The Joy of Six 1589

Chaminda Jayanetti on successive governments' failure to grasp the nettle of social care: "As far back as 1997, Tony Blair’s New Labour government launched a royal commission into adult care, only to then reject its calls for tax-funded free personal care and more support with residential care costs."

"Fascism is a strange ideology with a universe of conflicting and bizarre beliefs and rituals. Among the strongest is the ritualization of death that both mirrors and serves the main political drive of fascism: the creation of in groups and out groups. This is done through legal capture, the erosion and destruction of rights and protections, political framing of reality, fearmongering and weaponized activation, and the creation of religious cults of power, personality, and collective delusion." Jared Yates Sexton explains the fascist politics behind the public execution of Nidal Hasan.

Nick Baird asks where the Liberal Democrats' ambition has gone: "back in 2024, we were a Party on the up with a record number of MPs. The Tories were banished and in disarray. We talked, in all seriousness, about how we would be the Official Opposition after the next General Election. We looked admiringly at the Canadian Liberals who went from third place with a rump of MPs to an overall majority and thought 'that could be us'."

"I was confronted with a dilemma towards the end of writing my book because I had this line in the conclusion which I’d written a long time ago and thought was a really elegant, pithy sentence that summed up the argument of the book. But, as I was reading one of the final edits, I looked at it again and, having spent the last year immersed in AI slop on places like LinkedIn, I thought to myself, oh God, that sounds like something ChatGPT or Claude would write." Sarah O'Connor talks about her book We Are Not Machines: The Fight for the Future of Work.

"Dadd seems to have been captivated by extreme contrasts of large and small, beautiful and grotesque – which are, of course, a feature of fairy folklore but had also been exemplified in earlier depictions of Shakespeare’s fairies (such as Joshua Reynolds’ famous Puck of 1789, and the fairy paintings of Henry Fuseli). Dadd, however, took the grotesqueness of fairies to a new level." Francis Young reviews the Royal Academy's Richard Dadd exhibition, which runs until 25 October.

Anne Bilson chooses 15 of the best movie car chases.

Woman ‘posed as substitute teacher to insult students because she hates kids’

Metro wins Headline of the Day and may just have identified a phenomenon that explains some of my own school experiences.

The Joy of Six 1588

"Tony Blair once observed that the first step from opposition to government is an honest analysis of why you are in opposition. Kemi Badenoch and the people around her don't seem to have done that - or if they have, they’ve come up with the wrong answer." Andrew Cooper goes to the Conservative Party conference.

Samantha Asumadu reports that Times Higher Education has given no coverage to the allegations against James Orr, the  Cambridge academic and former Reform UK policy chief whose foundation receives Hungary-linked funding. By coincidence, THE signed a partnership with Viktor Orbán’s government.

Achim Hildebrandt et al. examine David Goodhart's claim that a split between Somewheres and Anywheres lies at the heart of many contemporary political conflicts. They find little evidence to support it.

"Creepy. That’s the word for the rising right-wing interest in family policy, exemplified by a recent administration proposal to pay $9,000 each year per child for women to stay at home with their children. The money would come from, and deplete, an existing federal programme that helps working parents pay for childcare." Mitchell Zimmerman says the Trump-Vance family policy reeks of white supremacy and misogyny.

"With their bold transpositions of anachronistic elements, both works can be seen as unconscious, pre-bellum statements against the soon to emerge behemoth of post modernity which would come to be an all-encompassing cultural filter." Corse Present considers Geoffrey Hill's Mercian Hymns and David Rudkin's Penda's Fen.

Geoff Lemon says cricket won't stop taking about the 2018 sandpaper scandal until the Australian authorities give a full account of what happened.

The Joy of Six 1587

Cathy Mongaghan says Essex County Council's Operation Vanguard shows what can happen when a party built on amplifying fear and division takes control of the institutions needed to turn its political story into public policy: "Reform warned people that asylum seekers made their communities unsafe. Reform won power in Essex. Reform then spent council money putting private security on the streets in response to the presence of asylum seekers. The fear came first. The policy followed."

James Murray asks what true pragmatism look like in an age of climate crisis: "How is the rational choice the one that drives up emissions that are triggering climatic tipping points and increases reliance on fossil fuels when volatile fossil fuel prices are the primary source of the current economic pain?"

