Showing posts with label Council Housing. Show all posts
Showing posts with label Council Housing. Show all posts

Friday, July 31, 2026

The Joy of Six 1555

Benjamin Goodair says Andy Burnham is right to want for‑profit firms out of social care: "The majority of social care in England is run for-profit. The consequences of this go far beyond unfair profiteering. It actually worsens many of the core problems with England’s social care systems – making it less available, of worse quality and widening inequalities."

Children from poorer families do worse at school. Nadia Siddiqui explains why and what can be done to narrow the gap in attainment.

Steff Aquarone makes the case for a minister for coastal communities: "Too many coastal towns face lower than average wages, poorer transport connections, seasonal economies, shortages of affordable housing and increasing pressure from coastal erosion and climate change. Despite their enormous contribution to our economy, our heritage and our identity, they are too often overlooked when national investment decisions are made."

"Growing up there in the early 60s, the countryside never seemed too far away. We kids were often out and about, playing in the woods, making dens and tree swings, watching cows graze in farmers' fields and scrumping in nearby orchards where Warwick University and Cannon Park shopping centre now stand. There were brooks to jump across (or fall into regularly in my case) and an old Roman ford near to the busy A45." Ruth Cherrington celebrates Coventry's Camley Estate.

Ben Duckett is puzzled that attendances for cricket's Hundred tournament are falling, despite the presence of more star names, reports The Sports Encounter. What he and the games administrators need to grasp is that British sports fans' attachment is to teams, not to individual players.

Claire Madge has been to see the Richard Dadd exhibition at the Royal Academy: "There is no moment of finding 'madness' in Dadd's work, whether it was completed before his breakdown or after. Even the eyes of his figures from scenes of Hamlet completed in 1840 and the strange fairies that ring a sleeping Titania from 1841 show an artist with an ability to capture the uncanny and one who could easily get lost in the detail even before his psychosis came to the fore."