The Joy of Six 1530

"The big red 'stop nudes' button is appealing because it’s a lot easier than investing in proper services to protect children and in the kind of education that will help them grow up in the world as it exists rather than the sterile bubble of Starmer's imagination. Bad actors will circumvent these measures while ordinary people's privacy is undermined, and health information and even art is censored. The design choices that have led to this environment are the same choices that the government courts when it tries to partner with these tech companies." Mic Wright looks at the media's uncritical coverage of government plans to prevent children viewing or sharing nude images online.

Claire Jones analyses the creeping misogyny of Reform's agenda: "To enshrine women’s demotion to second class citizens, Reform has pledged to drop the 2010 Equalities Act which provides legal recourse for maternity leave, sexual assault, domestic abuse and employment discrimination. Reform also plans to ditch the ECHR thus thwarting it’s use by women as another court of appeal. You can hear the sound of doors closing."

David Eddy asks who is protecting our drinking water as an energy company seeks permission to drill through the chalk aquifer beneath the Yorkshire Wolds in search of gas.

"You may heard that if you’re under 25, your brain isn’t fully developed yet. It's an adage supposing that individuals under 25 can’t think things through or make rational decisions, and so are less responsible than older folk. This logic has now formed the basis of official government advice, sentencing, and more. The only problem with this fact is... it’s not a fact. Never has been. No matter how many TikTokers insist otherwise." Dean Burnett takes aim at a scientific myth.

Oliver Bray has been to an exhibition at the Dickens Museum in London: "It reframes Dickens not only through the women he knew, but through the theatrical culture they collectively inhabited. Stepping outside, I felt his familiar voice linger, now joined by the sense that the women behind the scenes were finally stepping into the light – something the dramatist in Dickens might have appreciated." 

"On one level, this is a song about a man who, losing his mother, seeks to make his lover a surrogate maternal figure. On a larger level, it is about the need to find an escape, a haven, from the brutal realities of life. But it must be mentioned that this is a song about the power and necessity of movies... that was written for a movie." Another Paul on That's Why God Made the Movies, one of my favourite Paul Simon songs.