The Joy of Six 1547

"The world-renowned academic institution has nothing to say in response to a six-month investigation by Byline Times raising serious concerns about the safeguarding of students and foreign influence at Cambridge University." Nafeez Ahmed, Peter Jukes and Hardeep Matharu ask why.

"Over the last ten years the question of Irish unity has moved to the centre of the Irish political stage. This surprisingly rapid change has been driven by demographic and economic trends, to the advantage of Irish nationalists both north and south of the border." Patrick Cockburn reviews For and Against a United Ireland by Fintan O’Toole and Sam McBride.

Kate Moore says we need more trees: "The sooner we plant trees – ideally in groups, as solitary trees are more vulnerable – and nurture them through the early years, the cooler we'll feel.  So, whether your garden is small or large, it’s time to plant trees to give you your own shaded, and naturally air-conditioned space."

Brett DeJager finds that school teachers are "worried about academic dishonesty but also about assessment, student reliance, critical thinking, misinformation and privacy. Those concerns point to a practical challenge schools now face: how to preserve meaningful evidence of learning when AI can produce polished academic work."

From psychiatric wonder drug, to CIA mind warfare to teenage menace. Grant McPhee looks at LSD use through its evolving coverage in British newspapers.

Jospehine Botting watches 21 Days, a film made just before Vivien Leigh took the role of Scarlett O’Hara in Gone with the Wind and as her affair with Laurence Olivier was blooming. It captures the pair falling in love and on the cusp of stardom, but its producer Alexander Korda thought it was not good enough to release.

The Joy of Six 1545

"Progressive politicians must see social media as a means to an end. If they’re swallowed by social media, they’ll lose their moral core. What’s more – and much worse – making social media the training school of modern politics risks giving a megaphone to fascists and racists who are able to preach their gospel of hate to millions without interruption." Sam Bright on the curse of influencer-politicians.

Jack Dyson reports on the consequences of falling school rolls. One in three councils expect more than a fifth of primary school places will be unfilled next year. 

"We used to think AI-generated fiction would always be obvious, and we were not prepared. Over the coming years, agents, editors, and slush readers at every level are going to need to educate themselves on how AI writes." Bona Books inadvertently bought a short story written by Artificial Intelligence for an anthology of queer speculative fiction.

Jennifer Davey offers a short round up of football-related contributions to Hansard over the years.

Malcolm Pein, the English Chess Federation’s delegate to the game's governing body FIDE and a candidate for its next deputy president, is interviewed about the long fight to break Russia's political grip on chess: "Russia has basically hijacked FIDE – just go to the FIDE website and look at where the employees come from: Russian head of PR, Russian head of legal and so on."

"This is as much a novel of working class intellectualism (Hamer deploys a quotation from Macbeth without ostentation) as it is about the compromises of electoral politics. Shawcross and his children want comfort and security and health, but they also want the fruits of the knowledge and experience held by this culture that has turned them into marginal drudges of the machine age." With the accession of Andy Burnham imminent, Discontinued Notes looks again at the work of Howard Spring, 'the Dickens of Manchester'.

The Joy of Six 1527

"In the Wigan constituency, which has always been Labour-held but where Reform picked up 24 out of 25 seats in last month’s local elections, the governing party’s by-election message is focused squarely on Burnham. It is a cartoon of his face emblazoned across leaflets and Correx boards, along with the words “ANDY FOR US”. Labour branding is limited, pretty much, to what is legally required." Sienna Rodgers takes us inside the Labour campaign in the Makerfield by-election.

Lucia Osborne-Crowley interviews Gisèle Pelicot, whose courage transformed the debate around abuse, about survival, reclaiming confidence – and shutting down the tools of sexual exploitation.

Flip Chart Fairy Tales notes the end of the right's state-shrinking dream: "Far from Brexit being the cue for the Thatcher revolution’s last phase, it may mark the end of it altogether. ... It’s no wonder the small-staters are so exercised. They have now realised that tomorrow belongs to someone else."

"When you launch a product that's designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn't that you haven't told the public a good story about those things. The problem is that you are trying to do them." Brian Phillips nominates the 40 most rage-inducing problems in tech.

JacquiWine praises Rumer Godden's novel The Battle of the Villa Fiorita: "I loved this evocative, immersive read, a psychologically astute exploration of the impact of a woman’s adulterous affair and subsequent divorce on her two adolescent children, fourteen-year-old Hugh Clavering and his younger sister Caddie, who is almost twelve."

