In the current London Review of Books Neal Ascherson remembers his friend Jonathan Miller:
I first met Jonathan’s knees. This was because Cambridge sofas in the 1950s had broken springs. Once they had buoyed up culture heroes like Rupert Brooke, John Cornford or Guy Burgess. Now, as we trudged across the great Gromboolian plain of the 1950s, they had given up the struggle.
Modish undergraduates perched on the arms. Jonathan, new to the place, tried to sit down and slid backwards into the depths. All I could see was these twin gatepost knees towering up. And then, peering over them, I saw the head of red curls and two urgent eyes searching – as they always did – for information.
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