated at the highest levels of UK politics, in plain sight, for more than a decade. And that includes playing a central role in the Brexit campaign." Carole Cadwalladr on the way the media allowed Nigel Farage to operate without scrutiny for so long and why things have suddenly changed.

"The phenomenon of ever-bigger cars has not come about accidentally. It has been sustained by an aggressive marketing campaign, as they are far more profitable for manufacturers than conventional-sized vehicles. They are sold on the basis that they are safer. Extra safety for your family is a key marketing strategy. But while Daddy drives Olivia and Rufus to school in perfect safety, other pupils are in greater peril. And that risk is growing as the cars get ever bigger." Christian Wolmar calls for a halt to carspreading.

Karina Colombo and Elisa Failache find that the rapid expansion of high-speed internet in Uruguay led to a reduction in children's test scores in communication, problem solving and social skills. But it wasn't because the children were spending too long online: it was because their parents were.

"Each retelling reflects contemporary concerns about technological risk, climate uncertainty, social inequality, disaster preparedness, media spectacle and the ethics of dark tourism while maintaining the same underlying core narrative." Jonathan Peter Skinner explains our undying interest in the sinking of the Titanic.

Lucy Janes says the River Clyde is central to modern Glasgow’s identity. "It flows through the core of the city and, as you look downstream, a moment's reflection can lead your mind’s eye out to sea and the wider world."

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