"A mother whose toddler was removed from her care over a petty crime she committed 20 years ago has finally been reunited with her son after a months-long court battle." Amy-Clare Martin reports on the continuing inhumanity of New Labour's flagship Imprisonment for Public Protection law.

Mark Follman on how ChatGPT fed a mass shooter's violent fantasies and helped plan a massacre.

No, we don't have a lizard brain lurking beneath our rational minds, Hannah Critchlow reassures us.

"Like Stanley Kubrick, Wilder mastered a variety of genres and displayed a range rarely seen in the profession. Ace in the Hole was a scathing satire of the newspaper industry, Witness for the Prosecution a hugely influential courtroom drama and The Lost Weekend dealt with alcoholism in a way that was unprecedented in the 1940s." Darren Richman looks forward to a celebration of Billy Wilder's remarkable career.

The Joy of Six 1584

"The judge told him he did not qualify for asylum and asked the 13-year-old to make a choice: a promise of a $3,000 stipend from the Department of Homeland Security to return to Honduras without his mother and family, or a deportation order. 'I don't know,' Angel said before beginning to cry. 'I have no one. I have nothing.' Julia Conley reports on monstrous US deportation hearings where children are given no legal representation.

Steven Beschloss thinks the Republican mid-term candidates now deserting Donald Trump have left it too late.

"Feltham was described as the most violent YOI at the time of inspection, with more than 400 assaults recorded in the previous year, including 126 involving weapons. Wetherby recorded nearly 500 assaults, although inspectors noted it held more children than Feltham or Werrington, which recorded 324 assaults." Joanne Parkes reads an HM Inspectorate of Prisons' report Children in Custody 2025/6. which concludes that standards across the youth estate remain woeful, despite some improvements at individual establishments.

"From a safe distance, the news that one of English football’s most successful clubs has been found guilty of more than 100 charges of financial irregularity, including “sham” payments totalling around £900m, may feel like so much so-what, a thicket of sporting arcana that even devoted fans occasionally struggle to parse. But, of course, the City case goes deeper than one club, one league, even one sport. Fundamentally, it is a parable of power." Jonathan Liew says the Manchester City case shows us how the global mega-rich now expect to operate with impunity.

Francis Young reviews a new biography of M.R. James: "It has been a long time coming, and eagerly awaited by many, and in this year of the 90th anniversary of James’s death, it does justice to the man and does not disappoint."

Farran Smith Nehme watches Quartet, Trio and Encore – three anthology films adapted from short stories by W. Somerset Maugham.

The Joy of Six 1583

The New World warns that Rupert Lowe is coming for your parents: "Lowe’s success exemplifies how Facebook has weaponised the anxieties and concerns of millions of Britons to drive its increasingly older, isolated users into unreality."

"Monday’s judgment ... means that unless the client agrees to release the material, those private conversations are now beyond the regulator’s reach. This is particularly bad news for the SRA’s ongoing attempts to tackle SLAPPs, the abusive legal actions used by the rich and powerful to shut down scrutiny." Nathaniel Peutherer analyses a judicial ruling that threatens efforts to curb Strategic Lawsuits Against Public Participation.

"He has no visible tattoos, no shaven head, no black overcoat or jackboots. No hood, no Confederate flag and no Nazi images appear in the background as he sits in front of a screen for a recent Zoom interview. Instead, the soft-spoken Christian school teacher and pastor of ... sporting a neatly trimmed beard, was dressed in a charcoal suit and sat in front of a fish tank that seemed straight off the set of Pixar’s Finding Nemo. Then he began talking about Jews." Bob Smietana watches the rise of America's Jim Crow theobros.

Sarah Ward explains trauma-informed care in schools: "Strict zero-tolerance approaches to behaviour are not in line with the ethos of trauma-informed care and practice. It can encourage the interpretation of certain behaviour as defiance rather than distress."

"We also have another appearance by James Wentworth Day, who was quite appalling on the previous release and doesn't really add much beyond being a handy reactionary-for-hire to add 'balance', a broadcasting illusion we can now see in action 70 years ago." Discontinued Notes reviews a selection of TV programmes presented by Daniel Farson in the late 50s and early 60s that focuses on social change.

Katherine Alejandra Cross watches Network (1976). Are we all mad as hell now?