"Born in 1918, Denys Fisher was raised in a railway carriage in a field in Leeds in a family full of inventors, free thinkers, and social reformists with connections to women's suffrage." Eleanor Tait talks to Duncan Fisher about his father, the man who invented Spirograph.

People who never use AI are very bad at spotting AI-generated text

AI use is seeping out of business and science writing and into the  world of literature. And that, says Malin Hay in a post on the London Review of Books blog, is a problem, because literary editors may be the worst equipped to spot text generated by it:

Experimenters in the US last year showed nine subjects a series of articles, half written by humans and half generated by ChatGPT, Claude and other large language models. Asked to guess which of the texts were human, the four subjects who rarely or never used ChatGPT in their daily lives scored "at a similar rate to random chance", while the five who used chatbots almost every day at work collectively misidentified only one in three hundred texts.

So how do you spot AI-generated fiction? Hay says familiar tells include a fondness for em dashes and for the formulation "not x, but y", which it has favoured since GPT-3. But at the start of her post Hay quotes three passages that use neither of these but still have a distinct whiff of AI.

She offers suggests some more sophisticated indicators of the use of AI fiction:

Some of the markers seem to be lexical: AIs like talking about sweetness, loudness, quiet, age and beauty. There is a lot of insisting in AI-generated texts, as well as a lot of promising, a lot of permitting and a lot of filling up. 

Another sign is the overuse of tricolons ("something neat, something pleasing, a quiet violence made beautiful"). And bots often leave out definite articles from phrases where they’re not strictly necessary: "Coffee and cocoa leaned wild", "rain in teeth" or, from later in The Serpent, "Sita became obstacle by existing."

There is a flatness or evenness to AI-generated texts: Wikipedia's guide to detecting AI says that LLMs "tend to omit specific, unusual, nuanced facts" and "replace them with more generic, positive descriptions". 

The strange thing about this evenness is that it isn’t usually couched in neutral language: "a flood that chokes but insists upon being swallowed" is violent, but not vivid. Even if you had your face shoved into a cake, it wouldn’t "flood" your mouth. The prosody is so smooth that you feel a lack of pressure despite the description of gross or vile acts; it rings hollow. It fills you with its nothing.

The Serpent is a short short by Jamir Nazir called The Serpent in the Grove which recently won the Commonwealth Short Story Prize, only to give rise to suspicions that AI played a part in its production. You can read it and judge for yourself.

Incidentally, I have long been fond of parenthetic dashes myself, but use en dashes for the job on this blog. That's because em dashes tend to look clumsy in online text. 

This fondness dates back to the days when I wrote for David Boyle at Liberal Democrat News. I noticed that whenever I used brackets in my writing he struck them out, but he let dashes through.

The Joy of Six 1525

"Unlike Blair, he was deeply and passionately engaged in the current moment. He had not fossilised his world view. He was intellectually present. He spoke clearly and trenchantly about what populism is and the threat that it poses. 'They are careless of the strife they cause,' he said. 'They trade on grievances in our society. Where ills exist, they exaggerate them. They then blame those ills on minority groups of a different race or religion. It is ugly politics that deserves no place in our country.'" Ian Dunt says John Major is a better former prime minister than Tony Blair will ever be.

Hannah Fearn argues that there is no sudden epidemic of laziness: "What’s not being discussed at all is how young people are the hardest hit by huge external barriers to employment, however hard they want to work."

Stefan Collini examines the roots of Britain's higher education crisis: "The coalition government, the chief architect of this system, aimed to create a market among ‘providers’ which would be driven by the choices of students as ‘consumers’, with the aim of breaking the so-called 'producers' cartel' that had, allegedly, for so long enabled universities to protect their traditional practices."

"But when it comes to AI chatbots, the doctors have learned to proceed with caution. People may tolerate the idea of talking to a computer when booking a holiday or motor insurance but discussing something as personal as your health is quite a different matter." Rory Cellan-Jones on one GP surgery's mixed experience of introducing AI.

Gill Pain discusses what made Agatha Christie so successful: "There was noir Christie, a writer of disturbing, manipulative psychological fiction; comic Christie, a sharp and witty deconstructor of social mores; and uncanny Christie – a crime writer whose familiar voice has a curious knack of making the reader feel at home, while pulling the rug from under them."

