The Joy of Six 1537

David Howarth reminds us that both Tony Blair and Keir Starmer said pluralist things in opposition, only to go back on them in power: "Given that history, why should Liberals believe that Andy Burnham would be any different? He has already backtracked on his previous anti-Brexit pronouncements and his only promise on electoral reform is that he might include a 'pledge' on it in Labour’s next manifesto. We know what such 'pledges' from Labour are worth."

A deliberate strategy to push the British right – from the Conservative Party to Nigel Farage’s Reform UK – into a radicalising auction over the mass deportations of ethnic minority British citizens is being underwritten by the owner of 55 Tufton Street, the Westminster townhouse that houses a cluster of opaquely funded right-wing lobby groups, reports Nafeez Ahmed.

"The party holds one seat in a chamber that has grown from 60 to 96 members, meaning their proportional presence is smaller now than at any point since devolution began." Elsie Jones asks why the Welsh Liberal Democrats underperformed in last month's Senedd elections.

Andy Bull looks back on Brendon McCullum's career in New Zealand: "All of which may, or may not, be a timely reminder that McCullum's dressing rooms have not always been the sort of free-and-easy open-to-all environments they seem to be when the team are winning. That, expert as he is handling his players, he is also a pretty ruthless dressing-room politician, a man who knows how to instruct a media team and even deploy his lawyers during a crisis."

Wayne Gooderham explores the influence of Hubert Selby Jr's Last Exit to Brooklyn on popular music and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. 

"I had never been so far below sea level, it was difficult to comprehend, the layers of rock, millions of years old above us." Neala shows that being an archives volunteer at Manchester Central Library is more exciting that you might expect.

The Joy of Six 1519

Roderick Lynch says the Liberal Democrats have a serious problem in urban Britain and pretending otherwise will only make it worse.

"A few months after winning the 2024 general election, Keir Starmer pledged to stop 'powerful people using ... Slapps to intimidate journalists away from their pursuit of the public interest'. But in February this year, anti-Slapp measures were shelved from a civil justice and courts bill, reportedly following interventions from Downing Street." Peter Geoghegan and Jenna Corderoy on the government's abandonment of libel law reform – Slapps are "strategic lawsuits against public participation".

"A child living in an illegal care home is being used by an organised crime gang. He may be moving drugs around the country, transporting weapons or laundering money through his bank account. He reaches out for help but the home he’s living in has been infiltrated by the same gang. They refer him to a counsellor – who feeds their conversation back to the criminals controlling his life." Tom Wall has read a new report that sets out the acute dangers faced by children living in unregistered settings.

David Howarth explains what the investigation of Nigel Farage's £5m gift will consider.

"Gianni Infantino arrived at Fifa masquerading as a reformer. Instead, he has gone to great lengths to concentrate and consolidate his power. And yet, despite all the skulduggery, hardly any of the people to whom he ultimately owes his position are holding the Fifa president and his cabal to account." Josimar condemns the Fifa president's attempts to avoid press scrutiny.

Tom Service pays tribute to incomparable Kathleen Ferrier: "Ferrier's voice is still an inspiration, not least because she ought to inspire singers to properly inhabit the contralto register rather than push upwards into mezzo-soprano-dom, as so many singers today think they have to do. But most of all, it's that voice that seems to resonate inside you when you hear it, as if you're physically connected with Ferrier's voice, and which makes everything she sings so direct, so powerful, and so contemporary."

The Joy of Six 1516

"The scale of the beating handed to Labour in these local elections is difficult to convey just in words. You need to see numbers and maps, showing seas of red replaced by turquoise and green and yellow; you perhaps need to see the tears and feel the desolation longtime servants of the party are feeling this evening. That this defeat has been suffered in the heartland of the modern Labour Party – the stronghold atop which names like Andy Burnham, Angela Rayner, Lisa Nandy and Lucy Powell have built their reputations – is all the more harrowing." Lucy McLaughlin and Joshi Herrmann witness the fall of Labour Manchester.

Jonathan M. Winer warns us that Donald Trump is planning to use emergency powers to take control of this year's midterm elections.

Emily Enns on the campaign to deny the abuse of native Canadian children in residential schools. "Even now... there’s not a Facebook post that goes out about Indigenous events in Kamloops where there’s not at least one person in a comment section on a shared post saying something about how our experiences as Indigenous people are fabricated."

"The latest ChatGPT model, released last week, included the instructions: 'Never talk about goblins, gremlins, raccoons, trolls, ogres, pigeons, or other animals or creatures unless it is absolutely and unambiguously relevant to the user’s query.'" Alex Nguyen explains why.

"History, in Mad Men, shapes the air around the characters, occasionally intrudes to seize control of the story, and nevertheless slowly changes each person. History is also experienced as something beyond the characters’ control and understanding. Like real human beings, they respond with a mix of bewilderment, accommodation, grumpiness, opportunism, and, occasionally, a full embrace of change." Joseph Stieb looks at the way Mad Men shows history reshaping people’s lives, perspectives and interactions, often without them fully realising that things have changed.

James Warren considers the unexpected evolution of the progressive band Stackridge into the poptastic The Korgis.

The Joy of Six 1497

"A child who grew up in the United Kingdom, attended British schools, made British friends, and considers this country their home will find, at the threshold of adulthood, that the system treats them as a temporary guest. That is a remarkable way to build community cohesion." Labour's plans on earned settlement are a social policy disaster in the making, argues Colin Yeo.

Alan Rusbridger asks if Britain has stopped believing the freedom to protest: "The police burst in, broke up the gathering and arrested everyone involved. They carted them off to the cells, confiscated their phones and, in at least one case, raided their home and took away all the family laptops and hard drives. The crime? Er, well, there may not have been one. Welcome to Britain in 2026 and the increasingly harsh way we handle not even protest, but the very thought of protest."

"Two centuries ago, [Thomas] Spence and his followers fought for universal cash payments because enclosure had made ordinary people too dependent on landowners for their livelihoods. They did not emphasise that money would be good for people, as proponents do now. They argued that money was owed to people." Will Glovinsky explores the historical roots of the idea of a universal basic income.

Kate Moore on the major hedgerow restoration programme at the National Trust’s Wimpole Estate in Cambridgeshire.

Municipal Dreams says Lincoln offers an interesting case study of the early drive to build affordable housing for working people: "Back then this was almost universally understood to be, of necessity, council housing, and the drive to build came – admittedly with political flavouring and different degrees of intensity – from all parties. There was also significant influence from local pressure groups, generally not radical in politics but sharing a common belief in the duty of the local state to house those in need."

"The character of Raffles looks forward to Bulldog Drummond, the Saint and, even more so, James Bond: the unflappable elegance, the insouciant brutality and the brand names (Raffles’s Sullivans, Bond’s Chesterfields and Morlands), the insistence on the best champagne and on the shaken-not-stirred martinis. The escapades of both heroes deploy the latest miracles of technology." Ferdinand Mount considers E.W. Hornung and his anti-hero Raffles.

The Joy of Six 1488

"It’s what happens when the NHS has run out of room. It means intimate conversations about cancer, stroke, or dementia in earshot of strangers. It means delays to assessment and treatment, including pain relief, become more likely – dignity stripped away through lack of capacity." Danny Chambers says corridor care will continue for another three years – and that’s not good enough.

Nick Bowes reckons political fragmentation could lead to the most interesting London election results since the 32 boroughs were formed.

"When e-cigarettes first appeared around 2010, they were hailed as a breakthrough: nicotine delivery without the toxic tar and combustion byproducts of traditional cigarettes. Public health bodies cautiously endorsed them as a tool for adult smokers to quit, often citing early claims that vaping was 95 per cent less harmful than smoking. More than a decade later, with millions now vaping regularly, the picture is less clear." Vikram Niranjan reports on warning signs that vaping may not be as benign as we thought.

Black female footballers are praised for their strength, white female footballers are praised for their intelligence. Paul Ian Campbell and Allison Thompson discuss the findings of their research.

Jude Rogers chooses her 10 best folk albums of 2025.

