Richard Tisdale unravels the mystery of the Church Stretton ghost story that made global headlines.In1874 the glowing white spectre of a woman who’d vanished off the face of the earth caused mass hysteria in the south Shropshire town. It’s a ghost story that has reverberated through the centuries and one that will never be laid to rest.
The judges advise the birds to other counties to look to their laurels.
Before Yes Minister made him famous in 1980, Nigel Hawthorne served a long apprenticeship in the acting profession. But I had not grasped till recently just how long that apprenticeship had been.
If you click on the arrow above, you will see him in a scene from Going Straight, the short-lived sitcom that followed Norman Stanley Fletcher after his release from the Slade Prison of Porridge.
That scene dates from 1978, but he had a bit part in an episode of Dad's Army as early as 1969. I recall a story that someone had gone to David Croft on Hawthorne's behalf, saying he was a very good actor who was getting many parts and asking if Croft could offer him something. Croft did, though as I recall Hawthorne doesn't really convince as a lorry driver.
But I've now know that Hawthorne's apprenticeship stretched right back to the start of the Fifties, and two of this blog's heroines helped me discover this.
Here's Sheila Hancock writing in The Two of Us: My Life with John Thaw:
I was thrilled to be so near London where someone might see me. I was playing quite a good role but whenever I was in danger of getting a laugh, Frank would intervene with, "No, don't laugh – poor soul – she went to the RADA, you know" (pronounced radar by Frank). "No perlease, perlease have some respect."
Nigel Hawthorne and I watched in awe as he jettisoned the script and went off into wild fantasies of his own It was one of Frank's frequent periods in the theatrical wilderness and no one important came near us, but supporting this anguished man gave us a friend for life.
With the help of the British Newspaper Archive I can tell you that this all took place in 1956.
Two years earlier, Hawthorne had been in the supporting cast when Freda Jackson returned to her alma mater, the Theatre Royal, Northampton, to play Marguerite Gautier in The Lady of the Camelias. He was in the repertory company there in 1954 and 1955.
He was acting with the company at the Pavilion Gardens, Buxton, as early as 1951. Hawthorne had first gone on the stage in South Africa in 1950, and was to alternate between Britain and South Africa for a few years without finding much in success in either.
And we have a part for a third heroine of the blog. Because, just as Sheila Hancock does, Hawthorne said he owed his career to Joan Littlewood.
Here's Markland Taylor reviewing Hawthorne's Straight Face, The Autobiography, which was published just after his death, in Variety:
Hawthorne’s luck changed magnificently when he downed six bottles of Guinness before auditioning for a role in a production of Littlewood’s hit
Oh! What a Lovely War planned for a tour of England and Europe, and was cast.
This led to his invaluable relationship with Littlewood and his career blossomed, leading to highly rewarding work on stage, screen and television.
This was in 1964, so Hawthorne still had 16 years to wait before be became famous overnight. This is a story about talent and persistence, but it may ultimately be one about having the right mentor.
"Rebekah Pierre, deputy director of the charity Article 39, said ... posters advertising payments of 'up to £932 per week per child' 'stopped me in my tracks' when she encountered them in a local shopping centre." Joanne Parkes on criticism of a fostering recruitment campaign by Croydon Council, arguing that its messaging risks reducing children in care to a "price tag".
James Cracknell says that AI is being used to undermine real local journalism: "North London News features stories about Enfield and Barnet and other boroughs that are put together by AI bots using existing stories published on other websites, including our own. This is bad enough – but what's worse is that they are also adding fake quotes, fake people (including fake councillors), fake organisations and fake facts into these stories as well. Whatever AI system they are using, it is massively flawed."
"Several startling passages of dialogue have sent me scrolling through the week’s listings to unveil an author. Katie Hims can nail a character through their choice of confectionery: of course, the trad Jim Lloyd would go for wine gums. Nick Warburton scripted a bonkers visit by a character obsessed with train timetables and pebbles, then cleverly had one of the most stolid residents complain that the incomer was a bore." Susannah Clapp praises The Archers scriptwriters.
"In Britain hauntings occur in ancient manor houses, old inns, and Gothic asylums – places whose very age makes them groan and creak, where shadows sit deep, and which are scarred by the lingering imprint of lives lived and lost. And yet arguably the most famous British ghost story of the 20th century took place somewhere quite different: in a humble council house, only half a century old, in Enfield, north London." Ray Newman considers the haunting of social housing.