"In order to attract puffins to the island, they created 100, lifelike weather resistant decoy puffins and anchored them to the cliffs. To make the illusion as convincing as possible, the team also installed solar powered speakers to blast continuous puffin calls out to sea to catch the attention of passing juveniles." Eva Cahill reports an ingenious attempt to attract puffins back to an islet off the Isle of Man where they once thrived.

The Joy of Six 1523

Niamh McIntyre had been investigating the spike in racist AI videos aimed at British surfers: "It is often young, entrepreneurial men from south Asia. They tend to have zero interest in UK politics, but the content they create often boosts far-right talking points in Britain and contributes to the increasingly hostile atmosphere for immigrants and British Muslims. They’re part of a booming cottage industry producing commercial AI slop."

Joshi Hermann advises us to stop looking for "Burnhamism". He's bee reporting the mayor of Greater Manchester for six years and has never been able to locate it.

"The culls were not only cruel: they were ineffective. Thousands of badgers died, yet bTB [bovine tuberculosis] rates in cattle remained high. But rather than end the cull or re-evaluate the policy, the government decided to roll it out to even more parts of the country." The Hunt Saboteurs Association welcomes the end of England's badger cull, which has seen nearly 250,000 animals, shot or trapped.

"It is not often I get angry, but a recent encounter with a standing stone has really annoyed – and shocked me." The Urban Prehistorian condemns the treatment of the Bogleys Stone of Fife.

Melanie Williams has been researching Muriel Box, Muriel Sly and British women scriptwriters in general. "Medical comedy was all the rage in the fifties – from Doctor in the House to Carry On Nurse – but it seems an honest comedic look at pregnancy and childbirth may have been a little too far beyond British cinema’s comfort zone at the time."

The long career of E.J. "Tiger" Smith as Warwickshire and England's wicketkeeper, test umpire and batting guru is considered by Giles Wilcock.

The Joy of Six 1518

Alexandra Hall Hall writes the big reset speech she wishes Keir Starmer had made after Labour’s local elections defeats: "I know that much of what I have said today will be controversial or unpopular. But good leadership requires the courage to say the hard things. What I took from last week’s election results is that I – we all – need to raise our game. We need to be more honest, more forthright, and more willing to take the hard choices."

"Lowe was educated at Radley. He built a career in financial services. He owns substantial agricultural land. He was chairman of Southampton Football Club. He speaks in the measured cadences of a man who has chaired many meetings and expects to chair many more. When he stands on a stage and talks about mass deportation, he sounds like he is presenting a business case. That is the innovation. Not the policy. The presentation." Simon Pearson warns of the threat posed by Rupert Lowe and Restore Britain.

"The real danger that artificial intelligence poses to work is not just job loss – it is the growing divide between people who use AI to extend their skills and those whose working lives are increasingly shaped by opaque, AI-powered systems of surveillance and control." Nazrul Islam on real threat that AI poses to workers.

Jon Rainford and Alex Blower set out their research on what working-class boys need to succeed at school.

Helen Kingstone says the 19th-century novelist Margaret Oliphant has much to teach us about our attitude to ageing: "Her novels (100 of them!) were largely forgotten in the twentieth century, but are now being celebrated by scholars and fellow-novelists. She wrote astutely and sometimes bitterly about society’s failure to recognise women’s capabilities. And she had surprisingly prescient views on ageing, which can offer valuable tools for contemporary campaigners."

"Flowing with an engaging warmth throughout, this wholesome evening not only showcases evidence of Tikaram's timeless talent as a songwriter and sound ability to orchestrate a band of incredible musicians, but it also seems to offer a beautifully open celebration of her queer identity; each song bringing with it its own unique sense of joy and pride." Mari Lane celebrates the music of Tanita Tikaram.

The Joy of Six 1516

"The scale of the beating handed to Labour in these local elections is difficult to convey just in words. You need to see numbers and maps, showing seas of red replaced by turquoise and green and yellow; you perhaps need to see the tears and feel the desolation longtime servants of the party are feeling this evening. That this defeat has been suffered in the heartland of the modern Labour Party – the stronghold atop which names like Andy Burnham, Angela Rayner, Lisa Nandy and Lucy Powell have built their reputations – is all the more harrowing." Lucy McLaughlin and Joshi Herrmann witness the fall of Labour Manchester.

