Jago Hazzard charts the evolution of London's Green Park station from its 1906 opening as Dover Street to its modern role as a major interchange.
You can support Jago's videos via his Patreon page.
Liberal Democrat Blog of the Year 2014
"Well written, funny and wistful" - Paul Linford; "He is indeed the Lib Dem blogfather" - Stephen Tall
"Jonathan Calder holds his end up well in the competitive world of the blogosphere" - New Statesman
"A prominent Liberal Democrat blogger" - BBC Radio 4 Today; "One of my favourite blogs" - Stumbling
and Mumbling; "Charming and younger than I expected" - Wartime Housewife
Jago Hazzard charts the evolution of London's Green Park station from its 1906 opening as Dover Street to its modern role as a major interchange.
You can support Jago's videos via his Patreon page.
Femi Owolade argues that Black academics suffer when life stories eclipse scholarship: "Academics are ... expected to have stories that capture attention. University websites, media profiles and press releases often lead with biographies before discussing research. Stories of hardship, resilience and unlikely success have become part of higher education branding. The academic is no longer just a scholar but an integral part of the university’s public image."
"The UK’s Online Safety Act was sold as a 'world-leading' child-protection law, one that would establish the UK tech sector as a global safety-tech powerhouse. Instead, it has normalised the idea that governments can bolt identity checks and surveillance layers onto the internet. Now that blueprint is crossing the Atlantic, where authoritarian-minded politicians see it as ready-made kit for censorship and control." Heather Burns finds that a British law has inspired the Trump regime's attempts to censor its critics.
No, Harry Potter fans didn't force the rerouting of an undersea able to preserve Dobby's' grave. Dan Davies explains.
Meaghan Roddy says Frasier brought Nineties minimalism to the masses: "I’d hazard a guess that Frasier was the first time a giant swath of America came to experience interior design meant to represent wealth that wasn’t slathered in gold and marble. It was quiet and sophisticated."
Clayton Dillard celebrates John Schlesinger’s film Billy Liar (1963): "Though the film’s ending is outwardly celebratory as Billy strolls back toward his family’s flat, the fact that he’s opted for the familiar comforts of home feels like a questionable – even nightmarish – endpoint for this young person who so craves his autonomy."
Yes, Leicestershire County Council is run by Reform. Why do you ask?
Anyway, BBC News wins our Headline of the Day Award.
Paul Addison reviewed Robert Skidelsky's biography of John Maynard Keynes for the London Review of Books in 1993.
Keynes remains an attractive figure to British Liberals but, Addison suggests, a hard one to pin down:
As Skidelsky emphasises, Keynes was at all times a political economist: "He invented theory to justify what he wanted to do. He understood that theory had to be usable for politicians and administrators."
But if so, what were Keynes’s political objectives and how radical was he? The ultimate objective of the General Theory was to save the capitalist system from the two intolerable alternatives of Communism and Fascism. It was addressed to the world, or at any rate to the United States, but Keynes also had in mind the situation at home.
In party politics Keynes was a Liberal: but whether he was a Left-Liberal who sympathised more with Labour, or a Liberal of the Right who might ultimately have found a home in the Conservative Party of Butler and Macleod, is more contentious.
The most radical episode in Keynes’s career was his opposition, covert though it was, to the First World War. The Economic Consequences of the Peace, a passionate expression of the indignation and guilt which he had bottled up while the war was in progress, was much acclaimed by the Labour Party.
In later years, he was seldom in step with the Left but he did become, as a consequence of his investments in the City, a wealthy man with a fortune, in 1936, of £13m in today’s money. Skidelsky observes that as Keynes became more radical in economic theory he tended to become socially more conservative, setting himself up as the squire of Tilton, the house and farm he rented in Sussex.
Keynes wrote for the New Statesman, voted Labour in 1935, and kept in touch with the rising generation of Marxists in Cambridge. But while he praised their idealism he remained completely dismissive of Marxism and regarded the class struggle, even in the mild version propagated by the Labour Party, as futile and irrelevant.
This is wonderfully bleak. So bleak it reminds me of Vanbrugh College snack bar on the original campus at York.
The remains of a lost Rutland village can currently be seen because of the drought, reports ITV News:
Low water levels at Rutland Water reservoir in the East Midlands have uncovered the remains of the buildings which were once part of the village of Nether Hambleton.