I had somehow avoided seeing The Mouse That Roared until a few weeks ago. Perhaps because I'd seen its sequel, The Mouse on the Moon, I expected a gentle comedy where the action all took place in the fictional European statelet of Grand Fenwick. So I was surprised to find that much of the film is set in New York.
That was not the only surprise. With its satirising of Cold War thinking and the multiple roles played by Peter Sellers, it looks forward to Kubrick's Doctor Strangelove. Grand Fenwick declares war on the USA, reasoning that when it is defeated it will reap a fortune in American. Only it wins the war and brings the US's deadly new Q bomb back home from New York.
Sellers gets good support from the welcome faces of William Hartnell and Leo McKern, and – remarkably – Jean Seberg has a prominent role too. It's one to watch next time it's on Talking Pictures TV.
Keir Starmer had already made a catastrophic error of judgment. Now it looks as though he has also misled parliament and lied to the British public. If that is the case, he must go.
Labour came into Government on a promise to clean up politics. Instead we’re seeing the same old sleaze, scandal and cover-ups as we did under the Conservatives.
You can read the Guardian story that broke the news on the paper's website.
The paper has a second piece that identifies five key questions. They are:
He sounds like a minor character from Poldark, so it's appropriate that we find Jago Hazzard away from his London stamping ground and in Cornwall. He's our guide to what it seems we must now call the storied history of the St Ives Bay Line - surprisingly storied, in fact.
I stayed in St Ives when I was walking the coastal path many years ago. This was before the Tate opened in the town, but even then it was it was absolutely heaving.Yet the next morning I walked a mile out of town towards Zennor and had the clifftops to myself.
But then no one ever built a St Ives, Zennor and Lands End light railway.
Eyal Weizman on the destruction of Gaza: "Two and a half years after 7 October 2023, most of the Gaza Strip – cities, refugee camps, schools, universities, mosques, the health infrastructure, agriculture, wells and the soil itself – has been destroyed and made toxic by bombs, artillery, tank shells and sappers. The most systematic destruction was caused by D9 bulldozers made by the US company Caterpillar. These giant armoured machines stabbed their blades into the ground, churning up fields, felling orchards, flattening homes, tearing through roads and ploughing through cemeteries."
"France builds 300,000 homes every year. If that number sounds familiar, it's because that's the target that the UK misses year after year. So far this century, a new tramway has opened in France every six months. Is this a coincidence, or are they linked?" Thomas Ableman describes what happened when a group of transport and housing aficionados took British policymakers to France to see first hand the country’s fast growing tram network.
Matthew McManus says the right wants voters to be stupid: "In Poisoning the Minds of the Low Orders, his great book on early modern conservatism, Don Herzog notes how British conservatives relentlessly argued that the lower orders ought not to be educated lest it provoke 'insubordination'."
"I’m always amazed by the technical knowledge that CFF kids seem to have, too. In our next film, The Cat Gang, a small boy's suspicions about another gang of smugglers are raised by one of the villains wanting a battery for his car. 'Most modern cars have 12 volt batteries, so why does he want a 6 volt battery?'. He’s about eight..." Bob Fischer and Vic Pratt review a new DVD compilation of Children's Film Foundation gems.
I know this song from David Bowie's stylish version – it's on his album Pin Ups and was a no. 3 hit in 1973 – but it was first recorded by the American group The McCoys in 1965.
This British cover by The Merseys made no. 4 here the following year.
In awarding Headline of the Day to the Telegraph, the judges expressed scepticism towards the idea that lobsters can be used as a substitute for classroom teachers.
This session was recorded in 2012, three years before Ron Moody died. As well as Moody, who played Fagin in the 1968 film of Oliver! having first created the role on stage, it features Kenneth Cranham, who was Noah Claypole, and Mark Lester, who was Oliver himself.
As Kenneth Cranham says, it was Moody's reinvention of Fagin that made the film's worldwide success possible by moving the story away from the medieval antisemitism that Dickens drew upon. I wrote about this aspect of the novel in a book chapter a few years ago - there a short extract in another post on this blog.
But then Dickens long ago lost control of Oliver Twist. Such is the power of the novel that it has entered folklore and, like a folk tale, it now changes with every telling of its story. I wrote more about this in 2015 when Ron Moody died.
Immediately after the contest, a consensus developed that the reason was the effectiveness of the Conservatives' campaign against Labour's economic policies. This view was certainly advanced by the Tories themselves, as its acceptance would make Labour more timid about challenging Thatcherite economics in future.
And it was advanced by the head of the Tory campaign, Chris Patten, perhaps as a way of burnishing his reputation and consoling himself after he lost his own seat of Bath to the Liberal Democrats.
But I have always doubted this explanation. I remember thinking that it did not chime with what I had heard during the campaign from voters or from colleagues at work.
I recently came across an article that suggests I was right to be sceptical. In May 1994 the Independent published an article by Anthony Heath, Roger Jowell and John Curtice on the findings of their study of the 1992 election.
They go through the various explanations that had been offered for Labour's defeat and find them all wanting – notably the claim that "It's The Sun Wot Won It" made by, you guessed it, The Sun itself.
Here are Heath et al. on the suggestion that it was Labour's tax policies that had been decisive:
Labour's proposals for taxation and national insurance contributions – outlined in John Smith's 'alternative Budget' – were relentlessly attacked by the Conservatives. Faced with the prospect of a cut in their disposable income, the argument runs, voters had second thoughts about the wisdom of letting Labour in.
But our surveys find little evidence to back this argument. It arose because the polls showed a small Labour lead throughout a campaign in which taxation was one of the dominant issues and yet the Tories won. Our research, however, confirms that the pollsters had it wrong all along: they consistently underestimated the Tory vote. The Conservatives were ahead throughout the campaign.
There was a late swing, but far too small to account for Labour's defeat. And the people who deserted Labour were not particularly averse to high taxation; rather, they seemed to have relatively little faith in Labour's ability to improve services such as health and education.
In fact, the authors find nothing in the 1992 election campaign had much of an effect on the final outcome.
I did receive intimations that there had been a late swing to the Tories. During the campaign, I'd heard stories of Liberal Democrat workers putting money on Nick Harvey gaining North Devon with a large majority, when ultimately he gained it with a small one.
And I was told to put money on the Lib Dems in Falmouth and Camborne, because Sebastian Coe was going down very badly there. Luckily I didn't, because Coe held the seat for the Tories. He lost to Labour in 1997 and the Lib Dems finally took it in 2005.
My own theory was that voters had chosen John Major over Neil Kinnock. After Margaret Thatcher's late Sturm und Drang years, Major was a breath of fresh air. Those who only know of him as a figure of fun may be surprised at this, but if they study his statesmanlike conduct since losing power they may see why people found him attractive in 1992.
Neil Kinnock, by contrast, had been leader of the opposition for nine years. Some of the attacks on him as a "Welsh windbag" bordered on the racist, but, boy, he did talk a lot. And, burdened by cares of leadership, he had lost the wit and sparkle that had made his name as a backbench MP – notably on Jimmy Young's Radio 2 programme.
So that's why I didn't believe in 1992 that the Tories' attacks on Labour's tax policies had won them the election. And, going by Heath et al.'s study, I was right not to believe what became the received wisdom on that contest.
This question is not just of historical interest. Rachel Reeves's pledge not to increase income tax, national insurance or VAT, which has backed her into such a corner, was made because of a more or less conscious memory of 1992.
DevonLive wins today's Headline of the Day Award. The judges remarked that if the sub writing this headline is that fond of scare quotes – and the story below is even worse – they should get a job at BBC News.
And after reading:
A Plymouth adult entertainment venue, housed in a former bank, has become the focus of a chilling paranormal investigation. The "alternative" establishment, which features a well-appointed bar and a bondage "dungeon", is reported to have a "horrible" atmosphere in certain areas, a sensation that has intensified since recent renovation work commenced.
they suggested the owners move the bondage dungeon into one of the areas with a horrible atmosphere and charge extra.
Salop County Council’s planning committee is in favour of putting the proposed BBC TV mast on the Stiperstones. It has rejected the Wrekin as a possible site saying it would have "an adverse effect on the visual amenities of the area."
An inquiry into the BBC plan to have the Stiperstones as the site was held last year. But the Minister of Housing deferred decision, calling for new plans to be drawn up for the Wrekin. He said he would make a final decision after an inquiry into the Wrekin plans, fixed for March 3.
And the minister came down in favour of the Wrekin, after the proposed site of the mast there was moved further from the Iron Age hill fort.
I am left wondering what horrors a mast on top of the Stiperstones would have broadcast into people's homes.
"Could the bellicose, belligerent and braying Hegseth – with his Crusader tattoos, his disdain for diplomacy, and his evident taste for violent domination – have convinced Trump to start a war to complete the unfinished business of the Crusades?" Julia Carrie Wong reveals the militant Christian theology animating the US attack on Iran
Hannah Sharland reports on fears that the government's transport strategy will not see the improvements for disabled travellers that were promised.
