Violet Bonham Carter and Mary Stocks remember the struggle for women's suffrage

I thought I had finished blogging for today, but this video is too good not to share with you tonight.

It's a BBC2 discussion from 1968 with Lady Asquith (better known as Violet Bonham Carter) and Lady Stocks. A young Joan Bakewell is in the chair.

They are talking about a television film about how women got the vote, and both take the view that it exaggerated the importance of the militant tactics of the Suffragettes at the expense of the role played by the wider Suffrage movement. 

And Lady Asquith remembers defending her father, the Liberal prime minister, from attack by Suffragettes.

Lady Stocks was the cousin of Tim Brinton, a Conservative MP in the Thatcher era and the father of Sal Brinton, the former president of the Liberal Democrats.

I've also discovered that Lady Stocks's husband, a little-remembered philosopher called John Leofric Stocks, was the son of John Edward Stocks, who was vicar of Market Harborough from 1871 to 1884 and then of the fascinating St Saviour's in Leicester.

The Joy of Six 1577

Sam Bright says the government's indecision on how to meet the threat of Nigel Farage has cost us all: "Labour has been dismally slow at protecting politics from these predators – rebuffing calls in recent weeks for a cap on all donations, even from domestic sources. And now Reform’s war chest is bursting at the seams."

"In 2024 then mayor of Manchester Andy Burnham argued that net zero was 'the best chance we will ever have to reindustrialise the North of England, reduce inequality and close the North-South divide'." The mayor has had a promotion since then but what of his prediction?" Zachary Leader finds the reality has not lived up to the hype, but there are things his government can do to help.

"When the rain came, the earth in its baked state, was indifferent. Beyond thirst. Shut up from growing. Sculptural towers of cumulous cloud sailed north, into mute and tantalising lightning. The rain, and the return of the heat after, reanimated the only thing to wet the ground all summer: sheep’s urine. Undiluted and remaining on the surface, the smell of ammonia was sudden, heady and strong." Nicola Chester looks back on the extraordinary summer of 2026.

Rhian Jones on the pressure that the need to maintain an online presence puts on musicians.

Benjamin Riley investigates a "profoundly weird and concerning" American private school network: "As part of boot camp, Alpha School students apparently have their heart rates monitored as they watch recorded videos of their parents critiquing them. This activity takes place in front of their classmates, and students must keep their heart rates within 10 percent of their baseline to pass."

"It’s a pretty rotten old country on display here, with no end of respectable, well-spoken pillars of society turning out to be cheap little fakers and drug peddlers, using contemptible tricks such as pretending to be wheelchair-bound as part of a phoney persona." Discontinued Notes reviews Francis Durbridge's television thrillers.

A website on Alec Guinness's two BBC series as George Smiley

Here's what we need: a website devoted to the BBC productions of John le Carré’s Tinker Tailor Soldier Spy and Smiley's People.

Guinness is Smiley explains:

The aim of this website is to publish fresh material about both series, identify some of the filming locations and signpost visitors to the wonderful content that is already out there. This website is not a commercial endeavour and will hopefully be of interest to fans of both productions.

I have my dad to thank for my love of these series.  He watched each episode beside me when they were first broadcast, but I understood only a little of what I saw back then. As an adult I have seen them many times and find them endlessly compelling and fascinating. The intricacies of the plot and the quality of the acting keep me coming back time after time.

Lord Bonkers had a similar reaction:

Yes, I miss Paddy Ashdown. I miss his correspondence – those envelopes marked "Top Secret: Burn Before Reading" that arrived by every post – and I miss his company. Despite Ashdown's best efforts, I never could quite get my head around Tinker Tailor Soldier Spy. "What exactly was Toby Esterhase up to?" I would ask him, and "So did old Smiley do right by Ricki Tarr in the end?" 

Now Paddy is gone there is no one in the party to explain this to me. I tried asking Ming Campbell the other day, but he just told me Sir Percy Alleline was a fine upstanding fellow and that he wouldn’t listen to a word against him.

Joan Littlewood on Brian Murphy's This is Your Life

I've written several times about Joan Littlewood and her extraordinary influence on British theatre. Here is a short clip of her, recorded for Brian Murphy's This is Your Life.

In the run up to it, you hear what an extraordinary struggle it was for someone from the working class, like Murphy, to get training as an actor.