Residents in the hamlet, along with other small villages including Middle Hambleton, were relocated to other areas before the buildings were demolished and the area flooded in the 1970s to create the reservoir.
Lord Bonkers has been known to give those who believe the reservoir dates from the 1970s the disparaging label "Rutland Water truthers".
Here's the great Stanley Unwin on Pebble Mill at One in 1985. He had the sense to know that his unique act worked best in short doses. That way he kept his audience comftybold, two-square on their botties.
The latest news from Long Buckby is that a blue plaque has been installed on the bungalow in the High Street where Unwin lived for many years.
I once went to the village to photograph his and his wife's grave. I feel another journey coming on.
I've a memory of Eddie Waring, the BBC's rugby league commentator between 1949 and 1981, referring to the "Dark Satanic Mills End" at one ground. I thought it was Leigh's and, having found the picture above, I think I was right.
The photo was published in Picture Post in 1949, and the caption on Getty Images says:
A group of young supporters accompany Rugby League players Bill Kingdon and Cec Ryan across allotments to the Kirkhall Lane rugby ground in Leigh, Lancashire. In the background is the Parsonage Pit.
In 1947 Leigh Rugby League Club started playing their home games at the town's Hilton Park stadium, which is indeed in Kirkhall Lane. It can't have been a bad ground: three internationals were played there between 1954 and 1964.
Leigh added Centurions to its name for the 1995–96 season and, as part of this rebranding, the stadium was renamed the Coliseum. The club moved to Leigh Sports Village for the 2009–10 season and Hilton Park was demolished to allow housing development on the site.
I don't remember seeing pit winding gear at Waring's Dark Satanic Mills End, but I do remember a forest of mill chimneys.
Russell Brandom says Mark Zuckerberg’s AI manifesto shows exactly why people don’t like AI: "Even as Zuckerberg tries to paint a picture of the wonderful future abundant superintelligence will bring, he keeps reminding us of all the ways it’s likely to go wrong."
Erin Clabough on the reasons for student anxiety: "Grades aren’t the only source of pressure that students experience. Social comparison plays a role, too, along with the pressure to only answer questions when they’re already sure, to never seem confused and to stay constantly productive. Based on my experience and research, kids pick up on the message that they should keep their curiosity at a 5 out of 10 scale, instead of a 10 out of 10, especially if it strays outside the curriculum."
"The web had not yet become a pure retrieval machine. It still had a culture of exploration, and many services were designed to help users browse topical categories rather than fire a query into a universal index. In that world, a webring or directory was not a compromise. It was often the main event." Alan Bradley remembers life before Google.
"The suits don’t own cricket. The suits just manage the top floor. The soul of the game lives right here on the grass, kept alive by the people who simply care too much to let it go. And as long as there’s a Saturday afternoon, a cold drink, and a game to watch at Barnes, my heart isn’t going anywhere else." Elizabeth Ammon loves club cricket.
Nathen Amin travels to Lisbon on the trail of Perkin Warbeck.
Click on the photo of James Fox here to be taken to an interview with him on the British Film Institute site. There you will see it billed like this:
Happy and relaxed dialogue with the then 28-year-old actor, covering his rise to fame and plans for the future.
After his role in The Servant (1963), James Fox was in demand. This interview, filmed four years later, has the young star in affable mood, freely admitting his lack of planning, love of California and thoughts about his craft.
It predates his role in Performance (1970), after which he suffered a nervous breakdown and withdrew from acting for eight years.
The film he starred in as a 12-year-old briefly mentioned at the beginning is The Magnet, a lesser Ealing comedy or a part of the Ealing Apocrypha, as I described once it in a post about the film.
Not only does Britain have a 17-year-old chess champion, it also has an 11-year-old women's champion.
Yesterday Bodhana Sivanandan won a play-off with 14-year-old Trisha Kanyamarala to claim this crown. The women's title goes to the highest placed woman in the British championship, which is open to all. The two had tied, so a play-off was needed to separate them.
You can see Bohdana win the tense decisive second game in the video above. The first had ended in a draw.
Bodhana is a positional player, with a wonderful instinct for where each piece belongs. Shreyas Royal, who won the British championship, played her in the tournament and won by forcing her into a sharp position that didn't suit her so well.
But she is improving rapidly and people are are already forecasting that she will win the British championship one day and also become the strongest women player in the world.
The Liberals Democrats are fighting government proposals to reduce independent scrutiny of the National Health Service. Some of them were opposed by Andy Burnham as recently as last November, when he was still mayor of Manchester.
A press release from the party explains our concerns about its new Health Bill:
The Government’s Bill will remove the duty for the NHS to cooperate with the Care Quality Commission and provide key safety data, will remove automatic 'safe space' protections for whistleblowers, and result in the closure of local healthwatch organisations, which provide independent advocacy for patients and uncover failings.
The Liberal Democrats have tabled amendments to the Health Bill that would cancel these changes and are urging the new Burnham administration to adopt them. They have vowed to robustly fight the Government in the House of Lords, where Labour doesn’t have a majority.
This comes as the NHS in England recorded 403 'never events' (serious, largely preventable patient safety incidents that should not occur if appropriate safeguards are in place) between April 2025 and March 2026.
Many patient protections currently at risk, including Healthwatch and key whistleblower safeguards, were established following the major NHS hospital scandals in Mid Staffordshire, Morecambe Bay, and Basildon and Thurrock that took place during Andy Burnham’s tenure as Health Secretary and before that a Minister of Health.
Oversight by the healthcare regulator, the CQC, is under threat as the changes would remove the NHS’ "duty to cooperate". The CQC has warned this will restrict its access to safety-critical information, such as patient safety incident reports.
NHS whistleblowers could lose key legal protections under the planned Bill. Currently, staff who raise safety concerns with the Health Services Safety Investigations Body (HSSIB) are guaranteed anonymity. But HSSIB is losing its independence, meaning cases will move to the Care Quality Commission, which offers no such guarantee.
Labour has previous on such moves. Tony Blair's government scrapped the community health councils that had been the main vehicle for public and patient involvement in the NHS since they were introduced under legislation passed by Ted Heath's Conservative government in 1973.
But a hierarchical organisation like the NHS needs whistleblowers and external scrutiny, because passing bad news up to your superiors is rarely the way to prosper there. The result is a world where senior NHS figures, and the health ministers they brief, are left with too rosy a picture of their organisation.
As the journalist Simon Carr once said:
It's not that politicians lie, it's that they don't know if they are telling the truth. They perceive the world through statistics that have been processed by collaborators who are more or less "subconsciously influenced" to manufacture the required facts. Everything from the inflation index to waiting lists is derived from data ontologically perverted by the political process.
Shreyas Royal today won the British chess championship aged only 17. By my calculation that makes him the youngest holder of the title - he breaks Michael Adams's record by a couple of months, just as he broke David Howell's record to become Britain's youngest ever grandmaster at 15.
I first wrote about Shreyas in 2018, under the headline
The government is forcing Britain's best chess prospect to leave the country
Nine-year-old Shreyas Royal has variously been described as “the greatest British chess prospect in a generation” (Malcolm Pein) and "the best prospect the country has ever seen" (Chris Ward).
But, reports the Guardian:
Shreyas Royal has lived in the UK since he was three but has been told he will be sent back to India when his father’s work visa expires in September.
Carole Cadwalladr introduces a timeline of The Nerve's investigation of Nigel Farage’s biggest funder, Christopher Harborne, and argues that Farage is a symptom, not a cause, of forces reshaping politics across the world: "Farage has never known anything like it. There are now questions which even he can’t dodge. Questions even the BBC is finally asking. And his luck seems to be running out. A hasty plan to throw off a parliamentary investigation by quitting parliament before he could be sanctioned has spectacularly backfired in the biggest own goal of his career."
Rebecca Nicholson reviews the pitch-dark documentary series Devil in the Family: The Fall of Ruby Franke, which is currently on BBC iPlayer: "As a vlogger, she and her husband, Kevin, made a living from YouTube, posting videos on the popular channel 8 Passengers, now defunct, about Mormon family life and parenting their six children in the picturesque city of Springville, Utah. But in 2023 Franke was arrested and charged with aggravated child abuse and sentenced to up to 30 years in prison."
"This is a pattern seen repeated throughout our society and system: a government quick to make 'hard choices' that involve easy solutions, but seemingly entirely unwilling or unable to take on the tougher opponents and ... seek harder more essential solutions." Paul Rowlston argues that Britain's proposed social media ban for under-16s tackles a symptom while leaving the real problem untouched.
"Caricatures of the Luddites as history’s losers are simply false," says Brian Lewis. "We have not stopped talking about them ever since."
Giles Wilcock looks back to 1919 – the last time cricket's county championship faced a serious threat: "When the war ended, the Bradford League remained attractive, and the Lancashire League began hunting for star names to compete. And because of the unique circumstances of the 1919 season – two-day games and relatively low county wages – they were often successful."
Isn't this brilliant? It has everything, from a situation every Fifties American teenager would have been familiar with to an irresistible catch: "Don't talk back."
Yakety Yak was written and produced by Jerry Leiber and Mike Stoller, who were responsible for many great songs, and performed by the Black doo-wop group The Coasters.
According to the Rock and Roll Hall of Fame:
The union of a black vocal group with two Jewish songwriters was one of the most propitious in rock history. Leiber and Stoller’s witty, street-smart 'playlets' were sung with sly, clowning humor by the Coasters and accompanied by the hot, honking 'yakety sax' of King Curtis.
The Coasters parlayed their R&B; roots into rock and roll hits by delivering Leiber and Stoller’s serio-comic tunes in an uptempo doo-wop style. Beneath the humour the songs often made incisive points about American culture for those willing to dig a little deeper.
Leiber has described the Coasters’ style as "a white kid’s view of a black person’s conception of white society." In fact, their success showed how thin was the line between rhythm & blues and rock and roll in the Fifties.
"Our songs…were R&B; hits that white kids were attracted to," Leiber said in a 1992 interview. "And if people bought it, it became rock and roll."
It was unveiled on Sunday 2 August, which would have been Capaldi's 82nd birthday.
Among the people who gathered to see the plaque unveiled were Capaldi's wife Aninha and their daughters Tabitha and Tallulah, and figures from the world of music including Steve and Muff Winwood and Bob Harris.
The plaque, which was installed by The Marlow Society, commemorates the home where Jim lived from 1971 until his death in 2005.
Photo from the Jim Capaldi Facebook page.
A nonsense book that is something quite new is the autobiography of that successful musical comedy star, Sylvia. Sylvia hesitated when her friends urged her to write her memoirs. She had lived her nine lives to the full, they said, so why not give her story to the public? Hester Briggs finally persuaded this great-great-granddaughter of a Sultan to take the plunge and tell her story up to now. As for the future, well as Hester said, Sylvia may only have got as far her eighth life yet.
This is Sylvia (Max Parrish, 8/6) is the work of that remarkable young man, Sandy Wilson, who wrote the book, the lyrics and the music of the most successful musical comedy produced London for many years, The Boy Friend. As might have been expected from this talented author, This is Sylvia is like no other book, for this story of a cat of doubtful parentage, undoubted talents, ignorant but wise, popular and, of course. beautiful, embodies all that was ever meant by the successful musical comedy star the '30s and '40s. It is a candid story, full of wickedness, fashion, and foible, cunningly exposing the fatuity and elegance, follies and grace, weaknesses and strength of those who whirl among the bright lights.
Each of the 54 illustrations, drawn Sandy Wilson himself, is a brilliant satire, and there can be few readers who will not delight in these memoirs of the recent past which he has successfully through Sylvia’s catty lips.”
Nuclear site dig will change prehistory, says archaeologist
says the headline on a BBC News article about Sizewell C.
Malcolm Gaskill reviews A Supernatural War: Magic, Divination and Faith during the First World War by Owen Davies in the London Review of Books (4 July 2019):
It’s a well-known story that British soldiers at Mons claimed they really did see angels – but that story, too, turns out to be unfounded. In September 1914 the Welsh writer Arthur Machen published a story called The Bowmen in the London Evening News. In it, spectral archers from the Battle of Agincourt come to the aid of the British Expeditionary Force at Mons.
To his dismay the story was widely taken as truth, and a "snowball of rumour" hardened into "the solidest of facts". "If I had failed in the art of letters," Machen wrote later, "I had succeeded, unwittingly, in the art of deceit."
It’s ironic that the Great War’s most famous supernatural story was the creation of Arthur Machen when there were so many real reports of supernatural phenomena on the front line. In A Supernatural War, Owen Davies leads us from the conflict into a haunted world filled with magical thinking and uncanny experiences.