The Joy of Six 1578

"In the days that followed RNLI crew members found pictures of themselves strewn across social media. Online posts described the search and rescue workers as 'traitors', falsely alleging that they had housed asylum seekers and were moving them to secret locations. Some posts included volunteer’s addresses and phone numbers, putting them and their families at heightened risk." Nicola Kelly says the RNLI are heroes, not traitors.

Sian Norris brings us a shocking story: "Domestic abuse victims in England and Wales are facing arrest when calling the emergency services for help, according to new data published by Women in Prison. The charity asked more than 500 women in the criminal justice system about their experiences of domestic abuse, with nearly a third saying they were arrested when the police or emergency services were called to a domestic incident, even when they were the victim of abuse."

Louise Balint-Kurti reports on the return of beavers to the Midlands and the environmental benefits they are already bringing.

"By not accepting that the Civil War was about slavery, then not only could the romantic underdog myth of the lost cause be successfully promulgated but also the Jim Crow laws could come into practice with little or no intervention for decades, and more recently the defence and promotion of Confederate statues and street names could continue." John Bleasdale maps the way Hollywood made the South look like a noble lost cause.

"These buildings range from palaces and religious buildings to two-storeyed houses and simple dwellings. They give the beholder some idea of what the 11th-century built environment looked like on either side of the Channel, even though the representations are formulaic, general impressions." Elizabeth den Hartog on what the Bayeux tapestry tells us about medieval buildings.

David Southwell, the creator of Hookland, answers 10 questions about his work. (David once gave my name to an inhabitant of the county who tried to assassinate Dr Beeching.)

Whatever happened to Connie Converse?

Connie Converse provided my music choice on Sunday. YouTube being YouTube, there are any number of videos about her disappearance in 1974 and what may have become of her afterwards.

I've chosen one of the gentler ones, which has been made by a contemporary woman musician, Victoria Shell, and is in part a response to her music. She has included some links to other resources on Connie Converse.

Coyote vs. Acme: "A warm and witty and weirdly moving film"

I went into Leicester yesterday to see Coyote vs. Acme – or "Coyote and Acme" as the lawyers are no doubt calling it.

As to my verdict on the film, I can't improve on the conclusion of Catherine Wheatley's review for Sight and Sound:

It’s a warm and witty and weirdly moving film, with a profoundly important seam of political satire running through it. 

Audiences should be grateful to Ketchup for rescuing it from obscurity after it was shelved in 2023 by Warner Bros Discovery, allegedly as a tax-write off, and only offered to tender for distribution after a public backlash. It’s a nice story: the people and the independent taking on the big boys to save the day, and one that’s mirrored in the film's final twist. 

And yet a matched pair of framing devices undercuts the film's own optimism: the use of The Clash’s I Fought the Law over the closing credits, and an opening title announces Ketchup as a subsidiary of – you guessed it – The Acme Corporation.

The Joy of Six 1577

Sam Bright says the government's indecision on how to meet the threat of Nigel Farage has cost us all: "Labour has been dismally slow at protecting politics from these predators – rebuffing calls in recent weeks for a cap on all donations, even from domestic sources. And now Reform’s war chest is bursting at the seams."

"In 2024 then mayor of Manchester Andy Burnham argued that net zero was 'the best chance we will ever have to reindustrialise the North of England, reduce inequality and close the North-South divide'." The mayor has had a promotion since then but what of his prediction?" Zachary Leader finds the reality has not lived up to the hype, but there are things his government can do to help.

"When the rain came, the earth in its baked state, was indifferent. Beyond thirst. Shut up from growing. Sculptural towers of cumulous cloud sailed north, into mute and tantalising lightning. The rain, and the return of the heat after, reanimated the only thing to wet the ground all summer: sheep’s urine. Undiluted and remaining on the surface, the smell of ammonia was sudden, heady and strong." Nicola Chester looks back on the extraordinary summer of 2026.

Rhian Jones on the pressure that the need to maintain an online presence puts on musicians.

Benjamin Riley investigates a "profoundly weird and concerning" American private school network: "As part of boot camp, Alpha School students apparently have their heart rates monitored as they watch recorded videos of their parents critiquing them. This activity takes place in front of their classmates, and students must keep their heart rates within 10 percent of their baseline to pass."

"It’s a pretty rotten old country on display here, with no end of respectable, well-spoken pillars of society turning out to be cheap little fakers and drug peddlers, using contemptible tricks such as pretending to be wheelchair-bound as part of a phoney persona." Discontinued Notes reviews Francis Durbridge's television thrillers.