"Standing at 6ft 2in, with an imposing physique and a razor-scarred face, she was a Black, gay multi-instrumentalist who refused to let a racist society or a rapacious industry confine her. Thornton should be ranked alongside the likes of Billie Holiday and Nina Simone, but instead she is little more than a footnote in the histories of Elvis Presley and Janis Joplin as the original voice behind songs they would make famous." Garth Cartwright celebrates Big Mama Thornton.
"For really I think that the poorest he that is in England hath a life to live, as the greatest he." A London Inheritance takes us to St Mary's, Putney, where the Putney Debates took place in 1647.
Simon Hughes (not that one) remembers Channel 4's years of covering test cricket – they gave us Geoffrey Boycott without the tiresome public-school teasing of him by Jonathan Agnew: "Our principle aim was to make cricket coverage more interesting and informative: to tell ‘why’ as well as ‘what’. Part of our motivation came from people who said they often watched cricket on the TV but turned the sound off and listened to the radio commentary. We wanted our content to be so intriguing viewers would turn the sound up."
The photograph shows the ruined church of St Mary in Arden by Market Harborough railway station, where the story begins.
"We talked about how we need to fight Reform in the way they need to fight Donald Trump, and she gave me some choice advice, which I'm not going to repeat because that would be unfair on her."
He's also been talking to PoliticsHome – that's a quote from an interview they've posted this evening.
"Pressed" (as if he needed pressing) to say more his meeting with Hillary Clinton, he added:
"She said you have to be very strong and stand up to bullies and don't cave in and cosy up to them. She didn't say she was criticising Keir Starmer, but I think the approach we [the Lib Dems] have taken, and the approach that someone like the Liberal Prime Minister of Canada, Mark Carney, has taken, is the sort of approach she will endorse."
He described Clinton as "very friendly and very warm!: "You could tell that she realised that we had shared values."
The interviewer, Zoe Crowther, then turned to restlessness among Liberal Democrat MPs. This is part of Ed's answer:
"I'm restless like they are… I share their restlessness," Davey told PoliticsHome, while stressing that his MPs and the party “work really well together”.
However, in a bid to face down his critics, the Lib Dem leader pointed to his electoral record.
"The polls are the polls, but the elections are the elections," he told PoliticsHome.
"Winning elections is what we've done under my leadership. If we make net gains in May, it will be the eighth year in a row we've made net gains, the sixth under my leadership. It's never happened before. That's a continual increase, year on year.
"This year we could well beat Labour and the Tories for the number of councillors we elect for the second year in a row, and it’s never happened previously."
He insisted that the Lib Dems are "still the most united parliamentary party" despite recent negative briefings.
The MPs know how well the party as done in elections under Ed Davey – I mean, they would, wouldn't they? – but that success is not a complete answer to their restlessness. I suspect that restlessness is rooted in disappointment that achieving the best result by a Liberal party in over a century in 2024 has done so little to raise our profile.
You can complain about media bias, but we have to ask whether our style of campaigning is one of the causes. We adopted the "three bullet points and a reminder that Labour can't win here" approach that won us spectacular by-election victories in the last parliament at the general election too, and are still using it two years on.
Ask the public what the Lib Dem approach to the economy is, and they would be justified in asking how they are supposed to know, even if they've noticed the stand-alone proposals we have made.
And this concentration on target seats in the South of England has coincided with a further fall in our core vote. Yes, we're now in a novel political landscape, but in council by-elections where we have not campaigned, there hardly seems to be a Lib Dem vote at all.
To end on a happier note, Ed also talks about chess:
Davey – similarly to Chancellor Rachel Reeves – played chess competitively until he was about 12 years old, though he said he would "not put myself up as a great chess player" anymore.
"Playing the long game, that's the key thing in chess," he said.
Ed my be pleased to learn that my blog post about his chess game with Mike Ross in Hull was responded to on Bluesky by the eight-time Russian chess champion Peter Svidler.
I also liked Svidler's comment on Rachel Reeves.
timid, indecisive, unwilling to commit to even temporary sacrifices when the situation calls for a reassessment, and drastic measures might be needed. the chess game is meh too.
— Peter Svidler (@polborta.bsky.social) 11 April 2026 at 13:07
[image or embed]
"When I got up in the morning, I saw Antigua on the horizon. I was just like, I'm going to make it there today if it kills me.
"So I just like rowed flat out for the whole day.
"I was determined I was not going to spend another day on the ocean."
She said arriving on land was just fantastic after such a long time at sea by herself.
"I was just so happy, deliriously happy to be back on dry land, and loads of people came down to the dock to see me in.
"There were school children singing and, the harbour master had come out to greet me in, and had brought my mum out."
