Marmalade Skies (from which I have borrowed the illustration here) says of it:
The last major underground event of the year is “Christmas On Earth Continued”, billed as an “All-Night Christmas Dream Party” and held in the vast London Olympia on the 22nd. Pre-publicity is hopelessly inadequate and this, plus a particularly severe winter freeze, results in a sparse attendance and financial disaster for the organisers, despite a fabulous line-up of acts—Jimi Hendrix Experience, Eric Burdon, Pink Floyd, The Move, Soft Machine, Tomorrow, Graham Bond Organisation, Sam Gopal and Paper Blitz Tissue. The Who fail to turn up!And someone writing on the Pink Floyd fan site A Fleeting Glimpse disproves what they say about the sixties by painting a vivid picture of it:
Olympia was a much more cavernous venue than the Ally Pally, and the focus was on two stages, facing each other across the vast hall. Bands were playing alternately, causing the majority of the 10,000 crowd to turn, first left for fourty minutes, then right and so forth, like a colony of paisley penguins!
The light shows, if anything, surpassed the amazing Ally Pally event the previous July, with the wall to wall coverage and dreamscapes. ( Mark Boyle's Sensory Laboratory was specifically billed as support for Soft Machine, and the Floyd had announced the first appearance of their fabulous new '3D lightshow'.) We were absolutely wired for a good time and the bands didn't disappoint us.
Soft Machine, with Kevin Ayers resplendent in pre-punk black string vest, climaxed with the ultimate Dada version of 'We did it again' as Robert Wyatt leapt into a full bath of water, that just happened to be on-stage with them! At least, we assumed it was water.
Tomorrow powered through their unique mix of heavily Beatles influenced psychedelia. During 'Strawberry Fields Forever' Twink(drums) and Junior (bass) performed a mimed fight whilst being subjected to the most powerful strobe light effects I've ever witnessed. Steve Howe was a revelation, moving from raga to classical to Barrett - style anarchy with an almost arrogant ease.
Traffic, still with Dave Mason, even performed 'Hole in my shoe'. Steve Winwood was into his white cheesecloth period, and their music was so unlike anything else around that they occupied a totally original space. The song, 'Here we go round the Mulberry Bush' was very typical of their trippy, watery sound at that time.
Hendrix - voom! All light shows were killed for his performance. Noel Redding was constantly niggling Jimi, playing bass behind his head as Jimi performed his tricks with his guitar. It was the first time I saw Hendrix with his Gibson Flying Arrow, and the tension on-stage produced some electrifying music.Christmas on Earth Continued is also remembered for a sad reason. As Alison's Wonderland says:
Sadly, the Christmas on Earth festival also marked Syd Barrett's last major show with Pink Floyd. By the time of the concert, Barrett had suffered a significant mental breakdown due to stress and excessive drug use, allegedly exacerbating symptoms of schizophrenia, though Barrett's sister denies this diagnosis. At the concert, Barrett was observed to just stand on stage with his guitar, his arms hanging limp at his side, while Roger Waters played the same bass line over and over again.Anyway, here is that clip of Traffic. They play Dear Mr Fantasy (which Steve Winwood still plays today) and Giving to You:
And here are various clips of Jimi Hendrix playing at the same event: