Young Aleister Crowley and the Magicians’ Revolt
Lon Milo DuQuette and Jim Bratkowsky
Weiser Books, 2026, £14.99
The year is 1900 and a young Aleister Crowley – poet, mountaineer and Cambridge chess Blue – is keen to learn the mysteries of London’s leading occultists, but he arrives in this fashionable circle to find it riven by a power struggle. The old guard of MacGregor Mathers and his wife Moina, who were real historical figures, are being challenged by a new generation that includes W.B. Yeats, Maud Gonne and Bram Stoker.
Young Aleister Crowley and the Magicians’ Revolt began life as a screenplay, which at one time came close to being shot with the late Alan Rickman as the lead. Its frustrating history is set out in a preface and, perhaps because of that history, this novelisation sees an eminent British director describing, to a young American who is also in the movie business, the action of a film about Crowley he has long planned but is now too ill to make. This extended dialogue takes place at a wake held for Crowley after his funeral in 1947 at the Marylebone home of two more real figures, Sir Percy and Lady Frieda Harris.
Percy Harris held Harborough for the Liberals at a wartime by-election in 1916, but was defeated there two years later after his Conservative opponent received Lloyd George’s coupon. He returned to Westminster as MP for Bethnal Green South West in 1922 and represented that seat until 1945, becoming one of Sir Archibald Sinclair’s most important lieutenants. Frieda Harris, his wife, was an artist and follower of Crowley who painted his famous Thoth tarot pack. After Sir Percy’s death in 1952 she moved to a houseboat in Kashmir and made a modest income from writing and artistic projects. When Matthew Taylor (now Baron Taylor of Goss Moor), the former Liberal and Liberal Democrat MP for Truro, who was adopted as a baby, traced his birth mother, he found that Sir Percy and Lady Frieda were among his great grandparents.
But it’s not just the Liberal trivia that makes this book fun. Young Aleister Crowley and the Magicians’ Revolt, a work of fantasy that is firmly grounded in fact, paints an intriguing picture of an Edwardian London where men in wing collars and women in enormous hats believe the most extraordinary things. It’s a world not unlike the one G.K. Chesterton created in The Man Who Was Thursday.
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