Lord Bonkers wrote of a meeting with her last year:
She is full of her plans to row across Rutland Water, having already bagged the Atlantic, Pacific and Indian Oceans, but until the Monster is in less playful mood, I shall not encourage her. The chief whip will give me beans if I cause an unnecessary by-election in a seat we hold.
Thanks to an evil billionaire who wants to destroy the planet, I have been able to show you what that encounter might look like.
One of the label’s most collectable singles is Bill Oddie's On Ilkley Moor Baht’at. I think I was behind that. It was another one of our jokes that nobody got. He’s a clever boy is Bill Oddie, but people thought it was a serious record, as the lyrics went unnoticed, so it disappeared without trace.I mentioned it to John, who said he was up for it, and we managed to get most of The Grease Band, Jim Capaldi and Sue and Sally who were on the original Joe Cocker Reprise band release, and it was great. John and his producer John Walters produced it. It was a one off, and quite expensive to record, as it featured all of those amazing players. But, again, no regrets. It was worth doing and still gives us a smile.It’s now one of the most collectable Dandelion records and was one of the records in John’s box of 50 favourite records, along with The White Stripes and Medicine Head.
The Grease Band members playing on the record are Henry McCullough (guitar) and Alan Spenner (bass).The organ player is Verden Allen from Mott the Hoople, while Jim Capaldi, of course, was the drummer from Traffic.
And the backing singers are not "Sue and Sally" but Sue and Sunny. The Wikipedia entry for Joe Cocker's album With a Little help from My Friends says Sue, Sunny, Madeline Bell and Rosetta Hightower sang on the title track, which Oddie is affectionately parodying here.
As Dandies in the Underworld also mentions Python Lee Jackson's In a Broken Dream, I'll end by sending you to my post about staying at a bed and breakfast in Bishop's Castle run by the man who overdubbed the organ on that record.
The chief joy of One Over the Eight for me was meeting and becoming friends with the writer of the show, Peter Cook, and Kenneth [Williams], the maverick star.
But she didn't feel London was really swinging yet and neither did Kenneth Williams:
One night after the show, when I gave him a lift back to his chaste flat on the back of my Lambretta, he waved his furled umbrella at Eros as we circled Piccadilly Circus crying "Where is it? Where is it all happening? Where are all these orgies? Why haven't we been asked?"
Peter Cook wasn't the only writer who contributed to One Over the Eight: The Stage lists John Mortimer, Lionel Bart, N.F. Simpson and John Bird among the other contributors.
But the reason for this post is that Sheila Hancock reveals that Kenneth Williams' understudy was Ken Loach and so gives us our Trivial Fact of the Day.
In this era, Loach was also involved with Leicester's The Living Theatre. His first screen credits as a director came on television in 1964.
Ari Berman names the far-right conspiracists who are urging Trump to take control of the mid-term elections.
Tao Wang says a study of the prohibition of absinthe in France in 1915 can teach us about modern day blaming and shaming. "Scapegoating operates as a powerful social mechanism. It often turns uncertainty, fear or political conflict into social blaming directed at certain persons or groups, based on thin, selective or simply false stories being told or repeated as if they were true."
Caitlin Chatterton argues that though female fans can make a musician's career, they are not taken seriously: "Perennial sexism in the music industry has often seen female fans stereotyped as hysterical. Rooted in Ancient Greek, 'hysteria' has long been used to portray women as somehow innately unstable, and therefore incapable of critical thought. It’s what kept us out of politics for so long, and it’s why our opinions are still being discredited."
"Though supported by the Parish Council and pressing need, this modest plan for six council houses aroused fierce opposition. William Maclean Homan, the town’s historian, argued it would cause Winchelsea to become a 'third-rate modern village'. He favoured, instead, a proposal to build private rented housing on low-lying land away from the town at the bottom of the hill on a site rejected by the Council because of its poor drainage." Municipal Dreams on the battle to build council housing in Winchelsea.
Adam Roberts wonders why no one reads Walter Scott any more: "Back then, everybody read him. He was the first global superstar of the novel. It's the Rule 34 of 19th-century literary studies: Everybody read Scott, no exceptions. ... Dickens's great dream, when he began writing fiction, was to do what Scott did."
In this British Film Institute video Sylvester McCoy, Sheila Hancock and members of it production team discuss the 1988 Doctor Who story The Happiness Patrol.
You can watch all three parts of it on the BBC website.
My Doctor was Jon Pertwee, though in those days the Brigadier and Roger Delgado were a large part of the success of the show. These days I'm not a great Doctor Who fan, but I am a Sheila Hancock fan.
