Before he was a film director, Stanley Kubrick was a photographer.
And he never lost his interest in photography. I remember Keith Hamshere, the first boy to play Oliver Twist in Oliver! and later a leading Hollywood stills photographer, saying he learnt to keep out of Kubrick's eyeline if he was on set during one of his films.
If he didn't, Kubrick would notice him and say something like "Is that a new lens? How are you finding it?", the film suddenly forgotten.
Wealthy donors are increasingly funding political campaigns, eroding the public’s trust in the political process. The government has the opportunity to reverse that trend by limiting the allowed individual donation amounts and capping campaign spending by political parties, argues Rose Whiffen.
"Our results showed that being bullied was associated with significant reductions in extrovert traits and conscientiousness (that is, being dependable and organised). The drop in conscientiousness could be because the target feels demotivated by the unfairness of being bullied – or the bullying may even take the form of removing meaningful tasks from the colleague." Samuel Farley, David Hughes and Karen Niven have researched how bullying can affect your personality.
Cambridge Town Owl introduces us to Cambridge's Elspeth Dimsdale, a pioneering woman Liberal parliamentary candidate.
Moon In Gemini calls Barry Lyndon (1975) a masterpiece: "He is despicable in many ways, but are the aristocrats he so desperately wants join really that much better? Do they snub him because he is cruel to his wife and stepson, or because he isn’t one of them?"
"He was so worried about being late, for example, that he would invariably arrive hours ahead of time – he once had to scale a wall at Lord’s after arriving so early that the ground was still locked. In 1984, confused about the regulations during an early-season Benson and Hedges Cup tie between Scotland and Yorkshire at Perth, he called two tea intervals. Whether it was bomb scares or pitch invasions, reflecting greenhouses or errant pigeons, they all conspired to trouble him." David Hopps has written the Guardian obituary of the umpire Dickie Bird.
This sequence from Stanley Kubrick's 2001: A Space Odyssey, which was made came out in 1968, which seem strangely familiar to anyone who knows Michael Powell and Emeric Pressburger's A Canterbury Tale, which was released 24 years earlier.
Was Kubrick influenced by the earlier film? Almost certainly not.
In a footnote to his article Deconstructing the Imagined Village: A Canterbury Tale, Paul Banks writes:
Ian Christie has recently pointed out in a letter to the Times Literary Supplement, 6023 (7 September 2018), 6, that even if Kubrick had seen A Canterbury Tale before making his own film, it would have been the ‘severely truncated and re-ordered US version’, the only print available between the late 1940s and 1978, which omitted the sequence in question.
That seems pretty conclusive.
It's a lesson that just as technological innovations can take place simultaneously in countries that have no contact, so great directors can have similar brilliant ideas without influencing one another.
Will Hutton talks to Yvonne Wancke at North East Bylines: "Capitalism ... does produce wealth, it does produce innovation…but it has a propensity to inequality, a propensity to monopoly, a propensity to oppress and exclude, it has phenomenal inbuilt instabilities that have to be pro-actively managed by public agencies, and that is elected governments."
"HS2's so-called bat tunnel has become a political scapegoat, used to justify rolling back environmental protections. But the real story is very different. The tunnel was not forced by conservationists or wildlife laws - it was a consequence of poor decisions made by HS2 Ltd and approved by parliament." Holy correction! It's the Bat Conversation Trust.
Mapping the Quartet follows the careers of four eminent women philosophers who began their careers at Oxford during the second world war: Iris Murdoch, Philippa Foot, Elizabeth Anscombe and Mary Midgley.
Andrew Miller argues that the appointment of Harry Brook betrays the shocking tangle that England's once-formidable white-ball set-up has got itself into.
"What captivated Kubrick about Thackeray was his ability to expose the cruelty beneath the polished facade of aristocratic life. The rigid etiquette of the 18th century – a period described variously as an age of gentility, sensibility and enlightenment – demanded an emotional detachment that fascinated the director." Nathan Abrams believes that Stanley Kubrick's Barry Lyndon deserves another viewing.