Jonathan M. Winer warns us that Donald Trump is planning to use emergency powers to take control of this year's midterm elections.

Emily Enns on the campaign to deny the abuse of native Canadian children in residential schools. "Even now... there’s not a Facebook post that goes out about Indigenous events in Kamloops where there’s not at least one person in a comment section on a shared post saying something about how our experiences as Indigenous people are fabricated."

"The latest ChatGPT model, released last week, included the instructions: 'Never talk about goblins, gremlins, raccoons, trolls, ogres, pigeons, or other animals or creatures unless it is absolutely and unambiguously relevant to the user’s query.'" Alex Nguyen explains why.

"History, in Mad Men, shapes the air around the characters, occasionally intrudes to seize control of the story, and nevertheless slowly changes each person. History is also experienced as something beyond the characters’ control and understanding. Like real human beings, they respond with a mix of bewilderment, accommodation, grumpiness, opportunism, and, occasionally, a full embrace of change." Joseph Stieb looks at the way Mad Men shows history reshaping people’s lives, perspectives and interactions, often without them fully realising that things have changed.

James Warren considers the unexpected evolution of the progressive band Stackridge into the poptastic The Korgis.

The Joy of Six 1510

Charlie Young, Carole Cadwalladr and Ian Tucker have discovered "a 'revolving door' that has led to dozens of highly experienced UK government officials, former ministers, intelligence service chiefs and members of the House of Lords taking up key roles in the controversial Silicon Valley surveillance tech company co-founded by Peter Thiel, the libertarian friend and ally of Donald Trump."

"There is no need for the UK to replace its warheads. A Holbrook’s maximum yield is ninety kilotons of TNT-equivalent, about six times the size of the bomb dropped on Hiroshima. But the US Navy wants a new warhead in the mid-2030s and the UK has to follow suit even though there are no good reasons to do so. No one in Britain played any part in choosing the parameters of the W93." Norman Dombey dissects Britain's nuclear subservience to the US.

Because of the way they are trained, large language models capture only a slice of human language. But it's feared that this slice will come to dominate how humans communicate, report Ada Palmer and Bruce Schneier.

Pam Jarvis offers a personal memoir of the Blair-era widening participation policy for higher education, which promised opportunity but left a complex legacy.

"It is impossible not to talk about The Reckoning in the same breath as Get Carter. Both films are about men who have left their working class roots to become successful in their various professions in London, and who are then forced to come home due to a family tragedy. Liverpool, like Newcastle in Get Carter, is depicted as a tough, rainswept working class town. And much like Jack Carter, Marler is intensely uncomfortable in its bleak surrounds, the tiny council house that his family still live in, with its wood panelling and flocked wallpaper, the raucous smokey pubs they drink in, with their bad torch singers and cheap bingo games." Andrew Nette watches Nicol Williamson heading north before Michael Caine.

Chris Baker on an 18th-century plan to build Britain a new capital – in Rutland.

The Joy of Six 1505

Bee Boileau, Lucas Conwell ans Peter Levell find that Help to Buy schemes don't help the people who most need it: "The affordability gains from the equity loan schemes were concentrated among higher-income individuals. Since these individuals would normally be expected to be able to save for a minimum deposit quite quickly even without Help to Buy, it is likely that these schemes accelerated their first home purchase by a few years rather than making the difference between becoming a homeowner or not in the longer term."

"Rebekah Pierre, deputy director of the charity Article 39, said ... posters advertising payments of 'up to £932 per week per child' 'stopped me in my tracks' when she encountered them in a local shopping centre." Joanne Parkes on criticism of a fostering recruitment campaign by Croydon Council, arguing that its messaging risks reducing children in care to a "price tag".

Emma John reports that some researchers say that the common framing of ADHD as a characteristic for success can be unhelpful for those who are struggling.

James Cracknell says that AI is being used to undermine real local journalism: "North London News features stories about Enfield and Barnet and other boroughs that are put together by AI bots using existing stories published on other websites, including our own. This is bad enough – but what's worse is that they are also adding fake quotes, fake people (including fake councillors), fake organisations and fake facts into these stories as well. Whatever AI system they are using, it is massively flawed."

