These days Duncan Hannah is known for his nostalgia-ridden figurative paintings that take their inspiration from 1930s England. But 25 years ago he had a brief career as an underground film actor, appearing in a series of black-and-white movies by Amos Poe that sought to transplant the Parisian cool of the early Nouvelle Vague to the heroin-infused punk-rock milieu of New York's Lower East Side.
Monday, October 30, 2006
Duncan Hannah
More on the painter of "Mystery at Nevill Holt" (or "Mystery at Bonkers Hall", as I think of it):
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