Ella Cockbain interviews a representative of SPACE (Stop & Prevent Adolescent Criminal Exploitation) about the authorities' inadequate response to recruitment of children into serious crime: "Nobody’s trying to look beyond that to see the child’s victimisation as the source of their criminality. We’re not asking, why has this child got drugs? Why is this child miles away from home? Why does the story begin where it suits the police – with the child’s criminal act – rather than showing the problem in its entirety?"
Hans Broekman took his school from the private to the public sector. Here he recommends a series of measures the government could take to encourage more schools to do the same.
"From the point, in February 2024, when directors began to tell authors that cash flow difficulties would result in postponed payment, Unbound continued to spend on everything but authors – including the Boundless Substack magazine, launched this January. And the company continued to solicit pledges and sell to readers right up to March 2025." The Bookseller prints a letter from more than 30 authors who published with Unbound.
Finding a tale of British landed gentry, slavery and sugar plantations, Paul Lashmar traces the source of the Drax family's wealth.
Sven Mikulec praises Peter Yates 1973 film The Friends of Eddie Coyle: "The large portion of this masterfully executed film’s appeal lies on the back of Robert Mitchum, one of the best American actors of all time, who never uses his screen time for any affectations or theatricality, only to deliver the distressing story fully immersed into the character he embodies."
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