Anna Merlan tells us what ICE's scrobbling of Milo Yiannopoulos tells us about America's far right: "But while Yiannopoulos’ deportation contains an extremely rich vein of schadenfreude – he previously called for deporting 'millions and millions of people' and joked about masturbating while witnessing ICE raids – it’s also indicative of how power, punishment, and influence currently work in the MAGA movement, and broader crackup within that feud-heavy world, where fragile alliances are constantly being made, broken and remade anew."
Simon Ophir on assisted dying, the House of Lords and democracy: "I have delivered palliative and end-of-life care to many patients, including this man. It cannot help everyone and I know that even with excellent palliative care many patients are terrified of death. It is this experience, more than anything else, that makes me so determined to see the assisted dying bill reach the statute book."
"Lloyd George was much driven by his experiences as a child and as a youth, growing up amongst the mostly poor, non-conformist natives of North Wales, groaning under a dominant, minority, privileged class of wealthy, mostly Anglican English landlords and churchmen. He witnessed and early on complained bitterly against unjust evictions of tenants who ‘voted the wrong way’, of tenants who had to pay tithes to a church they did not believe in. Even at school he protested at injustice." Paul Spackman, author of a forthcoming biography of David Lloyd George, is interviewed by Nicholas Alderton.
Ishaan Selby discusses T.H. White's The Goshawk: "While White is generally seen as a misanthropic figure, I read his difficult kinship with the goshawk as an example of a kin relationship that formed outside of hereditary bonds and through a queering of domesticity; one that shows a difficult love and connection outside the bounds of the human."
"What burns on that clifftop isn’t Christianity losing to paganism. It’s a re-enchantment scheme running out of road, with nothing left to offer but a fire. Choose your priests wisely." Moreau Vazh reconsiders The Wicker Man.

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