Connie Converse: Roving Woman

From an article on the BBC website by Thomas Hobbs:

Centring on an edgy, city-dwelling female protagonist unapologetically owning her sexuality, the brilliant song Roving Woman sounds like the work of a millennial musician. Evoking the smoky, airborne notes of a late-night Brooklyn bar, it contains lilting guitar harmonies that float in and out of focus like cascading cigarette smoke, while its melancholy vocal is reminiscent of popular contemporary folk musicians like Weyes Blood, Jessica Pratt and Angel Olsen. "Someone always takes me home!" the lead singer swoons.

Yet the truly remarkable thing about this track is it was actually recorded more than 70 years ago. Roving Woman isn't the work of some lo-fi singer-songwriter in their early 20s, but is in fact the forward-thinking creation of Connie Converse. She was a bedroom musician who wrote the bulk of her songs in early 1950s New York, years before Bob Dylan came on the scene and sparked a new singer-songwriter movement.

But she pulled back from her musical dreams at the turn of the 1960s and then, in 1974, aged 50, disappeared completely – never to be heard from again. It was only this century that this mysterious artist's work was rediscovered and has found a devoted audience, stunned by just how pioneering she was.

And:

Another one of Converse's fans is Martin Carr, the English folk musician and lead singer of the band The Boo Radleys, who has written several songs paying tribute to her. "Connie had a dramatist's eye – the ability to conjure a fully inhabited world from a single detail," he explains. "The fact that she named a song after a J.M. Synge play, or was capable of lyrics such as 'Spring seemed to linger in a little bunch of flowers he pressed into my hand', tells you she was reaching well beyond the American folk tradition."

Carr is also particularly impressed by Converse's guitar playing and believes it's extraordinary no matter what generation you come from. "Her guitar playing is phenomenal. I can't play her songs, they're too hard for me!" Carr enthuses. "Her playing reminds me of the way Paul Simon plays; orchestral arrangements for six strings. She was a true individual, an artist of no time."

Pennsylvania's Kids for Cash Scandal shows the danger of the profit motive in the juvenile justice system

If you want to see the danger of introducing the profit motive into the detention of young offenders, watch this video on Pennsylvania's Kids for Cash Scandal.

In the first decade of this century, two judges in Luzerne County, Michael Conahan and Mark Ciavarella, accepted millions of dollars in bribes to lock up children and teenagers for trivial offences from the owners of for-profit detention centres. At least 2,300 young people were wrongly imprisoned.

And get a load of cuddly Uncle Joe Biden at the start of the video.

The Joy of Six 1572

"How did a former lawyer-turned theologian become Reform UK’s lead ideologue and political heavyweight on so many issues? To understand that, you have to follow a covert combination of faith and finance, of evangelical doom-mongering and disruptive tech and media, from the two real kingmakers in right-wing British and American politics – the deeply religious and deeply wealthy owners of GB News and Palantir: Sir Paul Marshall and Peter Thiel." Peter Jukes and Nafeez Ahmed map the strange rise of James Orr.

Elaine Craig has researched family carers' attitude to the use of restraint in mental hospitals: "A mother discovered her son was restrained 33 times in six weeks. Another was told her distressed daughter is 'aggressive' as six staff pin her to the floor and inject her with medication. Through tears, families describe images they cannot forget: bruises, broken bones, loved ones left sitting in urine-soaked clothes, isolated and afraid."

"Students in England’s least deprived areas are three times as likely to enter GCSE PE and drama as those in the most deprived areas. There are also large disadvantage gaps in music, food preparation and nutrition, design and technology and the separate sciences, with the pattern continuing into A-level subjects such as geography." Jabed Ahmed reports.

Garrett M. Graff on the 17 minutes before America changed: "The earliest moments of the 9/11 attacks did not unfold in the way you’ve been taught to think of them: a plane striking a tower, a city looking up in horror, a nation gripped by panic. Instead, for the briefest of windows, the unfolding drama of September 11, 2001, wasn’t yet a calamity but merely a strange accident."

Greg Cwik celebrates the "gleeful terror" of Tim Curry's Pennywise.

