Daniel Dennett is interviewed by Taylor McNeil about his career as a philosopher and his hopes and fears for the future: "AI systems, like all software, are replicable with high fidelity and unbelievably fast mutations. If you have high fidelity replication and mutations, then you have evolution, and evolution can get out of hand, as it has in the past many times."
"It isn’t brave to say you hate classical music so much as bog-standard normal. State publicly that you don’t like classical music, and you’re cool, funny and 'relatable'. State publicly that you don’t like popular music, and you’re a weirdo or a snob." Alexandra Wilson dissects a Twitter row.
Christopher Hilton on Benjamin Britten as a campaigner against railway branch line closures.
PsychoNottingham investigates one of the city's lost cinemas.
"An emerging leitmotif in much of Aiken’s subsequent work for children makes its appearance here — the resourcefulness of its young protagonists against the machinations of adults who wish them ill. It’s not surprising that Wolves has shown itself a popular choice with younger readers: it has the right amount of jeopardy, a bit of safe distance is created by its being set in the 19th century, and expectations are high that, like a fairy tale, all will come right in the end." Calmgrove offers an appreciation of Joan Aitken's The Wolves of Willoughby Chase.
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