Showing posts with label David Lean. Show all posts
Showing posts with label David Lean. Show all posts

Wednesday, July 29, 2026

An Ian Christie lecture about Gothic London on film

This a terrific lecture by Ian Christie, whose writings did much to bring the films of Michael Powell and Emeric Pressburger back to prominence.

His Gothic London begins with early Dickens adaptations, made because there was a ready public for them. And Dickens, after all, was a cinematic novelist before cinema was invented.

Then we go though Jekyll and Hyde, Jack the Ripper and the London fog to reach the early Hitchcock. The exoticism of Limehouse, with its opium dens and Chinese population, also figures. 

Next we take in the Blitz and this blog's favourite topic of bombsites, before returning to Dickens in the shape of David Lean's peerless Great Expectations and Oliver Twist. Carol Reed's 1970 film of Lionel Bart's Oliver!, says Christie, was the first colour adaptation of a Dickens novel.

And we end with some modern Gothic takes of London, including Death Line and From Hell.

Tuesday, May 26, 2026

How David Lean's Oliver Twist broke the law

Here's a remarkable thing. Between 1933 and 1963, it was illegal in Britain for a child under 12 to appear in an entertainment production on stage or on screen. And that explains the following press cuttings.

Here's the Weekly Dispatch, 9 November 1947:

One of the best-kept secrets of the British film industry is revealed at last by producer Ronald Neame’s announcement that John Howard Davies, cast as Oliver Twist Cineguild's screen version of Charles Dickens’s famous novel, has been playing the part at Pinewood Studios for the last four months. [John Howard Davies was nine.] 

the Evening News, 25 February 1948:

I am able to reveal to-day the name of another of those juvenile lawbreakers who act in films under the age of fifteen: Carol Reed, who finishes directing The Lost Illusion” to-day. gives me permission to say that the important part of the small boy who becomes involved in a murder case has been played for the past two months by Bobbie Henrey, an attractive eight-year-old with blond wavy hair. [The Lost Illusion was retitled The Fallen Idol before release.]

and the Birmingham Mail, 16 November 1951:

It is three months since watched a scene being shot on the floor at Pinewood Studios for the new Dirk Bogarde thriller Hunted. The unechoing spaces of a sound stage have their own special atmosphere especially when carpenters and jobbers are silenced for shooting but on this occasion the sense of hush was almost tangible. 

It was in fact hush-hush for through a door at the back of the set – a typical transport drivers' cafe halt – came Dirk Bogarde and small blond child. At my elbow a whisper informed me that no mention could made of the boy: not until the film was finished completely cut and polished ready for screen.

That is the way the law or rather the evasion of the law works in the British film industry Child actors are not supposed to do this work therefore as far as everyone but those intimately involved the making of the film are concerned they do not exist I think 1 am right in saying that the law prohibits the employment of children under 12 years of age. And here was 6½-year-old Jon Whiteley in middle of perhaps the longest screen role a child has ever attempted.

And, come to think of it, though there were popular British child stars in the years before these three productions – Elizabeth Taylor, Freddie Bartholomew, Roddy McDowall – they made their films in Holywood.

In 1948 it had been expected that an amendment to the Cinematograph Films Act 1938 would relax the rules on young performers and remove the need for this subterfuge, but it was unexpectedly ruled out of order by the speaker.

I've even seen it suggested that the very public search for an Oliver Twist was designed to reassure the authorities that the producers were intending to cast an older boy, when they had already chosen John Howard Davies, the son of a well-known scriptwriter. The story goes that one of the production team had seen him when he was invited to dinner by the boy's parents.

There were a few prosecutions for employing child actors, but for the most part the 1933 law was ignored until it was superseded by the 1963 Children and Young Person’s Act. You can read more in article by Richard Farmer.