Ray Newman follows in the footsteps of Henry VII, who made a pilgrimage to the holy well of St Anne  near Bristol in 1486: "If you want to stick to something like Henry’s route, you have to push past rows of signs and columns cones, squeeze between temporary fences, evade robotic security sentinels that shout at you if you linger too long, and leap muddy puddles in a road surface turned into no-man’s-land by the constant passing of concrete mixers."

The Joy of Six 1478

"In a sense, Clegg is right: politicians are more focused on narratives than data. But it’s data they use to justify their policies these days. Indeed, far from modern politics being a vibrant competition of ideas in the way Clegg suggests, modern anglophone politics has been dominated by just one since the 1980s: There Is No Alternative." James Graham takes apart Nick Clegg's book How to Save the Internet.

Sam Bright is puzzled by the contradictions of right-wing journalists: "These journalists are neoliberals – they preach the free market gospel. You can’t get them to shut up about the Industrial Revolution and how deregulated enterprise supposedly birthed Britain as an economic superpower. And yet they’re stuck in the Middle Ages – terrified of the advances in science and engineering that also spawned from their favourite period of history."

"Trade unions are civil society organisations. They give working people a way to voice their concerns, secure representation, and exercise lawful leverage. In a country where bargaining is often fragmented and workplace voice is weak, that is not a threat to liberalism; it is a condition of it." Jack Meredith states the Liberal case for the government's Employment Rights Act,

Tracey Spensley on veterinary medicines and the decline of Britain's songbirds.

Darren Chetty looks at the current BBC adaptation of Lord of the Flies: "The decision to include a diverse cast, including the excellent Winston Sawyers who plays Ralph, will probably be viewed by many as a progressive move, ensuring that not only white actors are offered roles and not only white people are represented on screen. But for all its progressive aspirations, an adaptation like this obscures some of the most interesting themes discernible in the book."

"Barrie was always ageless, with a kind of supernatural vibe about him that makes me think perhaps he wasn’t quite of this world. And in a way, he wasn’t: he belonged to a London long vanished, full of glamour and promise. Did Barrie disappear along with it?" Melissa Blaise searches for a Chelsea socialite she once knew.

The Joy of Six 1475

Degenerate Art on Donald Trump's concentration camps and what can be done to resist their building: "When you consider the number – again, in the tens of millions—that the administration is promising to detain or deport, and when you look at the network of planned facilities that we already know about, what we’re witnessing is the express repetition of a project on the scale of the larger concentration camp systems in history – the Soviet Gulag, the Nazi concentration camps, and Chinese labour camps in the People’s Republic of China."

"Westminster’s moral compass went haywire a long time ago, and no party knows how to navigate its way out of the swamp. The political graveyard is full of those who blithely – and fatally – assumed that their troops were cleaner than their opponents." Sam Bright wonders what happened to Keir Starmer's concern about sleaze.

"OpenAI, the creator of ChatGPT, acknowledged in its own research that large language models will always produce hallucinations due to fundamental mathematical constraints that cannot be solved through better engineering." Gyana Swain reports.

Charles Taylor that Holywood's Oscar-winning pictures are not where we should look for art that speaks to the danger of this moment: "In American cinema, it’s always been easier to find real meat in B movies and Westerns and noirs and war movies and melodramas than in their high budget counterparts. Those movies, often made on the cheap for a quick profit, couldn’t avail themselves of the production values that, when it came to thorny topics, too often shellacked the life out of their subjects."

"Mother was given the book to read, but I don’t think she read it, which was probably for the best." Bridget Osborne talks to Simon Surtees, one of the boys who appeared in Peter Brook's 1963 film of Lord of the Flies.

Scandalous History introduces us to three bandit queens of the Wild West: Belle Starr, Pearl Hart and Laura Bullion.

The Joy of Six 1467

Claire Jones says Britain is sliding backwards into open racism: "Shame has evaporated. With skin colour as their yardstick, the UK’s self-appointed 'defence warriors' are having a field day shouting at anyone brown-skinned, from ordinary folk to celebrities and political figures, to 'go home'."

"While it’s relatively easy for regulators to monitor the actions of Snapchat or TikTok, it’s impossible to police the millions of websites that might contain forums and chats. Any policy shift will have failed if it ends up pushing kids into even less regulated places on the internet." A social media ban for under-16s would be popular but, asks James Clayton, would it really help?