And the angels of Mons were only one of many encounters with the uncanny during the war:
From the outbreak of war, tales of the uncanny abounded. French Catholic troops at the Battle of the Marne and Russian Orthodox troops at the Battle of Augustov reported seeing the Virgin Mary. "Sport is more in my line than Spiritualism," a British officer wounded at Mons remarked, "but when you have experiences brought under your very nose again and again, you cannot help thinking that there must be something in such things."
Battlefield apparitions were nothing new: Roman legionaries saw Castor and Pollux; troops fighting in the Crimean War saw saints. Walter Scott thought this perfectly natural: "One warrior catches the idea from another; all are alike eager to acknowledge the present miracle, and the battle is won before the mistake is discovered." What made the First World War different was not just its mechanised slaughter, but the way it slammed together old and new habits of thought.
Nascent disciplines like psychology, sociology and social anthropology were quick to identify atavistic traits in 20th-century people. Granville Stanley Hall, the first president of the American Psychological Association, thought the Angels of Mons a fascinating expression of societal stress. "No war," he said, "was ever so hard on the nerves."
The French historian Marc Bloch was thrilled to observe in the trenches "a wonderful renewal of oral tradition". Men moving up and down the line would exchange a few words, often passing on rumours that were groundless but hugely significant for the hearers.
There's more about the angels of Mons in an article by Dr Miriam Bibby on Historic UK.
Janice Mak says American schools are increasingly questioning whether every student needs a laptop: "This distinction between passive consumption and purposeful use is increasingly shaping school policy. Updated policies also reflect an emerging emphasis on age-appropriate screen use, student well-being and ensuring that technology can support, rather than replace, direct instruction and student collaboration."
Adam Sherwin reports on the plans to turn off Freeview television and the threat that poses to Talking Pictures TV.
"Do not be lulled into complacency by the family-film aesthetics. When Mom the Sheepdog instructed Babe the Pig to dominate other animals by abusing them, demeaning them, and telling them what to do, and Babe refused because disrespecting another living creature would be wrong? That moment might have radicalised a generation." Roxana Hadadi discusses the politics of Babe (1995).
"From the end of the Victorian period, Broadstairs was strategically marketing its Dickensian connections through postcards, guide books and festivals. In 1897 Alfred Harmsworth (founder of the Daily Mail) was one of the organisers of a ‘Dickens Village’, which recreated scenes including Defarge’s wine shop, Peggotty’s boat, the Great White Hart at Ipswich and the Old Curiosity Shop. The festival was successful enough to be repeated the following year." Carolyn Oulton on the long history of Dickens tourism in Broadstairs.
There is. A post on Scones and Chaises Longues has reminded me that I enjoyed the Mary Plain books when I was very young:
Readers of a certain age (mine) may remember Gwynedd Rae's Mary Plain books. I have fond memories of sitting on one of the little wooden chairs in the children's section of Bromley Public Library, working my way through the adventures of the bear cub from Berne while my mother chose her novels from the grown ups' shelves.
The series was old before I first encountered it (I don't quite date from 1937...although the last Mary P book was not published until 1965), and I did wonder how it would read now, all these decades later. I needn't have worried; I enjoyed Mary Plain on Holiday just as much, in fact probably more, than I had before, because now I could also appreciate Rae's skill in creating stories that entertained children whilst also amusing their long suffering parents; their dry wit that would have flown straight over my six year old head.
Mary Plain is a small bear from the Bear Pits at Berne. And no, as a 6 year old I had no idea what Bear Pits were, nor indeed that Berne was even a place; no matter. Mary is an orphan who has grown up with her grandparents, her small cousins Little Wool and Marionette, and a large extended family. How she came to be living with her friend the Owl Man (he wears horn-rimmed spectacles) in his smart London flat is explained in the first book, Mostly Mary (though there is a diagram of Mary's family tree at the beginning of Mary Plain on Holiday.)
Mary is extremely full of herself, very inquisitive and always getting into trouble.
I assumed the book was Swiss, because Mary Plain came from Berne, and even now I remember her egotism, which was that of a small child.
An unworthy part of me wonders if Michael Bond read these books too.
Here's another film lecture from Ian Christie. We've seen him on Gothic London, and here he talks about the forgotten London film pioneer Robert Paul.