And after it, there's confirmation that Joan Littlewood didn't just have connections with ITV comedy (half the cast of On the Buses came from her Stratford East company), she had them with BBC comedy too.

I've written about the 30 years of slog Nigel Hawthorne experienced before he became famous overnight in Yes Minister. As I say in that post, he once said he owed his career to Joan Littlewood – she had cast him as Field Marshall Haig in a touring production of Oh! What a Lovely War.

I'd also read that Jimmy Perry, one of the writers of Dad's Army, had spent time at Stratford East, and here he is confirming it.

Richard O'Sullivan's This is Your Life from 1974

The actor Richard O'Sullivan has died at the age of 82. He was never out of the studio as child star in the Fifties and early Sixties, and became a sitcom heartthrob of the Seventies.

Talking Pictures TV is currently running the children's show Dick Turpin that he made at the start of the Eighties. O'Sullivan retired from acting after suffering a stroke in 2003.

This edition of This is Your Life was filmed just as O'Sullivan's adult career had taken off because of his starring role in ITV's Man About the House.

Look out for an appearance by a barking mad Trevor Howard.

The Joy of Six 1568

Tom Perry links to a review of the duty to report child sexual abuse brought in by the Crime and Policing Act 2026. It finds that because of the way the law is framed, this new duty will have little effect.

Anand Kumar is part of the team writing the next edition of psychiatry's bible, the Diagnostic and Statistical Manual of Mental Disorders. This edition will, for the first time, attempt to draw on findings from neurobiology – a reminder of how little we currently know about the biology of mental health and neurodevelopment.

"In Idaho, parents who say their faith prohibits lifesaving medical care for their children can’t be charged with child neglect or manslaughter. Supporters of this protection over the years have included lawmakers who voiced support for 'traditional' Idaho values." But, as Audrey Dutton shows, between the 1880s through the early 1970s it was illegal for parents in in the state to choose prayer over medical care when a child’s life was at stake."

Florence Sutcliffe-Braithwaite reviews four books on the General Strike of 1926: "The miners said that if some pits really were uneconomic, they should shut. The owners wanted to make all pits profitable again by squeezing the workers. The president of the owners' association freely acknowledged that in mines producing for export, wages would fall to levels that he did not shrink from describing as miserable'."

"Eaton was keen on a different director and format for each film. It meant each had its own reference points. I thought about Chinatown a lot with 1974. The design and costumes were all smoky and brown, like the 70s. The cast went for the material big time. David Morrissey really did his research and Sean Harris is nothing if not method. It’s a very masculine story but we wanted strong female characters too – we had Maxine Peake and Rebecca Hall. I kept the most horrendous violence off-screen. Violence you imagine is much worse than anything you’ll see. Your mind does the work." Michael Hogan talks to people involved in the making of the trilogy of television plays Red Riding.

"Sounds fascinated Joe from an early age. He would build circuit boards and take radios and record players to pieces, even creating his own recording equipment (there’s a tale that he put speakers up trees so that the local cherry pickers could listen to the radio whilst they worked, which is brilliant if true). Signing up for his National Service, he became a Radar Technician which also helped nurture another of his fascinations – outer space." Samantha Veal discovers the mercurial Joe Meek.

Sky Sports faces down Pakistan authorities over Michael Atherton's interview with Imran Khan's sons

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The Pakistan Cricket Board threatened to tell its team not to take the field yesterday afternoon if Sky Sports screened a Michael Atherton interview with Imran Khan's two sons.

Sky delayed the broadcast while conversations with the board took place, but to its credit eventually broadcast the 18-minute insert.

In the interview, reports Cricinfo, Imran's sons Suleiman and Kasim Khan expressed concern about the health of their father, who has been in prison for three years, and said they feared for his life.

GUEST POST Doctor Who: The most golden era?

Peter Chambers weighs the Doctor Who era I remember from my childhood and does not find it wanting.

No Doctor Who fan is without an opinion on which era was a golden era. This is evident in that someone who professes otherwise is not a true Doctor Who fan. Douglas Adams would have understood. And gone for lunch.

It is a truth universally acknowledged, here in Liberal England, that our host remembers that the Pertwee era was the best, because he remembers Pertwee as "my Doctor". Is he right? Can we adduce evidence for this? Or are we condemned to find evidence to the contrary.