"Off 16 planned non-London LTNs tracked by the researchers, just one was fully implemented – a failure rate of around 94 per cent." Megan Huws argues that councils lack resources to deliver Low Traffic Neighbourhoods amid the culture wars.

Leanne Tritton on the difficulty of reusing redundant buildings in Britain today.

James Bloodworth looks at what the fame Russell Brand enjoyed until recently tells us about our society.

"It's a shot of such pure emotion and simple poignancy that it is regularly cited as the greatest ending in cinematic history. In the 95 years since City Lights' release, numerous films have tried to replicate its subtle artistry and the power of its performances." Gregory Wakeman watches a Charlie Chaplin masterpiece.

The Joy of Six 1458

"Sounding like a mob boss when speaking at Trump’s press conference at the weekend, secretary of state Marco Rubio told the world that the message of the Venezuelan intervention was that when this president says he is serious about wanting something, he gets it. The problem for Europe is that the one thing that this President covets above all is Greenland." Simon Nixon argues that Donald Trump’s "Donroe Doctrine" poses an existential threat to NATO and Europe.

Cliff Mitchell accuses Northamptonshire's two Reform-run councils of ignoring the reality of climate change across the county: "As predicted by climate scientists, Northamptonshire is seeing drier summers as well as wetter winters. Droughts are happening more quickly and becoming more intense. When combined with frequent winter floods, this leads to soil damage and erosion, reduced crop yields, and impacts on livestock grazing and biodiversity."

"It might seem silly or not worthy of attention to look into the Trump administration’s aesthetic decisions, all of the gold ornamentations smeared all over the Oval Office and ballrooms and Arc de Trumps, and etc, but the aesthetic is a way to make the political physically present. It’s a way to rally people’s energies. It’s a way to make it seem like things are changing and like Trump is keeping his promises when he’s actually not." Erin Thompson says Trump’s gilded White House makeover is all about power.

Robin Eagles discusses his work identifying Black voters in 18th-century elections.

"The BFI website suggests that Hell is a City is 'unaccountably overlooked; and suggests that it was ‘as important a film as Room at the Top’ ... They put this down to 'critical snobbery towards its solidly commercial director Val Guest' as well the fact that it was one of the very few non-horror films made by Hammer Studios, not known for its high-brow output." David Rudlin watches Hell is a City, which was filmed  largely on location in Manchester and Oldham in the autumn of 1959. 

Lynne About Loughborough goes in search of the town's forgotten Football League club.

The Joy of Six 1453

Martin Barrow reports that, following the intervention of Dame Rachel de Souza, the Children’s Commissioner for England, it is hard to find anyone prepared to defend the current arrangements, outside the actual 'business' of children’s homes and foster care.

"Despite the numerous inquiries that have been carried out, the lessons identified often fail to translate into meaningful, lasting change. As a result, organisations find themselves repeating the same mistakes, leading to avoidable disasters. Those impacted wait years for answers, and political impetus for reform can wane." Rebecca McKee and Jack Pannell make the case for reform of public inquiries.

The 'one chatbot per child' model for AI in classrooms conflicts with research that shows learning is a social process, argues Niral Shah.

Jo Lonsdale and Jane Downs tell the story of Mary Ann Macham, who fled slavery in Virginia and found safety in the North East of England: "Mary Ann was born in Middlesex County, Virginia, in 1802, her father 'a gentleman's son', her enslaved mother raped by him. Aged 12, Mary Ann was sold at a public auction at Richmond, a 'poor puny little thing', as she later said, fetching $450."

Emma Slattery Williams on Christmas in the Victorian era: "Roast turkey remains the customary fare for Christmas lunch and we can thank the Victorians for this, too. In the early 19th century, turkeys would have been too expensive for the majority of households to afford. But the development of the railway made them more accessible and affordable, and soon they had become the star attraction at Christmas dinner tables."

"Despite their initial rejection by the Ministry of Transport, the signs were actually rather well designed. Seen side-by-side against the regulation sign that was supposed to be used ... they compare very favourably." Oxfordshire Signs looks back to the days when the county had its own unique designs for road signs.

