"Cottesmore Hunt were about to be forensically challenged - and in real time. Along with Chris and Megan was Fabian who, armed with a live broadcast camera, captured all the action as it happened and shared it via a live social media stream. The only veil of secrecy the Cottesmore could call upon was the thick mist which shrouded the killing fields." Northants Hunt Saboteurs are joined for a day by Chris Packham and Chris Packham and the zoologist Megan McCubbin.
Will Tavlin on the strange economics of streaming services: "For a century, the business of running a Hollywood studio was straightforward. The more people watched films, the more money the studios made. With Netflix, however, audiences don’t pay for individual films. They pay a subscription to watch everything, and this has enabled a strange phenomenon to take root. Netflix’s movies don’t have to abide by any of the norms established over the history of cinema: they don’t have to be profitable, pretty, sexy, intelligent, funny, well-made, or anything else that pulls audiences into theatre seats."
J.J. Jackson explores East Anglia's hidden man-made and explosive dangers.
A tour of some of the grandest interwar public houses of East and South London in the company of Modernism in Metroland.
"Coming away from a light-hearted festive flick often feels like being sloshed on a cocktail of capitalism and corporate greed. Can’t connect with your children? Just buy their affection with an expensive toy, like Arnold Schwarzenegger in Jingle All the Way. Want a turkey but there’s hardly any left in stock? Fight with a rival shopper, as per Jamie Lee Curtis in Christmas with the Kranks." Sam Quarton suggests a Christmas horror flick for the anti-festive film lover: The Legend of Hell House.
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