Paul, who was born in Islington in 1869, vividly portrayed the variety of London at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.
A wasp comments: It said "wildlife" on the door, and we're wildlife."
To their credit, the Norfolk Wildlife Trust's staff appear to view things in much the same light.
The Hundred may be struggling for spectators, but cricket's One-Day Cup is thriving by using grounds that do not usually see professional cricket. Matthew Pennell explains why.
Neath, Mansfield, Gosforth, Farington, Arundel, York and Cheltenham. Towns and cities you wouldn’t normally link together, but what they have in common is they all hosted sell-out games of cricket in the first week of the One-Day Cup.
These are a combination of brand new, rediscovered or longstanding outgrounds that are proving very popular with fans. This is despite relative indifference from the ECB and county squads being depleted by the existence of franchise cricket being played on test match grounds.
This year sell outs mean a crowd of between 4,000 and 6,000. Now, football fans might be dismissive of such numbers, as they're equivalent to fourth-tier attendances in the English league, but they represent a historic high for cricket and many outgrounds are in small towns where no other professional team sport is played.
For perspective, in 2003 the England and Wales Cricket Board (ECB) got very excited at crowd numbers for the first season of T20 cricket (played on county or test match grounds at evenings and weekends). These averaged around 4,000 and were far higher than the tournament it replaced, the Benson & Hedges Cup, which had an average attendance of 1,100 in 2002. At the time ECB Marketing Manager, Stuart Robertson crowed in Wisden magazine, "We are delighted by the response we have had so far."
I doubt we'll see such a positive statement from the ECB about bumper One-Day Cup attendances. It’s somewhat awkward for them that numbers are up for the Cup in provincial grounds, but down for their precious franchise tournament.
In many ways outground cricket is the antithesis of the Hundred. Crowds are dedicated and knowledgeable, you're likely to bump into parents of players (hello David Fulton’s dad), ex-players (hello Martin McCague – you are as wide as you are tall), BBC local radio commentators (hello friendly BBC Radio Gloucestershire team). It’s a pleasure to rub shoulders with people who don’t have to ask what’s going on and have been to every home game this season, so have seen every player talked up into England reckoning.
Outgrounds are small enough, without the surge in popularity, to create a good atmosphere, Maidstone with 800 people spread evenly across the grass bank didn't feel sparse. As cricket in England is not played in enormodomes the competition isn't so much about numbers as experience.
Which is the prettiest ground? Certainly Abergavenny, Arundel and Tunbridge Wells would be in with a shout (please comment below if you think I’ve missed a good one). I remember the Guardian making a
point of covering every county game at Abergavenny, despite its remoteness, because the surroundings were so lovely.
Food is a big factor in the cricket experience, I recall cupcakes and cakes supplied to a hospitality marquee by club volunteers at Guildford at reasonable prices, coupled with relaxed rules and regs about bringing your own provisions. Across the piece, it's great value for money – you’re not getting ripped off by ticket prices, car parking charges or catering.
While administrators talk of T20 and the Hundred bringing new fans to grounds, it's also the case that franchises alienate many established fans and the bigger counties absolutely need to play in several venues to reach out to their entire catchment area. In an ideal world the 18 counties would play at more than 60 venues a season, visiting several locations not covered by football or rugby. For example, Yorkshire play in Leeds, Scarborough and York. They could easily sell out in another half dozen venues, and some members would say they’re ignoring South Yorkshire altogether.
Is this year a one-off or part of a trend? Certainly the early summer heatwave in Europe has encouraged staycations and our own summer weather has made people more confident about getting a full day's play. Hopefully in a few years time I'll revisit this and talk of counties wrestling with fitting more temporary seating in the grounds that are bursting today.
Matthew Pennell blogs at Return of the Liberal.
At those elections, the Green Party won 22 seats and the Lib Dems 12, then used their combined majority to take control. Southwark is the only London borough currently being run by such a coalition.
The Lib Dems secured three posts in the leadership team, including that of deputy council leader which is filled by their group leader Victor Chamberlain.
Chamberlain told BBC News:
"The more we started talking, the more we realised that we had a lot in common, that we shared similar values and aspirations for our borough, and actually we wanted to build a borough that is more affordable, that is safer and that is greener.