A portrait of Tom Stoppard (1937-2025)

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The playwright Tom Stoppard died today. There will be plenty of obituaries, but there is a good portrait of him in this Guardian interview from two years ago (to the day) by Claire Armitstead:

Tom Stoppard is chatting in the theatre bar when I arrive to interview him about a revival of his play Rock ’n’ Roll. He was comparing ailments with an elderly director friend, he says cheerfully, as he heads up the stairs, having declined an offer of the lift. At 86 he has the nonchalant elegance of a spy in a cold war thriller, lean and mop-haired in a discreetly expensive-looking coat.

Though Stoppard is feted around the world for some of the cleverest plays of the last 60 years, as well as the Oscar-winning screenplay for Shakespeare in Love, he is more gossipy than grand. “I said to him,” he reports of the conversation from which he has just been dragged away, “I’m being interviewed by the Guardian in half an hour and it’s supposed to be about Rock ’n’ Roll, but I’m going to have to have an opinion about Gaza, aren’t I?”

Being canvassed for opinions comes with the territory for a playwright whose identity straddles two of the biggest faultlines of 20th century history. His most recent play, Leopoldstadt, was a monumental reckoning with a Jewish heritage of which he only became aware in middle age. It ended with Leo, one of three survivors of a mighty dynasty, returning after the war to a Vienna of which he had no memory, having adopted his stepfather’s surname and lived in England since infancy.

Stoppard himself settled in England and adopted his stepfather’s name when he was eight, though his early childhood was spent not in Austria but Czechoslovakia. Rock ’n’ Roll, which premiered at the Royal Court in 2006, contains a different reckoning: what if, instead of getting remarried to an Englishman after the death of Stoppard’s doctor father in the war against Japan, his mother had returned to Soviet Czechoslovakia with him and his brother? 

“I thought I could write a play which was about myself as I imagined my life might have been from the age of eight,” he says. “And then I would find out whether I was brave enough to be a dissenter, or just somebody who would keep his head down and his nose clean. And I have a terrible feeling that it would have been the latter.”

In 2020 the same paper published a review by Stefan Collini of Hermione Lee's biography of Stoppard:

Although Stoppard’s plays can seem like the distillation of several course-loads of reading lists, he didn’t go to university. Instead, at 17 he started work as a reporter on a local newspaper in Bristol. 

What he lacked in experience he seems to have made up for in chutzpah: he got himself made the paper’s motoring correspondent without revealing that he couldn’t drive. Increasingly, he wrote theatre reviews, and then followed his dream by giving up his job, moving to London, and writing plays.

The Joy of Six 1417

"Muscular patriotism of the flag waving variety marries rather well with aggressive nationalism - and we’re seeing quite a bit of that all over the world. Neither impulse allows for complexity instead it demands loyalty of the 'for us or against us' variety." Ritula Shah explains why the aggressive flag flying of recent weeks has bothered her so much.

Carole Cadwalladr investigates the opaque workings of the Tony Blair Institute for Global Change, its funding from friends of Israel – including billionaire Larry Ellison – and an emerging right-wing media takeover of the global information space.

Timothy Garton Ash talks to Catherine E. De Vries about writing, freedom and the lost art of disagreement.

"If the BBC had kept the Boat Race and paid more for the privilege, the Telegraph’s angle could well have been to talk about a waste of money on an event whose viewing figures have been in decline over the years. The key thing with any story about the BBC in the right-wing press is that the corporation must always be in the wrong." Mic Wright on the way the Boat Race's move to Channel 4 was used to attack the BBC.

In 1873, a choir of formerly enslaved African American students from the newly established Fisk University, Tennessee, embarked on a fundraising tour of the UK during which they sang for both Queen Victoria and Mr Gladstone. The National Archives tells the story of the Jubilee Singers.

Madeleine Brettingham discusses her favourite situation comedy: "The Fall and Rise of Reginald Perrin is an early crack in the post-war sitcom’s floral wallpaper. The protagonist, Reginald Iolanthe Perrin, is a restless, self-directed twenty-first century man trying to break out of a claustrophobic twentieth-century show."