"Several residents had paid the considerable sum of three guineas for the privilege of accompanying the celebrity aeronaut on his ascent. As Coxwell now battled to complete his preparations, some of these passengers decided to vent their disapproval at the delay by climbing into the basket and staging a protest. According to Coxwell, one passenger, using 'gestures and foul language', even proceeded to incite the crowd still further by telling them that the aeronaut was refusing to continue with the display." Margaret Brecknell discovers Leicester's balloon riot of 1864.

The Joy of Six 1571

"This is Britain at the end of the hottest summer on record. So, it beggars belief that the Conservatives have chosen this time – or would choose any – to try to scrap the world’s first legally binding framework to cut carbon emissions. Legislation born in Britain and adopted by over 60 countries around the world including Germany, France, Mexico and countless others." Pippa Heylings condemns the Tories' scorched earth policy.

Anna Merlan tells us what ICE's scrobbling of Milo Yiannopoulos tells us about America's far right: "But while Yiannopoulos’ deportation contains an extremely rich vein of schadenfreude – he previously called for deporting 'millions and millions of people' and joked about masturbating while witnessing ICE raids – it’s also indicative of how power, punishment, and influence currently work in the MAGA movement, and broader crackup within that feud-heavy world, where fragile alliances are constantly being made, broken and remade anew."

Simon Ophir on assisted dying, the House of Lords and democracy: "I have delivered palliative and end-of-life care to many patients, including this man. It cannot help everyone and I know that even with excellent palliative care many patients are terrified of death. It is this experience, more than anything else, that makes me so determined to see the assisted dying bill reach the statute book."

"Lloyd George was much driven by his experiences as a child and as a youth, growing up amongst the mostly poor, non-conformist natives of North Wales, groaning under a dominant, minority, privileged class of wealthy, mostly Anglican English landlords and churchmen. He witnessed and early on complained bitterly against unjust evictions of tenants who ‘voted the wrong way’, of tenants who had to pay tithes to a church they did not believe in. Even at school he protested at injustice." Paul Spackman, author of a forthcoming biography of David Lloyd George, is interviewed by Nicholas Alderton.

Ishaan Selby discusses T.H. White's The Goshawk: "While White is generally seen as a misanthropic figure, I read his difficult kinship with the goshawk as an example of a kin relationship that formed outside of hereditary bonds and through a queering of domesticity; one that shows a difficult love and connection outside the bounds of the human."

"What burns on that clifftop isn’t Christianity losing to paganism. It’s a re-enchantment scheme running out of road, with nothing left to offer but a fire. Choose your priests wisely." Moreau Vazh reconsiders The Wicker Man.

The Joy of Six 1568

Tom Perry links to a review of the duty to report child sexual abuse brought in by the Crime and Policing Act 2026. It finds that because of the way the law is framed, this new duty will have little effect.

Anand Kumar is part of the team writing the next edition of psychiatry's bible, the Diagnostic and Statistical Manual of Mental Disorders. This edition will, for the first time, attempt to draw on findings from neurobiology – a reminder of how little we currently know about the biology of mental health and neurodevelopment.

"In Idaho, parents who say their faith prohibits lifesaving medical care for their children can’t be charged with child neglect or manslaughter. Supporters of this protection over the years have included lawmakers who voiced support for 'traditional' Idaho values." But, as Audrey Dutton shows, between the 1880s through the early 1970s it was illegal for parents in in the state to choose prayer over medical care when a child’s life was at stake."

Florence Sutcliffe-Braithwaite reviews four books on the General Strike of 1926: "The miners said that if some pits really were uneconomic, they should shut. The owners wanted to make all pits profitable again by squeezing the workers. The president of the owners' association freely acknowledged that in mines producing for export, wages would fall to levels that he did not shrink from describing as miserable'."

"Eaton was keen on a different director and format for each film. It meant each had its own reference points. I thought about Chinatown a lot with 1974. The design and costumes were all smoky and brown, like the 70s. The cast went for the material big time. David Morrissey really did his research and Sean Harris is nothing if not method. It’s a very masculine story but we wanted strong female characters too – we had Maxine Peake and Rebecca Hall. I kept the most horrendous violence off-screen. Violence you imagine is much worse than anything you’ll see. Your mind does the work." Michael Hogan talks to people involved in the making of the trilogy of television plays Red Riding.

"Sounds fascinated Joe from an early age. He would build circuit boards and take radios and record players to pieces, even creating his own recording equipment (there’s a tale that he put speakers up trees so that the local cherry pickers could listen to the radio whilst they worked, which is brilliant if true). Signing up for his National Service, he became a Radar Technician which also helped nurture another of his fascinations – outer space." Samantha Veal discovers the mercurial Joe Meek.

