Shabana Mahmood shares her vision of total state surveillance with the Tony Blair Institute

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How did you celebrate Christmas? At the Tony Blair Institute they asked Shaban Mahmood along to their Christmas reception to share her dream of total state surveillance.

She talked of AI and technology having a transformative impact on "the whole of the law and order space", and told them:

"My ultimate vision for that part of the criminal justice system was to achieve, by means of AI and technology, what Jeremy Bentham tried to do with his Panopticon. That is that the eyes of the state can be on you at all times."

Bentham's Panopticon was a design for a prison with a circular layout that would allow wardens to observe every prisoner at all times. Though it was never built in Bentham's day, the 20th-century French philosopher Michel Foucault saw the Panopticon as the model adopted schools, factories and police surveillance.

To Foucault, a key feature of the Bentham's design was the central tower from which a single warden could see all the inmates without their knowing when they were being watched. The result would be that the prisoners would internalise the warden's gaze, even if they were rarely or never watched.

It's hard, as a Liberal, not to conclude that Mahmood was saying the quite bit of Labourism out loud.

But let's leave the last word to Foucault's mum:

Foucault: Schools serve the same social function as prisons and mental institutions.

Foucault's mum: You're still going.

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"We don’t have a political system, more like the US, where people are more empowered to act for their area, to act independently. I think the British political system and MPs individually would rise in the public’s esteem if they were able to act with more independence on an everyday basis and say what they really feel. Maybe we’d have a more vibrant political debate if people went into interviews and said what they were feeling, as opposed to what they’ve been told to say." Andy Burnham talks to Hardeep Matharu from Byline Times.

Stewart Lee once described Twitter as "a state surveillance agency staffed by gullible volunteers". Jason Koebler and Matthew Gault come to much the same conclusion about more recent developments: "The CEO seemingly having an affair with the head of HR at his company at the Coldplay concert is a viral video for the ages, but it is also, unfortunately, emblematic of our current private surveillance and social media hellscape."

Gary T. Gunnels reviews Hayek's Bastards by Quinn Slobodian: "Slobodian’s central thesis is that Hayek’s intellectual edifice, rooted in his arguments for spontaneous order and market mechanisms, has been warped by a group of unwanted 'bastards' into a justification for a racially hierarchical social order."

Kate Moore argues that, for many people, ageing means lost independence in a digital online world built without them in mind."

"I first heard of Baron from Iain Sinclair's description of him (and Gerald Kersh) as being amongst 'the Reforgotten' – British writers brought back in and out of fashion over the decades." Discontinued Notes on Alexander Baron.

Kelefa Sanneh considers the strange persistence of prog rock: "The genre’s bad reputation has been remarkably durable, even though its musical legacy keeps growing. Twenty years ago, Radiohead released 'OK Computer,' a landmark album that was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long. But when a reporter asked one of the members whether Radiohead had been influenced by Genesis and Pink Floyd, the answer was swift and categorical: 'No. We all hate progressive rock music.'"

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Jan Dehn outlines the many questions being considered by the government inquiry into what happened on Alderney under Nazi occupation: "It is known that the camp held Russian and Ukrainian prisoners as well as Spanish Republicans, captured French resistance fighters, and jews, but precisely how many people were there, who they were, and where exactly they came from remains clouded in mystery. There are also suggestions in some quarters that there are mass graves on Alderney, but where they are located and who is buried in the pits is unknown."

Carlos Moreno, the father of the '15-minute city' has a new book out, reports Feargus O'Sullivan.

"'It’s become increasingly mundane to see intrusive and inappropriate surveillance technologies, once reserved for the police and prison estate, deployed in our schools,' says Caitlin Bishop, senior campaigns officer at Privacy International." Adele Walton on the dangerous rise of surveillance in UK classrooms.

Paul Powlesland tells the tragic story of Hoad’s Wood, used as a landfill and ignored by authorities, and suggests it shows we need Rights of Nature and guardianship.

"A parade in Rogation Week around the old borders of one parish ended in 1751 with an incursion into Richmond Park, which had been built a century before by king Charles I by buying, acquiring and enclosing land from several parishes - an act that had caused decades of anger and friction, as people not only lost access to common land for subsistence, collecting firewood, grazing livestock etc, but were also denied access along traditional footpaths." London Radical Histories unpacks the many meanings of the ceremony of Beating the Bounds.

Huw Turbervill ranks the 12 episodes of Fawlty Towers.

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"Brexit has given nationalists the confidence to cast suspicions upon a wide array of independent public bodies, from universities to the Bank of England. One thing that neoliberals and nationalists can agree on is that anyone whose education and career has been spent in publicly funded liberal institutions, telling a story about 'the public interest' is a fraud." William Davies on the Conservative attack on the humanities.

"The report that Johnson wants civil service briefings to be short and simple is not so remarkable – many politicians share that desire – but the suspicion must be that he also wants them to pander to, rather than to challenge, his pre-existing beliefs." Chris Grey finds that Brexit is going feral.

Mona Wang and Gennie Gebhart say American schools are pushing the boundaries of surveillance technologies.

Mary Beard, who grew up in Shrewsbury, says the prime minister should be visiting flooded settlements. "People who have been inundated need to know that those in power have some sense of the reality of flooding beyond the words and the headlines."

Harry Potter’s dwindling popularity dismays Patrick West.

"His anguished cry, “It’s not the despair, Laura. I can take the despair. It’s the hope I can’t stand” is more relatable than ever in these toxic times." James Gent watches John Cleese's 1986 film Clockwise.