I will contend that he is half-right. Does this make me half-right? Are we both half-wrong? I shall explain.

I shall describe an era by the name of the Producer who was in charge at the time. Implicitly I shall claim that the Most Golden Era was within the Classic Period, but the Moffat-Capaldi era featured some material as good as any in the Classic Period. This will not be further discussed here, and is obviously true in the Douglas Adams sense. A list of Producers and the episodes they supervised is given on the Tardis Fandom site.

Our host’s theory that the Most Golden era starts with the first Pertwee episode equates to saying that the serial Spearhead From Space is the start. This is coincidentally the first serial I ever watched, the first colour serial, the first Pertwee episode, and the first Caroline John (Liz Shaw) episode. It is reviewed by a credible commentator who uses the name The Watcher on Who.

The Watcher asks if Spearhead is a 'soft reboot' of Doctor Who. The second Doctor wished to leave the show, and monochrome was to be replaced by colour, which meant that the cost of colour production had to be absorbed by the existing budget. 

The previous production team made some plans for this and used the last monochrome serial, The War Games, to set up the transition. This has been rendered in colour and is now on iPlayer. It is a nice contrast to Spearhead. The previous producer, Derrick Sherwin, stayed on for Spearhead, then handed over to Barry Letts.

Jon Pertwee exits the Tardis surrounded by smoke and collapses on the ground. It is the 1970s. Soon a scientist called Liz Shaw meets a Brigadier in a building in London. Soon they are up to their necks with Autons. A little like the events of 2005 in the Modern era. Start with a bang and work your way up from there.

Pertwee and Letts entertain us until the end of Season 11 – Planet of the Spiders. Then Philip Hinchcliffe becomes Producer and Tom Baker takes over as the Doctor. This starts what is known as the Hinchcliffe-Holmes years, which I believe is the second part of the Most Golden era. 

Robert Holmes was sometimes script editor, and sometimes writer. Many of your favourite episodes from that time might turn out to be written by him, possibly under a pseudonym. Spearhead was one. The Deadly Assassin was another. (Did he and Moffat ever go down the pub? Who knows...)

The Hinchcliffe-Holmes years continued until the end of Season 14, when the team met the most frightening monster to threaten Doctor Who. No, not Bonnie Langford, Mary Whitehouse.

Mrs Whitehouse spoke out for a moral majority of people in Britain that no one could quite remember the names of. The National Viewers and Listeners Association. They contended that some giant spiders and people running down corridors from monsters in cheap plastic costumes constituted a threat to the moral character of the nation. 

Some of the senior management of the BBC agreed with them. The show Had To Change! Hinchcliffe was shown the door. Gothic horror and drama was out. Light entertainment was in. Comedy. Escapism. The Most Golden era was over.

Robert Holmes provided a low key note of revenge in Season 15 – a transitional season – in The Sun Makers, when Louise Jameson is shown throwing Capitalist Landlords from the top of "kilometre high towers". Philip – thou art avenged!

So perhaps Jonathan is half-right and I am half-wrong. Or so it seems. Please avoid pressing Like or Subscribe as these functions are not provided here. Perhaps comment down below, and certainly watch a few favourites over on iPlayer. 

There is no paid sponsorship, but do have a pint of real ale in your local before it is closed down by a Private Equity firm. Or it burns down due to wild fires and climate change. You heard it first in The Green Death. Which also warned you about AI.

Peter Chambers is a Liberal Democrat member from Hampshire. The photo of Jon Pertwee is from New Zealand Archives.

The Joy of Six 1567

"Profound isolation contributed to the deaths of more than 100 care leavers in England in a year, with a dramatic drop-off in support from social services at 18 leading to catastrophic consequences, a review has found. A government-commissioned report into the early deaths of young people who left care described the problem as a national tragedy and said many were left on their own 'at the height of vulnerability' before they died." Jessica Murray reports on the continuing scandal of Britain's care system for children.

William Lane tells it like it is: "Liberalism in Britain has been and always will be a centre-left tendency, and British history is littered with the corpses of right-Liberal projects. Any successful Liberal government or coalition in Britain must come through the centre-left, and a Lib Dem shift to the right would alienate the very voters it needs to be reaching out to if the party is to expand over 100-odd seats."

