The Joy of Six 1423

"The study, which examined nearly 300 child-arrangement case files and observed over 100 hearings, found that domestic abuse featured in almost nine in ten (87 per cent) of cases. Yet judges routinely treated it as background noise. In over half of those cases, courts ordered unsupervised overnight contact between children and alleged abusers." England and Wales's family courts aren’t just failing survivors, they are complicit in state-sanctioned abuse, argues Zoe Grunewold after a reading a report by two academics from Loughborough University.

George Foulkes says broadcasters are warping our politics by failing to subject Nigel Farage to the scrutiny that other politicians rightly experience.

"Along with restoring trust in the church’s safeguarding processes, Mullally must also heal divisions within the church’s hierarchy over leadership culture. In the weeks leading up to Welby’s resignation, both he and the archbishop of York, Stephen Cottrell, were accused of using 'coercive language' by the bishop of Newcastle, Helen-Ann Hartley." George Crozier on the many challenges facing the new Archbishop of Canterbury.

"Today, Denmark's wolf population is estimated to be just over 40 wolves, with at least seven breeding pairs known to have produced cubs. Yet even this small number has sparked fierce debates over livestock and public safety in one of Europe's most intensively farmed countries, with views on wolves seeming to reflect wider political divides across Denmark." Kristian Kongshøj and Troels Fage Hedegaard explain why 40 wolves have shaken Danish politics.

Ellen Hawley sets out the long history of curry in Britain.

Mike Taylor champions an undervalued Paul Simon album: "One of the most striking qualities of One Trick Pony as an album is how understated everything is. There are no big, heart-on-sleeve emotions, no vocal histrionics. Many of the songs have a stumbling quality, and almost all of them feel gentle. Every time a song starts to seem like it has a clear emotional shading, something undercuts it – whether it’s Simon’s idiosyncratic vocal delivery, a flash of colour from the band (and all of them are superb), or a switch in direction in a bridge or chorus."