The Joy of Six 1533

James Ball argues that Labour's social media ban for teenagers is an admission of total and utter failure to govern online spaces: "The UK government has lots of powers to govern the internet that it simply isn’t using. Hosting images of child abuse is a strict liability offence, one that Elon Musk’s X platform blatantly breached with its Grok chatbot. The government gave itself extensive powers to regulate social platforms under the Online Safety Act, which it has never even made an attempt to enforce."

"This week contained two stories, which dominated the headlines. One took place on the streets of Belfast, the other in the hallways of Whitehall. One concerned race riots and the other a defence funding plan. But they were in fact the same story. They both concerned security – one at home, the other abroad. And they were both the result of a prime minister who refuses to lead." Ian Dunt says Keir Starmer's inertia threatens national security.

Anja Krstic and Ivona Hideg find that men's careers benefit when they take parental leave but women’s do not.

"Ten years on from the referendum, the tired stereotype of the 'Northern Brexit voter' is one we should retire." J.P. Spencer has the figures that explode a widespread myth.

"Undoubtedly the most important members of the audience were a group of families from formerly occupied territories affected by the abductions: mothers with teenagers they had recovered from Crimea or elsewhere; families who were still trying to get their children back." Charlotte Higgins and Mariana Matveichuk on the Kyiv premiere of Mothers of Kherson, an opera about the abduction of Ukrainian children by Russian occupiers.

Kenneth George Godwin finds innocence and corruption in the films of Alexander Mackendrick: "The clearest expression of Mackendrick’s worldview is perhaps apparent in the three films he made which centred on children: Mandy (1952), Sammy Going South (1963), and A High Wind In Jamaica (1965). Unsentimental, unafraid of the darkness kids face in a harsh world, unafraid to see the potential for darkness in the kids themselves … these are three of the most adult films about children ever made."