Olly Lambert's The Devil in the Family: The Fall of Ruby Franke

Olly Lambert's three-part documentary The Devil in the Family: The Fall of Ruby Franke, which is currently on the BBC website, is a brilliant and horrifying piece of work. It's like a David Lynch film, every frame of which is true.

Lambert has written about the making of it in the Independent:

Last May, I sat in a Utah coffee shop with Chad Franke, the son of the infamous 'momfluencer' turned convicted child abuser Ruby. Once regarded as 'America’s mom', Ruby and her family’s former counsellor Jodi Hildebrandt are now both serving up to 30 years in prison for aggravated child abuse on Ruby’s young children. “My mom would always tell me I’d end up in prison,” Chad says casually, then turns to look out the window. “Which is kind of ironic, when you think about it.”

Eight months earlier, Chad and his family had become headline news all across the US and beyond. Theirs was a dark tale of a spectacular fall from grace, with Ruby’s mugshot appearing on magazine front covers and branded a 'Monster Mom' after her 12-year-old son was found in the haze of the Utah desert begging for food and water.

He was emaciated and covered in deep wounds, and would lead police to discover his youngest sister – mute and similarly malnourished – in a closet at the home of the family therapist. Medics later determined that the young boy would have died within two weeks had he not unlocked his own handcuffs and heroically sneaked out an unlocked door to get help. His actions undoubtedly saved his and his sister’s life.

Questions about what had happened behind the façade of this 'perfect' Mormon family still remained unanswered, and Chad, his sister Shari and their dad Kevin were keen to give their first, detailed account of what really went on behind closed doors and when the cameras were turned off.

I watched all three parts last week and was left with three overriding impressions:

• just how weird the Mormon faith is. It has taken the least appealing aspects of Evangelical Christianity and added bucketfuls of its own woo. And then imagine whole towns dominated by it.
• the immense damage to people that such high-demand religions and bad psychotherapy can do. All practitioners should be constantly aware of the dangers of what they are doing.
• the heartbreaking politeness of the abused child.

I hesitate to recommend something so dark, but this is a brilliant piece of work. 

The Joy of Six 1562

"Every large fire has two causes, the spark that lights it and the conditions that let it become so severe. Naming the fire, though, can hide this, as does reporting. A fire is named in hours, blamed in days, and attributed a true cause in weeks." Doug Specht argues that we should reterg 'wildfire' in favour of 'landscape fire', stating the spark where it is known and explaining the conditions that allowed it to spread.

"Judge Paul McCloskey scanned a group of immigrant children, none of whom had lawyers present, in his windowless suburban Virginia courtroom this past Thursday. Where’s the 7-year-old?' he asked." Eric Bazail-Eimil observes immigration proceedings in Trump's America.

Anilya Krishnan on concerns about the 'wilderness therapy' programmes, which often set back families thousands of dollars and form part of the US's lucrative 'troubled teen' industry.

Christian Wolmar says cycling is a feminist issue.

"What really troubled them was that putting the story of William into the context of a chapel dedicated to the Holy Innocents was creating a parallel between William as an innocent boy who was killed allegedly by the Jews, with the story of the boys under two years old in Bethlehem being killed by a Jewish king, Herod." Pat Ashworth on Norwich Cathedral's approach to its troubling unofficial local saint.

Alison Kerr celebrates Alastair Sim: "His rich, commanding voice and heavy-lidded, dark-shadowed eyes lent him an air of menace upon which he capitalised to memorable effect in Scrooge and as various other characters of dubious morals. Sim appeared to play these parts – the lecherous lodger (with dyed black hair combed over to one side) in London Belongs to Me, the initially frightening author in Hue and Cry, and the mysterious title character in An Inspector Calls – with relish and gusto."

The Joy of Six 1561

"My husband, son, and I have been locked up for months – despite being permanent residents with no criminal record. It is an unendurable, unending nightmare." Maryam Tahmasebi writes from the hell of ICE detention.

Femi Owolade argues that Black academics suffer when life stories eclipse scholarship: "Academics are ... expected to have stories that capture attention. University websites, media profiles and press releases often lead with biographies before discussing research. Stories of hardship, resilience and unlikely success have become part of  higher education branding. The academic is no longer just a scholar but an integral part of the university’s public image."