Justine Pedussel and Jim Dickinson argue that the Treasury is bankrupting universities in Scotland, Wales and Northern Ireland.

"Despite being diagnosed with ADHD in 2020, I remain somewhat agnostic about the disorder. Many friends have since been diagnosed. When I was in America in 2023, it seemed that most of the young people I spoke to had been diagnosed with it. Procuring Adderall was about as easy as buying a packet of cigarettes. But that does not mean that ADHD isn't real, and Pemberton’s documentary seemed to elide this distinction throughout." James Bloodworth reviews The Great ADHD Myth?

"What is the future for the Tower of Power? No-one knows. It’s not listed, and you know what people are like about postwar buildings. These places frighten them for the different ways of living they suggest, and the ambition of an age we no longer feel directly connected to." John Grindrod celebrates the tower that houses the offices of Buckinghamshire County Council in Aylesbury.

Candice Bailey collates of collection of reviews of the 25 best folk horror films of the 2020s (so far).

The Joy of Six 1566

"Our promise should be: We don’t want power so we can run your life. We want power in order to give it back to you." Roz Savage asks what has happened to Liberalism and what would make it relevant again.

Simon Pearson rightly says that the online left has lost sight of issues like class, ownership and material power: "The left needs to recover the harder ambition that once defined it: taking people divided by culture, race, sex, nationality and countless other experiences and building a common politics around material interests without pretending those differences do not exist. That requires organisation rather than recognition, explanation rather than denunciation and a serious account of ownership and power."

Nathan Ley explains why our streets may flood this winter, and why it won't be because of the council's 'blocked drains': "Dry clay shrinks, cracks, and forms a crust that sheds water instead of taking it in. Soil hydrophobicity is the technical term. The first heavy rain after a long drought doesn't soak away. It runs, quickly, and reaches the drainage network all at once rather than seeping through over several hours."

"A rash wartime policy ordered the detention of hundreds of Manchester Italians in a prison camp in Bury, and sent many to their deaths on a camouflaged military vessel in the Atlantic. Amongst them were ice-cream sellers, bakers, shopkeepers and a priest. Why were they there at all?" Ethan Penny uncovers a forgotten wartime injustice.

"Nuts In May was an accurate and excruciating reflection of the human condition when it was first broadcast in 1976, was still relevant to us students in the 90s, and even today in 2026, has lost none of its power over the viewer. This is a film with tension, outrage and tragedy. That so much perfectly fits into 81 minutes is a tribute to the brilliance of its director, the taut script structure and flawless cast." Adelle Stripe revisit Mike Leigh's 1976 cult classic.

Mike Nevell takes us to Shrewsbury Flaxmill Maltings, the world’s first iron-framed building (built 1796-7), and thus the forerunner to the modern-day skyscraper.

Olly Lambert's The Devil in the Family: The Fall of Ruby Franke

Olly Lambert's three-part documentary The Devil in the Family: The Fall of Ruby Franke, which is currently on the BBC website, is a brilliant and horrifying piece of work. It's like a David Lynch film, every frame of which is true.

Lambert has written about the making of it in the Independent:

Last May, I sat in a Utah coffee shop with Chad Franke, the son of the infamous 'momfluencer' turned convicted child abuser Ruby. Once regarded as 'America’s mom', Ruby and her family’s former counsellor Jodi Hildebrandt are now both serving up to 30 years in prison for aggravated child abuse on Ruby’s young children. “My mom would always tell me I’d end up in prison,” Chad says casually, then turns to look out the window. “Which is kind of ironic, when you think about it.”

Eight months earlier, Chad and his family had become headline news all across the US and beyond. Theirs was a dark tale of a spectacular fall from grace, with Ruby’s mugshot appearing on magazine front covers and branded a 'Monster Mom' after her 12-year-old son was found in the haze of the Utah desert begging for food and water.

He was emaciated and covered in deep wounds, and would lead police to discover his youngest sister – mute and similarly malnourished – in a closet at the home of the family therapist. Medics later determined that the young boy would have died within two weeks had he not unlocked his own handcuffs and heroically sneaked out an unlocked door to get help. His actions undoubtedly saved his and his sister’s life.