The Joy of Six 1414

"The speech made Labour and Starmer less popular, especially among Labour’s own voters. It significantly boosted immigration as an issue in people’s minds. There is no evidence it helped to reduce support for Reform, or convince Reform voters that they should vote Labour." Tarik Abou-Chadi and Stuart Turnbull-Dugarte have researched what happens when mainstream parties capitulate to the far right.

Claire Wilmot examines how the far right has embraced deepfake technology: "A Londoner spreading deepfakes of white women saying they don’t feel safe 'because of migrants' told me impatiently that everyone knows the videos aren't real, but I was missing the point: 'It's about us showing everyone what’s really happening.'"

"Alarmingly, the new data show an accelerating pattern of decline in our bird populations, whether on our farmland, wetlands, uplands or seas, as they are pushed past their limits. Notably, seabirds have crashed in number, many hit hard by avian influenza, on top of a cocktail of growing pressures." Helena Horton finds that wild bird numbers continue to fall in UK. with some species in dramatic freefall.

"Elizabeth I and Mary I are the only women named in the national curriculum, while in 2023 women appeared in just 6 per cent of GCSE and A-level history exam questions." Richard Adams reports on research from End Sexism in Schools.

Pamela Fisher on the days when Nanpantan near Loughborough was an inland holiday resort.

Seth Thévoz asks an important question: which London club did Doctor Who belong to?

The Joy of Six 1409

Dominic Bryan, who has researched the politics of flags in Northern Ireland for decades, sets out what England needs to understand: "We’ve heard predictable claims that the flags are just a display of pride in a British or English identity. This is an easy claim to make as it clearly is, in part, to do with nationalistic pride. The point is that they are being hung in particular places, by particular groups of people and in a particular way that clearly links them to the ongoing debates and hostility to migration."

"Not only have reports of McSweeney’s political genius become as rare as hen’s teeth, but many Labour MPs are coming to the realisation that any recovery for this Government is now wholly dependent on his removal from Number 10." Adam Bienkov on Morgan McSweeney's reverse Midas touch.

Natalie Bennett makes the case for a national play strategy for England: "The sell-off of playing fields and closure of swimming pools is well-documented, but less noticed is the way in which informal play spaces and child-friendly public spaces are often overlooked or treated as expendable; many communities just don’t have accessible, safe places for play." 

"In 1995, after a local school had been destroyed in an arson attack, the MP Roy Hattersley (a former chair of Sheffield’s Housing Committee in the sixties) dubbed the Manor Estate 'the worst estate in Britain' – quite a comedown for an estate which had once been one of Sheffield’s showpieces. The truth, as ever, was more complex but the reality of decline on the now troubled estate was undeniable." Some fascinating social history from Municipal Dreams.

"Sid isn’t simply passable in these films from the 40s – he’s already very, very good. Critic Barry Norman summed up what made him so convincing. 'He never appeared to be acting,’ he noted. ‘And to act without appearing to be acting is an enormous skill.'" Hammer reminds us that Sid James was a tremendous actor long before the Carry On films claimed him.

Bobby Seal remembers Ron Chesterman, an original member of The Strawbs who later became county archivist for Cheshire.

The Joy of Six 1399

Rei Takver reports on fears that Labour’s new data access law would allow a future Reform UK government to replicate an Elon Musk-style DOGE data-grab: "If Reform gains power in 2029, campaigners say it could use Labour’s data access law to carry out its policies, which include a crackdown on immigration, the radical downsizing of the civil service, eliminating 'government waste', and decimating the UK’s net zero projects."

The British right is adopting an increasingly extreme form of ethnic identity politics, while failing to explain what the rest of us are supposed to be so worried about, argues Jonathan Portes.

Toby Buckle insists American liberals should stop trying to act as the referees of political debate and recognise that they are partisans for one side of it: "The liberalism of the early twentieth century was a project aimed at social reform. That of the mid-century – of the New Deal, Great Society, and civil rights eras  – while certainly complicit in many of the evils of its world, was also a creed with a strong sense of its own values. Far from being content to 'neutrally' enforce existing rights, it sought to expand them and create new ones."