"Several startling passages of dialogue have sent me scrolling through the week’s listings to unveil an author. Katie Hims can nail a character through their choice of confectionery: of course, the trad Jim Lloyd would go for wine gums. Nick Warburton scripted a bonkers visit by a character obsessed with train timetables and pebbles, then cleverly had one of the most stolid residents complain that the incomer was a bore." Susannah Clapp praises The Archers scriptwriters.

"In Britain hauntings occur in ancient manor houses, old inns, and Gothic asylums – places whose very age makes them groan and creak, where shadows sit deep, and which are scarred by the lingering imprint of lives lived and lost. And yet arguably the most famous British ghost story of the 20th century took place somewhere quite different: in a humble council house, only half a century old, in Enfield, north London." Ray Newman considers the haunting of social housing.

The Joy of Six 1489

Searchlight has the measure of Reform UK's leader: "It’s a script Nigel Farage knows well. Candidates or causes closely linked to him, perhaps even bearing his name and his photograph, make large, attention-grabbing promises. Votes are won on the strength of them. Then, once the votes are counted the promises are declared – with an air of wounded innocence – to have never been made, and certainly not by him."

AI fakes spread disinformation but, asks Anna Merlan, is the distrust they create even worse?

"Julie Critchlow, one of the mums involved, told The Times in 2006 that much of the food they were delivering was healthy, and that the accusation that the kids were given chips every day was ‘such a lie’. 'We were taking all sorts – baked potatoes, salads, tuna sandwiches. You try getting teenage girls to eat a hamburger every day. Most of them won’t touch the things.'" Heather Parry looks back twenty years to the media panic in Rotherham which followed the Channel 4 documentary series Jamie’s School Dinners.

Patrick Wadden argues that Medieval Irish people saw themselves as Europeans, not Celts: "The Irish language and people were only labelled as Celtic for the first time in the 18th century. In the rich and varied textual sources that have survived from early Ireland, including annals, saints' lives, laws, and sagas about great heroes such as Cú Chulainn and Fionn Mac Cumhail, the words 'Celt' and 'Celtic' do not appear even once."

"In the case of Peter Grimes, Forster suggests, something is lost. Rather than Grimes as a lugubrious murderer, in Britten’s opera the blame is rather sanctimoniously placed on the townsfolk for misunderstanding him, turning the whole thing into social criticism, which was far from Crabbe’s original. It takes away from the strangeness and mystery of the character of Grimes, from his psychological complexity, but also from the ‘horizontality and mud’ that shape the feeling of the poem and the world it describes." John-Paul Stonnard finds that E.M. Forster did not appreciate the version of George Crabbe's character Peter Grimes presented by Montague Slater, who wrote the libretto for Britten's opera.

Helen Pickles rightly suggests Ripon, Yorkshire's smallest city, as a tourist destination.

The Joy of Six 1487

"On this occasion Starmer has taken both the correct and popular position and stuck to it despite relentless attacks from the right. The result is that it is now his opponents, rather than him, who is having to embark on a humiliating U-turn." Adam Bienkov argues that the government should learn from Farage and Badenoch's reversal on Iran.

The Lancet dissects Robert F. Kennedy Jr's year of failure.

Michael Webb and Rebecca Flook say the choices universities and colleges make about AI are political: "The systems now being woven into education are shaped by a remarkably small group of people. Not 'the internet' as the source of training material. Not 'society' influencing the way we use these tools. It’s shaped by a small leadership class in a handful of companies, operating within specific political and economic pressures."

"I lived in a suburb on the very edge of London, far away from Soho’s Piano Bar or the Waterloo WHSmith glimpsed in the video to ‘West End Girls’. I was a lonely boy at the back of the garden. There weren’t out gay people or role models in my white working class neighbourhood, just an expectation that you would be the same as everyone else, and fit in – or else." John Grindrod reveals how Pet Shop Boys sold city glamour to queer suburban kids.

Parker Henry on Iris Murdoch as a philosopher. It seems to me she is being discovered in this role as her reputation as a novelist fades.

"Two Italian former amateur radio operators, Achille and Giovanni Judica-Cordiglia, claimed to have recorded audio from an orbiting capsule in the days before Gagarin made his flight, and it was actually the fourth slice of startling audio released by the pair." Was Yuri Gagarin really the first Soviet cosmonaut? David Crookes considers the theory that the USSR launched earlier, unsuccessful manned missions.