Most Liberal Democrat MPs, and most of the limited number of target seats we have yet to win, are in the South of England, with inevitable consequences for the policy positions we adopt.
So it's good to see two reports on BBC News about Ed Davey visiting areas in the North where we hope to do well in next month's elections.
One is about a visit to Stockport, where the report says we are "eyeing full control". Ed also spoke of the party making gains "in places like Preston and Manchester and Trafford".
He is pictured sewing a blazer at a Stockport school uniform supplier he visited with Lisa Smart. This hardly counts as a stunt, and the media - local television in particular - wants pictures to go with our news stories. As I've said before, this is something Leave grasped and Remain failed to grasp during the EU referendum campaign.
It's just that I feel sorry for the kid who's going to be put into isolation for having a wonky blazer when the schools go back.
As it's in the Manchester commuter belt, parts of Stockport have a lot in common with some of the seats we hold in the South East of England. This is less true of Hull, where Ed has also been.
Here the Liberal Democrats have a one-seat majority on the council and are looking to increase that - a third of the seats are up for election next month.
Hull has long been a fight between Labour and the Lib Dems (you might call it a "two-horse race"), but Reform UK won the mayoral election here last year. So he turned his fire on them
""People have been very disappointed in the Reform mayor who's frankly missing in action. He's done nothing for the region."
and
"Nigel Farage backs Donald Trump left right and centre. He would have taken Britain into this war. He should take some responsibility for the high petrol prices people are paying and higher mortgage costs."
And the gentle stunt? I'm pleased to say that, as you can see in the video above, Ed was filmed playing chess with Mike Ross, the Lib Dem council leader of Hull City Council, on what looks to be one of Rishi Sunak's much-maligned chess tables.
For analysis of their game, see Paperback Rioter.
 |
| Lord Harborough's Curve: photo by John Sutton |
In mid-November 1844, railway surveyors were making their way slowly through the Leicestershire countryside. George Stephenson had sketched out his preferred route for the Syston & Peterborough Railway and now they were taking the levels.
Four miles east of Melton, near the village of Saxby, they reached the estate of Lord Harborough, whose ancestral home of Stapleford Hall stood nearby. His Lordship hated the very idea of railways and had put up signs warning the surveyors to keep off his land.
The railway men attempted to avoid causing offence by following the towpath of the Oakham Canal, but this added insult to injury, as Lord Harborough was a shareholder in the canal, which faced ruin if the railway was built. His servants and estate workers set about removing the surveyors by force, leading to four days of fighting between the two sides.
Pistols were allegedly drawn by surveyors, clubs and iron pointed staves carried and bare fists used. Artillery was even mentioned! The estate Fire Engine was deployed as a primitive water cannon and the railway company was threatened by letter that:"We have barricaded the towing path and have in readiness a few cannons from Lord Harborough’s yacht. If you force us to use them, as a last resort, the blood will be upon your hands."
Lord Harborough won his dispute with the railway company, so its engineers were forced to construct a tight curve in order to avoid his land. "Lord Harborough's Curve", as it was known, remained in use until 1892, when a route through Stapleford Park was finally built. You can see the wooded embankment of Lord Harborough's Curve in the photograph above. But the title died with him, as he did not father any legitimate children.
In another part of the forest, I have noticed that whenever I search for pictures of Market Harborough in photo libraries, portraits of a writer called Robert Harborough Sherard come up. He was a friend of Oscar Wilde and his first biographer.
Sherard's father was the Revd Bennet Sherard Calcraft Kennedy, who turns out to have been one of three illegitimate children that our Lord Harborough had with an actress called Emma Love. Through his mother, Sherard was also a great grandson of the poet William Wordsworth.
Sadly, he is not an attractive figure. His books on the poor of England generally lay the blame for their sufferings at the door of Jewish landlords.
Still, we have our Trivial Fact of the Day: Lord Harborough who won the Battle of Saxby was the grandfather of Oscar Wilde's first biographer.
"In places like Kootenai County, where white Christian Republicans hold a supermajority, local politics is mutating into something undeniably extreme. North Idaho offers a particularly stark example. A decade after Trump took over the GOP, the Coeur d’Alene region finds itself beset by a vexing mix of far-right activists and white nationalists who are trying to drive moderate voices out of political life." Michael Edison Hayden talks to the locals who are fighting back.
"Does the democratisation of information and access provided by social media help or hinder women in political careers? Is it an essential tool for visibility and mobilisation or another obstacle that disproportionately discourages women, especially those from marginalised backgrounds?" Georgia Richardson reports on a discussion of these questions.