Katy Holland says The Sound of Music has never been popular in Austria because it challenges the way the country likes to paint itself as a victim of Nazi Germany: "Austrian officials, sensitive to the implications of wartime collaboration, initially objected to the use of swastika banners in Salzburg to depict the Anschluss, and relented only when filmmakers proposed using archival footage of Hitler being welcomed by cheering crowds in the city."

"Slag heap debris on the English coast has apparently been fusing into a new kind of sedimentary rock. A team of geologists studying the beach recently 'found a series of outcrops made from an unfamiliar type of sedimentary rock. The beach used to be sandy, so the rock must have been a recent addition.' ... Based on inclusions of trash amongst the sediments, such as a discarded coin, some of this rock could not have been more than 36 years old.'" BLDGBLOG has news of rapid geological change.

"There is only ten years between the two tv adaptations but technically a lot apparently happened in that ten years. The Children of Green Knowe looks as fresh as ever; it’s very difficult to believe that it is thirty years old. A Traveller in Time, only eight years older, looks visually awful." Maureen Kincaid Speller compares and contrasts television adaptations of two children's books.

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"Opportunities to object are limited. Roadblocks and checkpoints have been established at either end of the only lane in and out of the village. Cars are searched with sniffer dogs and ID demanded. All footpaths have been closed off, and unless you live here you stand no chance of getting in. Secret Service agents keep a watchful eye on the hordes of police who are doing their bidding. In short, we’ve been completely sealed off from the outside world." An anonymous contributor to The Oxford Clarion describes life in the Cotswold village of Dean during JD Vance's visit.

Shaun Thompson was wrongly identified as a criminal by new police cameras. He explains why, if this technology is rolled out across the country, or is used at this year’s Notting Hill Carnival, as planned, such injustices will disproportionately affect Black people.

"Climate action does not just need good policy, it also needs good psychology. Understanding and addressing how people perceive climate measures is essential to avoid backlash and build lasting public consent." Wouter Poortinga looks at the psychology of winning public support for climate policies.

"The conference circuit, once lively with questioning and dialogue, now contends with a new problem: the 'ghost academic'. These are scholars whose names appear in conference programmes and proceedings, whose abstracts are listed, yet who never turn up to deliver their presentations. They accrue the CV line, but never share the substance." Anne Tierney and Doug Specht say the obsession with metrics in academia is imperilling the tradition open intellectual exchange that was the hallmark of scholarly life.

JacquiWine on Rose Macaulay's The World My Wilderness. Here is Macaulay's description of a London bombsite: "They climbed out through the window, and made their way about the ruined, jungled waste, walking along broken lines of wall, diving into the cellars and caves of the underground city, where opulent merchants had once stored their wine, where gaily tiled rooms opened into one another and burrowed under great eaves of overhanging earth, where fosses and ditches ran, bright with marigolds and choked with thistles, through one-time halls of commerce, and yellow ragwort waved its gaudy banners over the ruins of defeated businessmen."

Patrick Glen looks back to the Isle of Wight Festival of 1970: "The lineup included the Who, Miles Davis, Joan Baez, Joni Mitchell, the Moody Blues, Jethro Tull, Sly and the Family Stone and Gilberto Gil; Jimi Hendrix played one of his last performances before his death."

Ed Davey: "We are a caring country, not a country of thuggery"

An open letter organised by Together With Refugees and signed by more than 200 refugee groups, charities and trade unions called on party leaders to end the pernicious currents of hatred that are fuelling anti-migrant protests.

Ed Davey closed his reply with the words:

That is who we are: a caring country, not a country of thuggery. A nation of laws and decency, not hate and lawlessness. And we must insure this is who we remain.

My first thought was that this was a pretty generous reading of our history, but then I thought of one of my favourite philosophers, the late Richard Rorty.

Carol Nicholson discussed Rorty's account of patriotism in a 2003 article for Philosophy Now:

In Achieving Our Country Rorty applies these views of knowledge and truth to the issue of patriotism. National pride, he argues, is analogous to self-respect and is as necessary for self-improvement. 

