Jonathan Coe on Kenneth Williams, sex and the Sixties

The novelist Jonathan Coe reviewed The Kenneth Williams Diaries for the London Review of Books when they were first published:

Williams found the perfect expression for his personality in the Carry On films – despite their superficially heterosexual orientation – and became such a cherished emblem of sexual insecurity for gay and straight audiences alike. 

For above all this series represents (and celebrates) a peculiarly English sexuality, one in which an addictive, almost obsessional interest in sex is combined with horror and gaucherie at the prospect of actually performing it. 

In this respect they preserve a far more accurate record of the sexual atmosphere of the Sixties than films of ‘swinging London’ like Blow Up or Darling, which offer adolescent fantasies of sexual freedom when the reality for most punters must have been closer to Carry On Camping, with Bernard Bresslaw and Sid James making a pathetic pilgrimage to a nudist camp in order to gaze longingly at the ‘birds’ – pop-eyed, helpless and fundamentally out of the running. 

What Williams and the leering, pickle-nosed James had in common, then, was their status as sexual spectators, mesmerised but fearful.

I remember being taken to see Carry On Camping at the cinema, when I must have been nine. 

But then I was taken to see Danny La Rue's Christmas show when I was eight. I was one of the children who came up on stage halfway through the show. For some reason, there weren't many children there.

Why Kenneth Williams wanted to be serviced by Terence Rattigan

Having recently posted a video of Fergus McClelland with Leo McKern in Brecht's Gallileo, yesterday I had a look in the British Newspaper Archive to see if he had gone on acting for long.

He did for a while, because here's a report from the Coventry Evening Telegraph for 14 March 1966, when he would have been 15:

Duke of Edinburgh Introduces 'Nelson' 

Duke of Edinburgh has recorded an introduction for ATV's specially commissioned play by Terence Rattigan: 'Nelson: A Study in Miniature,' to be screened at 9.25 tonight. 

The play has a strong cast headed by Michael Bryant and Rachel Roberts as Nelson and Lady Hamilton, and including Celia Johnson, Michael Hordern, Sir Felix Aylmer and Fergus McClelland. 

This interpretation of Nelson – which covers the 24 days he spent in London and at his country home at Merton before his final voyage to the West Indies and engagement of the combined French and Spanish fleets off Cape Trafalgar – is largely seen through the eyes of his nephew.

And as McClennan played the part of Nelson's nephew, he must have been central to the production.

Today an extract from an episode of Round the Horne appeared in my YouTube feed. It contained a classic Kenneth Williams rant about not being properly serviced by the scriptwriters – you can listen to it above.

And when you hear Williams say they should get Terence Rattigan to write the show, "then we could have Prince Philip introduce the show ... like he done that thing on Nelson," you will recognise what he was talking about, just as I did.

Incidentally, this a good example of how Round the Horne got away with murder. "Terence Rattigan would service me" indeed.

Kenneth Horne had a parallel career as a business executive and the view at the BBC seemed to be "Horne's a good man" and "If Horne's involved then it's probably all right."

I suppose this coincidence is just an example of the quantum level of weirdness I mentioned the other day, just as I mentioned Kenneth Williams and his wish to be serviced.

Ken Loach was Kenneth Williams' understudy in a West End revue

In 1961 Sheila Hancock was appearing in the West End revue One Over the Eight. In her memoir The Two of Us: My Life with John Thaw she writes:

The chief joy of One Over the Eight for me was meeting and becoming friends with the writer of the show, Peter Cook, and Kenneth [Williams], the maverick star.

But she didn't feel London was really swinging yet and neither did Kenneth Williams:

One night after the show, when I gave him a lift back to his chaste flat on the back of my Lambretta, he waved his furled umbrella at Eros as we circled Piccadilly Circus crying "Where is it? Where is it all happening? Where are all these orgies? Why haven't we been asked?"

Peter Cook wasn't the only writer who contributed to One Over the Eight: The Stage lists John Mortimer, Lionel Bart, N.F. Simpson and John Bird among the other contributors.

But the reason for this post is that Sheila Hancock reveals that Kenneth Williams' understudy was Ken Loach and so gives us our Trivial Fact of the Day.

In this era, Loach was also involved with Leicester's The Living Theatre. His first screen credits as a director came on television in 1964.

The Joy of Six 1481

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Ian Jones reminds us that Kenneth Williams was never off the television: "Yet over the next two decades he failed repeatedly to be – in one of his catchphrases from the BBC radio show Round The Horne – 'properly serviced' by the small screen. Despite all that graft on stage, he never landed a leading role in a TV drama series. For all the comic virtuosity that poured out of him in the Carry On films and his radio series with Tony Hancock and Kenneth Horne, he not once played lead in a TV sitcom."