"I think we found it really very constructive to work as two parties that both bring great ideas to the table."
The article also quotes the deputy leader of the opposition Labour group, who seems rather fixated on process:
"Apart from a number of meetings being cancelled, we've had two proposed cuts, one being the Nest which is a free mental health support for young people and a dementia service being cut, but it's been reversed because the Labour group, along with residents have pushed back.
"It's quite clear that they don't know what they're doing and actually this [coalition] was done in a rush."
"The university’s own financial reports show that 16 members of the University Executive Board are paid an average of £241k – a 27 per cent increase over three years while the institution has been going through financial difficulties. We have also seen the recruitment of highly paid and non-academic 'professors of practice', who are often industry figures without teaching and research experience. New managerial roles with grandiose titles such as 'associate pro-vice chancellor for education and student experience' have been created across the institution." John Heathershaw takes us inside the crisis at the University of Exeter.
"Deaths, misconduct in public office, rat infestations, and a climate of fear." Emma Guy reports on Leicester's privately run HMP Fosse Way.
Gawain Towler explains Rupert Lowe's sudden interest in cooperation with Reform UK: "A man of sixty-eight, a man elected twice on the coattails of Nigel Farage, who has spent eighteen months declaring that his purpose was the destruction of Nigel Farage, has looked at 8.7 per cent in a nationally ignored by-election and concluded that his moment is now or never. It is not unity he wants. It is relevance, and he is in a hurry for it."
"Works such as Robert McFarlane's The Old Ways, Tom Cox's 21st Century Yokel, Benjamin Myers' Under the Rock, and Edward Parnell's seminal Ghostland explore the connection between the self, the landscape, and the stories and histories that permeate and in many ways 'haunt' these landscapes." Scarlett Butchers considers the role of environmentalism in recent 'folkish' English writing.
Fed Kandi photographs the public art on the campuses of Lougborough University and the University of Leicester.
Nevertheless, they gave Hull Live our Headline of the Day Award for its tale of a pissed off hedgehog rescuer.
John Rogers takes us on a walk through a quarter of Camden that surprises even him.
His blurb on YouTube says:
From the Euston Station redevelopment, the site of the Euston Arch and the Bree Louise pub we go looking for a reservoir of the New River. In this area, North Gower Street, we have Speedy's Cafe and the filing location used in the TV show Sherlock for 221b Baker Street.
From here we go to Cumberland Market, once London's last hay and straw market and look for the location of the Canal basin that served the market right until the 1930s.
This fascinating Hidden London History walk then follows the route of the Cumberland Arm of the Regent's Canal to the point where it joined the main course of the canal.
John Rogers has a Patreon account to support his videos and blogs at The Lost Byway.
Apparently the font wasn't academically gifted, but it had character and played in the front row for the first XV. It later became a management consultant.
Our photograph shows this very font, now to be found back at Upton Cressett in Shropshire.
The programme talks about the wider castle site, not just the wonderful Norman great hall you see above.
If you want to know more about the archaeology of this fascinating site, you can listen to an online lecture by Matthew Morris from University of Leicester Archaeological Services, who has led digs there.
An increasingly narrow English curriculum, with its emphasis on phonics and 'teaching to the test', is squeezing reading for pleasure out of our primary schools, experts in the field tell Lydia Chantler-Hicks.
Rebecca Johns finds that British scientist James Lovelock warned executives of the risks of burning fossil fuels in the 1960s. Rather than share his reports with the public, claims an imminent legal case, Shell responded by funding the Global Climate Coalition – an industry group that pursued multimillion-dollar influence campaigns promoting climate denial and misinformation.
Leanne Tritton reports on the fate of Shrewsbury's Shirehall, the modernist former home of the Shropshire County Council.
"Dirk Bogarde came in for some stick from certain quarters for his portrayal of General Sir Frederick 'Boy' Browning, who was under considerable pressure from Monty to deliver Operation Market-Garden. Dubious about taking Arnhem, Browning stated that they’d be going 'a bridge too far.' He said this before the operation, but there is no scene with Montgomery in the film, instead Bogarde gets the line after the snafu, coming across like an aloof clever-dick 'told you so' type." Tim Pelan looks back to to 1977 and the making of A Bridge Too Far.