The Joy of Six 1486

The Secret Barrister argues that Keir Starmer and David Lammy are taking an extraordinarily dangerous gamble with our individual liberty: "Restricting trial by jury has been paraded by the government as the only way to tackle the record backlogs and delays in the Crown Courts – caused by years of chronic underfunding and political mismanagement – yet the government has produced not a shred of credible evidence to support this claim, nor is it interested in discovering any, forcing the legislation through Parliament at breakneck speed in the apparent hope of avoiding inconvenient scrutiny."

"The electorate is fragmented, multi-issue, and stubbornly resistant to simple stories. The Greens won in Gorton and Denton because they grasped that. Everyone busy constructing sectarian phantoms did not. Democracy does not need protecting from Muslim voters. It needs protecting from the people who would rather not count them." John Oxley criticises the right's response to the Gorton and Denton by-election,

Mihai Andrei explodes the myth that wind farms massacre birds.

"When I talk to students and ask them to tell me the truth, not necessarily what they would tell their teacher, but quietly tell me whether they go on to AI when they’ve got a piece of work to do, they say 'well actually yeah please don’t tell my teacher but yes I do'." Samantha Booth reports that pupils have been confessing their sins to Ian Bauckham, the head of Ofqual.

"His paintings unnerve us as they unnerved their Baroque viewers. Caravaggio didn’t draw but painted directly onto the canvas. He invented a dramatic, overpowering chiaroscuro, a spotlit style he used to freeze the worst moments of his subjects' lives in paint. There are so many decapitations, a frankly weird number of decapitations." Erin Maglaque on the shocking art of Caravaggio.

 Grant McPhee chooses his top 15 wyrd folk albums.

The Joy of Six 1481

"Other guests at the party included Mandelson’s good friend Nathaniel (Nat) Rothschild, a financier and heir to the Rothschild fortune (Mandelson often stayed at his villa in Corfu), and Rothschild’s old schoolmate, the then shadow chancellor George Osborne." Tamsin Shaw looks back to the Yachtgate scandal of 2008 and argues that we misread it at the time.

"Across the country, thousands of children are quietly lingering in ORR [Office of Refugee Resettlement] facilities, unable to reunite with parents or relatives because of new Trump administration policies limiting who can sponsor them. According to a class action lawsuit filed by immigration advocacy groups last week, children are 'being separated from their loving families, while the government denies their release, unnecessarily prolonging their detention'." Julia Lurie on the cruelty of the Trump regime.

Tanya Park believes Liberals should care about the collapse of serious Conservative journalism: "Not because the Spectator and the Daily Telegraph were ever friends to progressive politics (they weren't), but because a functioning liberal democracy depends on a press that engages honestly with reality across the political spectrum."

Steven J. Vaughan-Nichols predicts that general-purpose AI will poison itself: "We're going to invest more and more in AI, right up to the point that model collapse hits hard and AI answers are so bad even a brain-dead CEO can't ignore it."

"Alcohol has its many downsides as I can attest having a childhood punctuated by my father’s alcoholism, but it lowers people’s inhibitions making them willing to talk. It’s why you’re more likely to spark up a conversation over an interesting cask beer instead of waxing lyrical to the person next to you about the smooth flavour of an Arabica coffee bean." When it comes to social cohesion, beer beats coffee, says David Jesudason.

Ian Jones reminds us that Kenneth Williams was never off the television: "Yet over the next two decades he failed repeatedly to be – in one of his catchphrases from the BBC radio show Round The Horne – 'properly serviced' by the small screen. Despite all that graft on stage, he never landed a leading role in a TV drama series. For all the comic virtuosity that poured out of him in the Carry On films and his radio series with Tony Hancock and Kenneth Horne, he not once played lead in a TV sitcom." 

The Joy of Six 1479

Richard Reich argues that employers will not share the gains from AI unless they are made to: "If the five-day workweek with five days of pay shrinks to four days with four days of pay, and then to three, and to two, and perhaps one, AI will supplant most people’s work and drive down our take-home pay. We may see a dazzling array of products and services spawned by AI, but few of us will be able to buy them."

"In opposing these children’s homes, neighbours resort to language about children in care that they would not use for other groups of people, such as same-sex couples or people who are not white. Children in care are trouble makers, they complain; they bring down house prices, they are not from our community, they make too much noise." Martin Borrow asks why proposals to open new homes, which often for only two or three children, are met with such hostility.