"The UK’s Online Safety Act was sold as a 'world-leading' child-protection law, one that would establish the UK tech sector as a global safety-tech powerhouse. Instead, it has normalised the idea that governments can bolt identity checks and surveillance layers onto the internet. Now that blueprint is crossing the Atlantic, where authoritarian-minded politicians see it as ready-made kit for censorship and control." Heather Burns finds that a British law has inspired the Trump regime's attempts to censor its critics.

No, Harry Potter fans didn't force the rerouting of an undersea able to preserve Dobby's' grave. Dan Davies explains.

Meaghan Roddy says Frasier brought Nineties minimalism to the masses: "I’d hazard a guess that Frasier was the first time a giant swath of America came to experience interior design meant to represent wealth that wasn’t slathered in gold and marble. It was quiet and sophisticated."

Clayton Dillard celebrates John Schlesinger’s film Billy Liar (1963): "Though the film’s ending is outwardly celebratory as Billy strolls back toward his family’s flat, the fact that he’s opted for the familiar comforts of home feels like a questionable – even nightmarish – endpoint for this young person who so craves his autonomy."

The Joy of Six 1559

"Violence has prevailed against the freedom of the press. I was denied the right to report on the disgraceful acts which later unfolded after I left for my own safety – and that is wrong. Violence against anyone should be condemned, that's a fact. But violence against a person simply trying to report is an obstruction of truth." Henry Durand tries to report on the mob violence in Thetford.

Carole Cadwalladr introduces a timeline of The Nerve's investigation of Nigel Farage’s biggest funder, Christopher Harborne, and argues that Farage is a symptom, not a cause, of forces reshaping politics across the world: "Farage has never known anything like it. There are now questions which even he can’t dodge. Questions even the BBC is finally asking. And his luck seems to be running out. A hasty plan to throw off a parliamentary investigation by quitting parliament before he could be sanctioned has spectacularly backfired in the biggest own goal of his career."

Rebecca Nicholson reviews the pitch-dark documentary series Devil in the Family: The Fall of Ruby Franke, which is currently on BBC iPlayer: "As a vlogger, she and her husband, Kevin, made a living from YouTube, posting videos on the popular channel 8 Passengers, now defunct, about Mormon family life and parenting their six children in the picturesque city of Springville, Utah. But in 2023 Franke was arrested and charged with aggravated child abuse and sentenced to up to 30 years in prison."

"This is a pattern seen repeated throughout our society and system: a government quick to make 'hard choices' that involve easy solutions, but seemingly entirely unwilling or unable to take on the tougher opponents and ... seek harder more essential solutions." Paul Rowlston argues that Britain's proposed social media ban for under-16s tackles a symptom while leaving the real problem untouched.

"Caricatures of the Luddites as history’s losers are simply false," says Brian Lewis. "We have not stopped talking about them ever since."

Giles Wilcock looks back to 1919 – the last time cricket's county championship faced a serious threat: "When the war ended, the Bradford League remained attractive, and the Lancashire League began hunting for star names to compete. And because of the unique circumstances of the 1919 season – two-day games and relatively low county wages – they were often successful."

The Coasters: Yakety Yak

Isn't this brilliant? It has everything, from a situation every Fifties American teenager would have been familiar with to an irresistible catch: "Don't talk back." 

Yakety Yak was written and produced by Jerry Leiber and Mike Stoller, who were responsible for many great songs, and performed by the Black doo-wop group The Coasters.

According to the Rock and Roll Hall of Fame:

The union of a black vocal group with two Jewish songwriters was one of the most propitious in rock history. Leiber and Stoller’s witty, street-smart 'playlets' were sung with sly, clowning humor by the Coasters and accompanied by the hot, honking 'yakety sax' of King Curtis. 

The Coasters parlayed their R&B; roots into rock and roll hits by delivering Leiber and Stoller’s serio-comic tunes in an uptempo doo-wop style. Beneath the humour the songs often made incisive points about American culture for those willing to dig a little deeper.

Leiber has described the Coasters’ style as "a white kid’s view of a black person’s conception of white society." In fact, their success showed how thin was the line between rhythm & blues and rock and roll in the Fifties. 

"Our songs…were R&B; hits that white kids were attracted to," Leiber said in a 1992 interview. "And if people bought it, it became rock and roll."