Michael C. Munger recruits an unlikely pair of thinkers to question naïve optimism about government intervention in the economy: Adam Smith and Michel Foucault.
"The newly exposed floodplain was cracked and parched, the slate river chugging along in its rediscovered course. I’d hoped to see a fish or two; instead, the river practically vibrated with them. Salmon skittered from pool to pool, shark-like dorsal fins waving above the surface, dozens of Chinook chasing and nipping and circling each other in ancient dance." Ben Goldfarb celebrates the rebirth of an American river.
Ryan Lambie on the importance of Professor Quatermass: "ITV didn’t launch until September 1955. As a result, The Quatermass Experiment was viewed by just about every British person who owned a television; it was reckoned that some 3.4 million people tuned in to watch the first episode, and that the figure steadily climbed to a staggering five million by the sixth and final episode, which aired that August."
If you'd been reliant on Radio One and Radio Luxembourg for your music in 1974, this single would have sounded like something from another planet to you too.
 |
| Holy Trinity, Desborough |
 |
| Holy Trinity, Desborough |
 |
| St Bernadette's, Rothwell |
 |
St Bernadette's, Rothwell |
 |
| The Grotto, St Bernadette's, Rothwell |
 |
| David Dixon: St John North, Burton Latimer |
Britain's longest canal tunnel is Standedge Tunnel on the Huddersfield Narrow Canal. It runs for three and a quarter miles, taking boats from Marsden in West Yorkshire and Diggle in Greater Manchester. Before local government reorganisation in 1974, both ends of the tunnel were in the West Riding of Yorkshire.
The canal tunnel opened in 1811, and by the end of the 19th century three railway tunnels had been built more or less in parallel to it. Two of them have long been disused, and it is these that the video explores.
As you will see, the four tunnels are still linked underground and contain many surprises. Don't have nightmares.
Ruth Lucas reports on depressing but unsurprising new research findings: "Only 40 per cent of disadvantaged pupils identified as high-achieving at the start of secondary school go on to achieve top GCSE grades, compared with 62 per cent of their more affluent peers."
Patrik Hermansson and Harry Shukman take us inside The Sanctuary in Westminster, which offers financial support, free meeting rooms, podcast spaces and catered events to hard-right activists: "Furnished like a Pall Mall gentlemen's club, The Sanctuary has Chesterfield sofas, a taxidermied penguin, and a sketch of the Victorian colonialist Cecil Rhodes. Its bookshelves are decorated with Moët & Chandon champagne, a Fabergé egg, and maps of St Helena, the island on which Napoleon was exiled."
How many lives does God take in the Bible? Colin Marshall points us to a video that makes the total 2,599,499.
"The film succumbs to the constant temptation to map Liverpool’s changing face against your own. Davies’s childhood, like my father’s, was marked by the slum clearances, the first step in the seemingly endless process of regeneration and reification that continues to mar the city to this day." Lizzie Mackarel watches Terence Davies's 2008 film Of Time and the City.
Bill Bibliomane reviews When Last I Died by Gladys Mitchell: "There’s always something to like and appreciate in a Mrs. Bradley novel, but When Last I Died goes the longest way yet to building a taut, suspenseful, and gripping narrative, right up to the closing pages."
The Electric Monk is a character introduced by Douglas Adams in his 1987 novel Dirk Gently's Holistic Detective Agency. The Monk is a machine intelligence in the service of an alien who visits Earth before life as we know it arose here. It probably looked like Julian Glover wearing an unconvincing rubber mask. It was about as diligent as a human.
The alien had a problem. Its ship – shamelessly copied from the Dr Who serial City of Death – was then about as reliable as SpaceX Starship. The normal rockets were not functioning. But the alien decided that a tech-hack might work. It would take off on Warp Drive. From a planetary surface. With no Tech Support.
Now before SF fans choke on their pints of Dow Bridge Centurion (4.0 per cent), pause for a bit. It was desperate and there was some oppression stuff and illiberal anti-democratic stuff needing doing out in the galaxy. It possibly had a PPE degree, and was used to trading off risk. Or at least closing the agenda. Naturally it could inspect the Warp Drive itself. But what a faff!
This is where the Electric Monk came in. The alien’s people had invented these MI when they wanted reassurance about things, without being diligent about things, or – by crikey – sweating the detail. So the alien asked the Monk to check the Warp Drive. The Monk assured the alien that all was well. Which is about as useful as a ferry safety check conducted by Chris Grayling and the SNP.