Questions about what had happened behind the façade of this 'perfect' Mormon family still remained unanswered, and Chad, his sister Shari and their dad Kevin were keen to give their first, detailed account of what really went on behind closed doors and when the cameras were turned off.

I watched all three parts last week and was left with three overriding impressions:

• just how weird the Mormon faith is. It has taken the least appealing aspects of Evangelical Christianity and added bucketfuls of its own woo. And then imagine whole towns dominated by it.
• the immense damage to people that such high-demand religions and bad psychotherapy can do. All practitioners should be constantly aware of the dangers of what they are doing.
• the heartbreaking politeness of the abused child.

I hesitate to recommend something so dark, but this is a brilliant piece of work. 

The Joy of Six 1561

"My husband, son, and I have been locked up for months – despite being permanent residents with no criminal record. It is an unendurable, unending nightmare." Maryam Tahmasebi writes from the hell of ICE detention.

Femi Owolade argues that Black academics suffer when life stories eclipse scholarship: "Academics are ... expected to have stories that capture attention. University websites, media profiles and press releases often lead with biographies before discussing research. Stories of hardship, resilience and unlikely success have become part of  higher education branding. The academic is no longer just a scholar but an integral part of the university’s public image."

"The UK’s Online Safety Act was sold as a 'world-leading' child-protection law, one that would establish the UK tech sector as a global safety-tech powerhouse. Instead, it has normalised the idea that governments can bolt identity checks and surveillance layers onto the internet. Now that blueprint is crossing the Atlantic, where authoritarian-minded politicians see it as ready-made kit for censorship and control." Heather Burns finds that a British law has inspired the Trump regime's attempts to censor its critics.

No, Harry Potter fans didn't force the rerouting of an undersea able to preserve Dobby's' grave. Dan Davies explains.

Meaghan Roddy says Frasier brought Nineties minimalism to the masses: "I’d hazard a guess that Frasier was the first time a giant swath of America came to experience interior design meant to represent wealth that wasn’t slathered in gold and marble. It was quiet and sophisticated."

Clayton Dillard celebrates John Schlesinger’s film Billy Liar (1963): "Though the film’s ending is outwardly celebratory as Billy strolls back toward his family’s flat, the fact that he’s opted for the familiar comforts of home feels like a questionable – even nightmarish – endpoint for this young person who so craves his autonomy."

Stanley Unwin is now remembered by a blue plaque at his old home in Long Buckby

Here's the great Stanley Unwin on Pebble Mill at One in 1985. He had the sense to know that his unique act worked best in short doses. That way he kept his audience comftybold, two-square on their botties.

The latest news from Long Buckby is that a blue plaque has been installed on the bungalow in the High Street where Unwin lived for many years.

I once went to the village to photograph his and his wife's grave. I feel another journey coming on.

Eddie Waring's "Dark Satanic Mills End" was at Hilton Park, Leigh

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I've a memory of Eddie Waring, the BBC's rugby league commentator between 1949 and 1981, referring to the "Dark Satanic Mills End" at one ground. I thought it was Leigh's and, having found the picture above, I think I was right.

The photo was published in Picture Post in 1949, and the caption on Getty Images says:

A group of young supporters accompany Rugby League players Bill Kingdon and Cec Ryan across allotments to the Kirkhall Lane rugby ground in Leigh, Lancashire. In the background is the Parsonage Pit.

In 1947 Leigh Rugby League Club started playing their home games at the town's Hilton Park stadium, which is indeed in Kirkhall Lane. It can't have been a bad ground: three internationals were played there between 1954 and 1964.

Leigh added Centurions to its name for the 1995–96 season and, as part of this rebranding, the stadium was renamed the Coliseum. The club moved to Leigh Sports Village for the 2009–10 season and Hilton Park was demolished to allow housing development on the site.

I don't remember seeing pit winding gear at Waring's Dark Satanic Mills End, but I do remember a forest of mill chimneys.

The Joy of Six 1559

"Violence has prevailed against the freedom of the press. I was denied the right to report on the disgraceful acts which later unfolded after I left for my own safety – and that is wrong. Violence against anyone should be condemned, that's a fact. But violence against a person simply trying to report is an obstruction of truth." Henry Durand tries to report on the mob violence in Thetford.