"This part of south-west England, much of which is currently under water, used to be known as the 'land of the summer people'. Historically, frequent flooding was the main reason for purely seasonal occupation in this area bordered by the Bristol Channel and the Mendip, Quantock and Blackdown Hills." Jess Neumann sets out the threat that climate change poses to Somerset.

Lottie Wood explores gender fluidity, rural landscapes and the Women’s Land Army, introducing us to E.M. Barraud's memoir Set My Hand Upon the Plough.

"It is deeply troubling that the drive of Brontë’s Isabella, a survivor of domestic abuse, has been reread to dramatically absolve her abuser. The girl sobbing behind me as the credits rolled attests to the success of this exoneration. Really, she should be crying over the scripting of violent abuse as consensual play." Anna Drury is concerned by Emerald Fennell’s Wuthering Heights.

Richard Elliott celebrates a new box set that brings together live and studio recordings of the Scottish folk singer, guitarist and songwriter Dick Gaughan.

The Joy of Six 1475

Degenerate Art on Donald Trump's concentration camps and what can be done to resist their building: "When you consider the number – again, in the tens of millions—that the administration is promising to detain or deport, and when you look at the network of planned facilities that we already know about, what we’re witnessing is the express repetition of a project on the scale of the larger concentration camp systems in history – the Soviet Gulag, the Nazi concentration camps, and Chinese labour camps in the People’s Republic of China."

"Westminster’s moral compass went haywire a long time ago, and no party knows how to navigate its way out of the swamp. The political graveyard is full of those who blithely – and fatally – assumed that their troops were cleaner than their opponents." Sam Bright wonders what happened to Keir Starmer's concern about sleaze.

"OpenAI, the creator of ChatGPT, acknowledged in its own research that large language models will always produce hallucinations due to fundamental mathematical constraints that cannot be solved through better engineering." Gyana Swain reports.

Charles Taylor that Holywood's Oscar-winning pictures are not where we should look for art that speaks to the danger of this moment: "In American cinema, it’s always been easier to find real meat in B movies and Westerns and noirs and war movies and melodramas than in their high budget counterparts. Those movies, often made on the cheap for a quick profit, couldn’t avail themselves of the production values that, when it came to thorny topics, too often shellacked the life out of their subjects."

"Mother was given the book to read, but I don’t think she read it, which was probably for the best." Bridget Osborne talks to Simon Surtees, one of the boys who appeared in Peter Brook's 1963 film of Lord of the Flies.

Scandalous History introduces us to three bandit queens of the Wild West: Belle Starr, Pearl Hart and Laura Bullion.

The Joy of Six 1466

Jess Asato, Labour MP for Lowestoft, says AI nudification is the latest weapon of violence against women and girls: "Using AI to strip a woman of her clothes is the modern equivalent of locking her in stocks in the town square and throwing rotten fruit at her. It is a weapon of shame, designed to humiliate. Like other pillories, it is meant to send a message to everyone else: do not do what this woman has done."

"The shortage of legal children’s homes across the UK is fast becoming a national crisis. Last week, a Public Accounts Committee report revealed that nearly 800 children were sent to live in illegal accommodation in 2024, staying an average of around six months each." Gareth Davies and Tom Wall report on a national scandal.

Chris Grey on Donald Trump, Greenland and Mark Carney: "Carney’s speech can be read as a general prescription for middle powers, of which the UK is one, in the rapidly emerging new order. It can also be read, not coincidentally, as a devastating repudiation of the core propositions of Brexiters and of Brexitism."

Emma McClarkin argues that Britain's tax regime is forcing pubs to raise the price of a pint.

"After she finished The Left Hand of Darkness in 1968, she worked for Eugene McCarthy’s primary campaign, stuffing envelopes and writing newsletters in his Oregon field office. In 1972, recovering from the first draft of her novel The Dispossessed, she did newsletters for McGovern." Julie Phillips on Ursula Le Guin the political activist.

"As I walk, I wonder what one ought to put on the grave of a cat." Natalie Guest visits Ilford pet cemetery.

The Joy of Six 1456

"At present the Tories are making the same mistakes as their continental cousins – aping the rhetoric and policies of the further right upstart party that is destroying them from the flank. As long as this happens the Blue Wall of small towns and rural hinterland across the South beyond London will disappear altogether with large swathes of the country turning into a Lib Dem/Reform battle (council by election results show this is already happening)." Matthew Pennell asks if centre-right parties are finished across Europe.

