The Joy of Six 1331

Heidi Siegmund Cuda and Dmitrii Kovegin discuss where the anti-Putin resistance in Russia goes from here: "Putin killed Navalny. There is no other way to look at it. Putin along with Russian intelligence kills anyone who opposes him and the regime and who is influential. Anna Politkovskaya, Nemtsov etc. I believe Navalny went back to Russia knowing he would be imprisoned and likely die because he was courageous and believed in his purpose."

J. Mckenzie Alexander asks if Popper's 'Open Society' can survive the information age: "In the book I question if, in looking for likes or retweets, we’re actually chasing the sugar rush rather than the truly nutritious, substantive meal. My concern is that, in a number of senses, people are using these proxies as a way to satisfy very real and justified human needs - but these proxies just aren’t adequate to doing the job right,"

Georgia is descending into a pro-Putin Mafia state, reports Will Neal.

Felicity McWilliams explores the disproportionate impact of a small group of West Berkshire Commoners on the US-USSR nuclear arms race in the 1980s.

"What we have, then, is an omniscient narrator. Except, in a twist that seems to make no sense, where he does pop up to make a comment in his own person, it’s often to admit uncertainty, or to explain that what he’s saying is close to speculation." Daniel Soar on Dostoyevsky's The Brothers Karamzov.

"The collective angst of the motherless von Trapp children is vaguely written and blandly performed. The film urgently needs the stakes-raising intrusion of the Nazis in its second half; the breath-held tension of its climactic escape sequence may be drafted in from another movie altogether, but necessarily so." Guy Lodge celebrates the flawed but enduring film The Sound of Music.