Carole Cadwalladr introduces a timeline of The Nerve's investigation of Nigel Farage’s biggest funder, Christopher Harborne, and argues that Farage is a symptom, not a cause, of forces reshaping politics across the world: "Farage has never known anything like it. There are now questions which even he can’t dodge. Questions even the BBC is finally asking. And his luck seems to be running out. A hasty plan to throw off a parliamentary investigation by quitting parliament before he could be sanctioned has spectacularly backfired in the biggest own goal of his career."

Rebecca Nicholson reviews the pitch-dark documentary series Devil in the Family: The Fall of Ruby Franke, which is currently on BBC iPlayer: "As a vlogger, she and her husband, Kevin, made a living from YouTube, posting videos on the popular channel 8 Passengers, now defunct, about Mormon family life and parenting their six children in the picturesque city of Springville, Utah. But in 2023 Franke was arrested and charged with aggravated child abuse and sentenced to up to 30 years in prison."

"This is a pattern seen repeated throughout our society and system: a government quick to make 'hard choices' that involve easy solutions, but seemingly entirely unwilling or unable to take on the tougher opponents and ... seek harder more essential solutions." Paul Rowlston argues that Britain's proposed social media ban for under-16s tackles a symptom while leaving the real problem untouched.

"Caricatures of the Luddites as history’s losers are simply false," says Brian Lewis. "We have not stopped talking about them ever since."

Giles Wilcock looks back to 1919 – the last time cricket's county championship faced a serious threat: "When the war ended, the Bradford League remained attractive, and the Lancashire League began hunting for star names to compete. And because of the unique circumstances of the 1919 season – two-day games and relatively low county wages – they were often successful."

Raven: Phil Daniels and archaeology encounter nuclear waste

Nuclear site dig will change prehistory, says archaeologist

says the headline on a BBC News article about Sizewell C.

A nuclear power station being built on an ancient site? That sounds like the plot of an ITV children's serial from the Seventies.

And I was pretty much right, because the largely forgotten series Raven from 1977 dealt with plans to store nuclear waste use an ancient cave system. I'm not sure I remember watching it, but I did have the book.

So here's the first episode. Note the strong cast: Phil Daniels, Michael Aldridge and Patsy Rowlands.

Before I found this, I was going to use a short video about the series. It's fine, except when it claims that, by dealing with environmental issues in 1977, Raven was "way ahead of its time".

People write with such certainty about decades they don't remember. But often their version of the past is as wide of the mark as that you find in the AI nostalgia accounts they love to correct.

The Joy of Six 1558

"Someone who attended a private school in London or the South East is 24 times more likely to become a permanent secretary than someone educated at a state school in the North. For a seat in the House of Lords, the gap is 23-fold. That is not class inequality plus regional inequality. It is what happens when they multiply." Nick Harrison asks if No 10 North will change who runs Britain.

Janice Mak says American schools are increasingly questioning whether every student needs a laptop: "This distinction between passive consumption and purposeful use is increasingly shaping school policy. Updated policies also reflect an emerging emphasis on age-appropriate screen use, student well-being and ensuring that technology can support, rather than replace, direct instruction and student collaboration."

Adam Sherwin reports on the plans to turn off Freeview television and the threat that poses to Talking Pictures TV.

Scott Barry Kaufman argues that the role of luck in successful lives is far greater than we realise.

"Do not be lulled into complacency by the family-film aesthetics. When Mom the Sheepdog instructed Babe the Pig to dominate other animals by abusing them, demeaning them, and telling them what to do, and Babe refused because disrespecting another living creature would be wrong? That moment might have radicalised a generation." Roxana Hadadi discusses the politics of Babe (1995).

"From the end of the Victorian period, Broadstairs was strategically marketing its Dickensian connections through postcards, guide books and festivals. In 1897 Alfred Harmsworth (founder of the Daily Mail) was one of the organisers of a ‘Dickens Village’, which recreated scenes including Defarge’s wine shop, Peggotty’s boat, the Great White Hart at Ipswich and the Old Curiosity Shop. The festival was successful enough to be repeated the following year." Carolyn Oulton on the long history of Dickens tourism in Broadstairs.