AI chatbots are gossiping about us behind our backs. Ashley Fike summarises a paper by the philosophers Joel Krueger and Lucy Osler.

Fiona Sturges says podcasts are being ruined by their rush to video: "Much of the drive behind video content comes from its potential as a marketing tool for the show. Footage can easily be clipped up and shared on social media to help drive audience engagement and, where possible, generate news lines."

Tom Yarrow has been studying heritage railway volunteers to learn about male friendship: "Rather than dismiss their approach as 'repression', I argue in a forthcoming paper that we need to appreciate how people can develop intimate and caring relationships, without naming emotions."

"With a preference for pastel pink powdered wigs and lavender floral suits, Mozart is depicted as a punk rocker before there was punk rock, which worked in the film’s favor in 1984 as a reflection of ‘80s fashion and still works today." Michelle Swope welcomes the appearance of a restored version of Amadeus.

Sam Dalling offers an appreciation of Somerset County Cricket Club's Rew brothers: "There is a danger of getting too hyped up, of heaping too much pressure on young shoulders, but the sense is that both can cope. There is a humility to the pair and an apparent ability to block it all out. They still live at home with their parents and are just enjoying life with their mates."

The Joy of Six 1453

Martin Barrow reports that, following the intervention of Dame Rachel de Souza, the Children’s Commissioner for England, it is hard to find anyone prepared to defend the current arrangements, outside the actual 'business' of children’s homes and foster care.

"Despite the numerous inquiries that have been carried out, the lessons identified often fail to translate into meaningful, lasting change. As a result, organisations find themselves repeating the same mistakes, leading to avoidable disasters. Those impacted wait years for answers, and political impetus for reform can wane." Rebecca McKee and Jack Pannell make the case for reform of public inquiries.

The 'one chatbot per child' model for AI in classrooms conflicts with research that shows learning is a social process, argues Niral Shah.

Jo Lonsdale and Jane Downs tell the story of Mary Ann Macham, who fled slavery in Virginia and found safety in the North East of England: "Mary Ann was born in Middlesex County, Virginia, in 1802, her father 'a gentleman's son', her enslaved mother raped by him. Aged 12, Mary Ann was sold at a public auction at Richmond, a 'poor puny little thing', as she later said, fetching $450."

Emma Slattery Williams on Christmas in the Victorian era: "Roast turkey remains the customary fare for Christmas lunch and we can thank the Victorians for this, too. In the early 19th century, turkeys would have been too expensive for the majority of households to afford. But the development of the railway made them more accessible and affordable, and soon they had become the star attraction at Christmas dinner tables."

"Despite their initial rejection by the Ministry of Transport, the signs were actually rather well designed. Seen side-by-side against the regulation sign that was supposed to be used ... they compare very favourably." Oxfordshire Signs looks back to the days when the county had its own unique designs for road signs.

The Joy of Six 1451

"Almost a quarter of pupils say they 'never' feel safe or 'only on some days'. ... Half of all secondary school pupils say they 'only sometimes' or 'never' enjoy school, and parents aren’t always aware – they underestimate this figure by a factor of three." Cara Cinnamon on the Department for Education’s newly published pupil experience data.

Prem Sikka states the bleeding obvious – to tackle child poverty the government must deal with parental poverty – but isn't it rare to see it stated?

Is your car journey suspicious? Police forces are trialling AI technology that enables them to identify and track “suspicious” journeys by drivers on Britain’s road network. Mark Wilding and Charles Hymas have the story.

Kathryn Rix explains the legislation that bound MPs suffering with prolonged periods of mental illness from 1886 until legislative reform in 2013.

Starr Charles reports that the Twentieth Century Society has selected 10 UK buildings as part of its annual list highlighting 30-year-old buildings it says deserve to be nationally listed. The society says: "Given that around 30 years after construction is often the point at which buildings are likely to require their first major refurbishment, any listing designation at this point would provide a timely opportunity to ensure that such works recognise and respond to what makes a building significant." 

"Reading the poems now, it is the lyricism that stands out and still surprises. Sometimes it seems as though the subjects Larkin writes about are merely placeholders for the poet’s deeper fascination with poetry, and its relationship with the passing of time." Jeremy Wikeley looks at Philip Larkin's early collection of poems, The Less Deceived.