"Promises was my song, but I left the verses at home! There’s a demo where we’re having a bit of fun and I’m making the verse up as I go along. As I was doing that, Pete was by the mixing desk, so it was just me, John (Maher, drums) and Steve (Garvey, bass).
“We were working out which songs we had, and Pete [Shelley] said, 'I think I've got some verses for that melody.'
"The difference was that it was going to be a socio-political song about promises made by the Government. I said, 'You’ve turned it into a f***ing love song!'
"Having said that, it worked out well all round. That’s the thing with lots of the songwriting, particularly later on. We complement each other."
But perhaps they will pay more attention to a new report from the Institute of Alcohol Studies entitled Under the influence? Perspectives of alcohol in the parliamentary workplace among UK MPs and staff.
You can read a media release on the institute's website and download the report from there too.
The release says:
Westminster is a unique workplace where alcohol is woven into the working environment. Staff members based in constituency offices were far less likely to report being offered alcohol at work meetings or events compared to staff based in Westminster and MPs, and participants also drew stark comparisons with the presence of alcohol in other workplaces.
The foreword is written by Beccy Cooper, who was a public health consultant before she won Worthing West for Labour in 2024. She says:
Two findings stood out to me. Almost one in ten respondents reported a negative experience because of someone else’s drinking at work, and 70 per cent either didn’t know, or weren’t sure, how to raise a concern about a colleague’s drinking.
That combination – real, measurable harm, and no clear route to address it – is exactly the kind of gap we need to address. While social and networking elements are important in a healthy workplace, colleagues describing how the drinking culture plays a distinct role in career progression raises significant concerns about wellbeing, inclusion, and professionalism.
The Guardian story on Under the Influence? emphasises its tales of excess and the claim by one MP that other members have had their stomachs pumped after consuming so much alcohol that they ended up in hospital.
I am reminded of another British institution that has seen better days: cricket.
This is from a blog post I wrote in 2017:
In the course of my day job I went to an event on the psychology and wellbeing of military personnel.
A session on mental health saw general agreement that the biggest issue facing the Forces in that field was alcohol misuse. ...
Cricket shares many features with military life – slightly awkward male camaraderie, periods of boredom followed by periods of nerve-shredding excitement, public school officers – and alcohol seems to play the same central role in it.
Alcohol is used as a reward and a consolation, to oil the wheels of socialisation and quite possibly to ease the nerves of the battle-scarred too.
One of the attractions of political activism for me, I will admit, was that after delivering, canvassing or committee meetings generally ended in the pub. In fact, there was a theory that political meetings all ended an hour before "Last orders", no matter when they began.
These days pubs are open later but no one can afford the beer prices, so I suppose everything has changed. By the sound of it, the only place where nothing has changed is Westminster.
You don't have to be a Puritan to think it has the wrong attitude to alcohol.
England's chess prodigy Bodhana Sivanandan broke another world age record last week, reports Leonard Barden in the Guardian. At a tournament held in Aix-en-Provence, she achieved her first international master norm at the age of 11 years and four months.
This made her the youngest female player to achieve this feat, beating the record of Judit Polgár, who later became the highest-rated female player in history. She didn't manage it until the age of 11 years and 9 months.
International master is the title one below grandmaster in chess. To achieve it a player must achieve three such norms, which are acquired by playing at the required strength in a tournament, and reach a high enough rating on the international list.
Bodhana is also two-thirds of the way towards becoming a woman grandmaster. If she achieves her third norm for this in the next year, she will beat the record for the youngest holder of the title.
The separate title of woman grandmaster was introduced to give the stronger women players something to strive for. Whether it's down to nature or nurture, few of them are able to qualify for the grandmaster title the best male players hold.
But Judit Polgár became a grandmaster, and it's significant that her father (something of a chess Richard Williams) never allowed her or her sisters to play in women's tournaments but always had them competing with the men in open tournaments.
The appearance of a talent like Bodhana, and the large increase in the number of girls taking up the game, gives you hope that these separate titles will one day disappear.
I went to Lutterworth today and was taken by these four white horses on a grassed bank at the bottom of the town's main street, which climbs the hill from a bridge over the River Swift.
As the plaque says, they are the work of the artist and sculptor Graeme Mitcheson, who was inspired by Lutterworth's role as a staging post for the coaching trade in the 18th century.
The town council had the horses installed to mark the diamond jubilee of Elizabeth II.