Chop chop. Switches on, batteries to power, warp to speed, retract landing legs. Boom.
End of alien. Normal life starts on Earth. Here we are. Then we invent GPT.
We now have something that will draft that conference speech for you. And check it. And do a schedule. And reassure you that the speech will be fine. Even accept that minor correction you made. Progress. Which is a term seldom heard in Market Harborough.
The line "Sometimes you have to roll the hard six" occurs in episode 1.10 of the 2004 American SF series Battlestar Galactica, which is titled The Hand of God.
Edward James Olmos plays Commander Adama, Mary McDonnell plays President Laura Roslin, Katee Sackhoff plays Lieutenant Kara "Starbuck" Thrace, and Jamie Bamber tries to play Captain Lee "Apollo" Adama. The Executive Producer (lead writer) was Ron D. Moore. Ron used a team writing approach, and his writers bible included portraying the BSG as a USN carrier and the convention that those enemies of humanity, the Cylons, were monotheists. The Cylons know who created them, so surely the whole world was a creation?
The situation in 1.10 is desperate. The human fleet is very low on fuel. They either land on a planet or find some fuel or fuel ore. A scout locates a defended enemy base with a fuel refinery. The Commander and his pilots draft a plan to take the enemy base. It is high-risk, high-reward. There will be losses of irreplaceable pilots and machines, including civilian freighters. They take the plan to the political administration. President Roslin listens:
Adama: If you keep running from the school-yard bully he keeps on chasing you, but the moment you turn around and stop and you punch him really hard in a sensitive spot, he'll think twice about coming back again.
So it's either this, or run out of fuel and be annihilated. Sometimes you have to roll the hard six.
Roslin: Well the Freighters are yours. Good hunting.
You can watch this scene online.
The term "hard six" originates in the dice game craps. There it means a pair of threes on two dice. The probability is 1 in 36, which is 2.777 recurring percent. The payoff is high. It would have to be in an episode where a good outcome is moderate losses of irreplaceable people. The payoff would have to change the game.
There follows some well scripted action involving the "which hand is the ball in?" subterfuge with large explosions and dead AI. Which was the point of the episode in series one.
This is all easy to do in a scripted drama. It is routinely used by hacks. Ron D. Moore used it this once in series one.
In real life, with limited uncertain information, it may still have to happen. Contemporaries say that Operation Market Garden fell into that category. It was said to be worth the risk at the time. Later historians and writers endlessly second-guess that.
And what for the Lib Dems in 2019? There was a lack of solid information, high risk, possible high reward. But it did not work. Sometimes it does not. Was it right?
 |
| Thomas Hill "T.H." Green |
The attention given to T.H. Green can be justified partly because he sought to present such a formula in philosophically cogent terms. "When we speak of freedom," he argued, "we do not mean merely freedom to do as we like irrespective of what it is we like. We mean the greatest power on the part of the citizens as a body to make the most and best of themselves."
Green had reached this view by 1881 in a public lecture on "Liberal legislation and the freedom of contract". The opportunities for state intervention which this doctrine suggests were to give Green a subsequent reputation for fathering a collectivist approach in welfare legislation.
But the reputation was really fathered upon Green – he was more fathered against than fathering. Green himself had not meant to move so far. But that he had moved away from any tolerably strict definition of voluntarism is surely evident. In 1873 he had declared that "the drink curse is altogether too big a thing to be dealt with by individual effort only." In this field at least, higher claims than mere liberty had to be asserted, albeit by the citizens as a body.
There is a splendid vignette, dating from the following year, of Green in conversation with a friend, dwelling "with great disappointment on the use made by the workmen of their half holiday and shorter hours. He even said that he thought it was better they should not have a half holiday, but should be kept constantly at their work so that they should not have time to drink."
I also like Clarke's formulation that "history does not repeat itself: historians repeat each other".
This is the record that Opus III were sampling, covering or something between the two. Sovering, perhaps. Or campling.
Introducing interviews with Edward Barton and Jane Lancaster, who respectively wrote and sang It's a Fine Day, Bob Fischer explains:
It's a Fine Day, the acapella single written by Edward Barton and sung by Jane Lancaster, is both haunting and enchanting in equal measure. Turned into a daytime Radio 1 staple after evening plays from – inevitably – John Peel, it later became the sampled source material for a deluge of 1990s dance hits: including the Pete Waterman-backed Opus III, who took it into the Top 5, and Kylie Minogue, whose 1994 No 2 hit Confide In Me incorporated sizeable chunks of the melody.
Edward would later claim the only section of the song not to have been sampled is the concluding line: "We will have salad".