Northwood Lane, Bewdley: The Elan Valley Aqueduct, The Singing Detective and Jonathan Meades

Fire broke out beside the Severn Valley Railway (SVR) bear Bewdley yesterday, reports the Shropshire Star. I don't know if it was caused by a spark from a train, but many preserved lines have gone over to diesel-only operation because of the tinder-dry state of lineside vegetation this summer.

This fire took place near Northwood Lane, which is a long road that runs beside the River Severn north of Bewdley. And this post  is about three things you can see along its course.

The first is an aqueduct that carries drinking water from the Elan Valley reservoir in Mid Wales over the River Severn on its way to the Frankley Reservoir in  Birmingham. This 73-mile pipeline, which opened in 1906, was a wonder of its day. 

You'll find it marked on the endpaper maps of many books about the Welsh Border, and I suspect it was the inspiration for the plot about a Shropshire reservoir being blown up by German spies in the first of Malcolm Saville's Lone Pine books, Mystery at Witchend.

You can see the Aqueduct over the Severn and the rails of the SVR in the photograph above. Now on to two television connections...

There is a station beside Northwood Lane, and it was used as a location for Dennis Potter's The Singing Detective. It's in the scene where the young Philip Marlowe returns to the Forest of Dean after his mother's death in London and is met by his father, who is played by Jim Carter. You can see a photo of them above along with photos photos of the station and level crossing.

And then there's Jonathan Meades...

You may remember his film Severn Heaven, which visited the Bewdley plotlands. This is an interwar community of some 160 self-built properties, which appears to be under threat at the moment. 

I had a wander round it some years ago myself, getting off the train at Northwood Halt.

The Joy of Six 1554

"The idea that England has always been governed from a single political centre is surprisingly recent. Westminster may now appear almost inseparable from the state, but for much of English history, government was far more mobile." Stephanie Brown says Andy Burnham’s No 10 North has a precedent in medieval York.

Nafeez Ahmed examines the links between George Cottrell’s Reform UK network in Montenegro and sanctioned Russian oligarchs.

"When social workers become involved with a family, the focus is often on parenting, safeguarding concerns or family relationships. But new research suggests that one of the strongest drivers of repeated involvement with children’s services is something more basic: whether families have enough money to live on." Rick Hood explains the findings of his research.

Jennifer Rubin Grandis confronts the systemic bias in academic publishing: "I’ve been studying sexism in academic medicine since 2019, and I’ve learned from countless interviewees that my experience as a woman in medicine is common. Women are rarely mentored well—in fact, when they ask for advice from senior faculty, they’re often discouraged from submitting their papers to high-impact journals, despite making just as many scientific discoveries as men."

Boak & Bailey recommend pub crawling as a way of practising psychogeography.

"Few science fiction relationships stick in my mind better than the love/hate between Dr. Zachary Smith and Robot in the original 1960s version of Lost in Space." J.G. Follansbee on one of television SF's great double acts.

Dennis Potter's 1975 dramatisation of Angus Wilson's Late Call

Angus Wilson is an example of a once highly regarded writer who has disappeared from view. I read his books when I was a teenager and enjoyed them, but they are now out of print.

I also have fond memories of Dennis Potter's television dramatisation of Wilson's novel Late Call from 1975. Today I discovered that all four parts of it are on YouTube, so I have included the first one here. I've not watched it for 51 years, so apologies if it does not live up to my memories of it.

Margaret Drabble once wrote about the novel:

My most memorable holiday book is Angus Wilson’s Late Call, which I read on holiday in Morocco, or rather on my way to Morocco, for I think I read it on the boat from Marseille to Tangier. I had discovered Wilson’s work while still at university and eagerly read each book as it was published; this novel, which came out in 1964, was as gripping as all the others had been, and very unexpected. 

It’s the story of a newly retired hotel manageress trying to adapt to life with her widowed headmaster son in a new town. It’s full of social comedy and human tragedy, and I remember being utterly gripped by the wholly real world Wilson created. It was a perfect companion on a trip that was at times rather unsettling. 

I don’t know how a sophisticated and highly educated man such as Wilson can have entered so fully into this woman’s hopes and fears, but he did. It’s also more experimental than it looks in terms of narrative technique. It was made into a TV series in which Dandy Nichols played the main role brilliantly.

Even as a teenager, I recognised there was something special about a novel in which the lead character who grows and makes a new life for herself is an old woman.