Both self-respect and patriotism are virtues found in an Aristotelian Golden Mean between the vices of excess and deficiency. Just as too much self-respect results in arrogance, and too little can lead to moral cowardice, an excess of patriotism can produce imperialism and bellicosity, and a lack of patriotism prohibits imaginative and effective political debate and deliberation about national policy. 

Patriotism is instilled by means of inspirational images and stories about a nation’s past, which help citizens to form a sense of moral identity. Given Rorty’s pragmatic theory of truth, he does not view any of these stories as the ‘objective’ or ‘right’ one. We must make a choice among them based upon the kind of moral identity we want to create, rather than on the basis of correspondence with a pre-existing Reality.

Other than a popular simple-minded militarism, Rorty sees very few stories in contemporary American culture that might inspire patriotism. The academic left today lacks a vision of national pride, and it exhibits a kind of fashionable hopelessness, which Rorty attributes to the breakdown of the alliance between the intellectuals and the unions in the Sixties, the influence of postmodern theory, and the impact of the Vietnam War. 

An autobiographical section of one of the essays about growing up as a “red-diaper anticommunist baby” in the Thirties and Forties gives insight into why he is so dismayed by both the current U.S. administration and the opposition to it.

And that, I think, is a lesson for all Liberals: we must resist fashionable hopelessness.

Lisa Nandy, the BBC, antisemitism and the Israeli ambassador

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Over on Twitter, the independent journalist Matt Kennard claims:

A source within the UK civil service has seen briefing notes prepared for a private meeting between Culture Secretary Lisa Nandy and Israel’s ambassador to Britain, Tzipi Hotovely, scheduled for tomorrow.

Nandy will tell the Ambassador she believes the BBC is “institutionally antisemitic” and that “one mistake is an editing error but if you have multiple mistakes you need to look at the leadership”.

I don't know if this will come to pass, but the story does give me an excuse for remembering just how weak Lisa Nandy grasp of the concept of "antisemitism" is.

Interviewed for BBC Radio 4 in October 2020, she told us:

“Antisemitism is a particular kind of racism, that punches up instead of punching down.”

The Skwawkbox has the audio.

If you find it natural to deploy an antisemitic trope while explaining antisemitism, you really shouldn't be setting yourself up as an expert on the subject.

The Joy of Six 1376

Christine Jardine says it was a privilege to support the Assisted Dying Bill: "The debate has been for all of us MPs a harrowing experience as we welcomed into Parliament the families and friends of terminally-ill adults, who either had to live in pain, or make the heartbreaking trip to Dignitas alone to avoid the risk of their family being investigated for assisting a death."

"Nobody identified more strongly with Britain than that generation, many of whom had a picture of Queen Elizabeth II on their living-room wall. When the Empire Windrush arrived at Tilbury docks in Essex, its occupants did not see themselves as 'immigrants', but citizens of the United Kingdom and Commonwealth come to help rebuild the 'mother country' after the war." Dianne Abbott found the Windrush Day reception at No 10 joyous, but it was also a reminder of the ugliness behind the 'island of strangers' rhetoric.

Grieving families are being left without answers because of an overstretched and undertrained coroner's service reports Angela Walker.

Bob Berzins makes the case for banning driven grouse shooting.

John Lanchester discusses the enormous popularity of Agatha Christie. "[Her] great talent for fictional murder is to do with her understanding of, and complete belief in, human malignity. She knew that people could hate each other, and act on their hate. Her plots are complicated, designedly so, and the backstories and red herrings involved are often ornate, but in the end, the reason one person murders another in her work comes down to avarice and/or hate."

Well before streaming and cable TV, the BBC's Moviedrome offered an accessible gateway to cinema. A quarter of a century on from its final instalment, the strand is being celebrated with a two-month season at BFI Southbank featuring some of the most significant titles from its run. Matthew Taylor talks to Alex Cox and Nick Freand Jones about their experiences working on this influential series.

The Joy of Six 1375

"As I stood outside the barricaded burial site and watched through a peephole, I felt a sense of joy. The grounds are now full of cabins, small diggers and fencing. There are workers in hard hats, forensic archaeologists and a multitude of others who will keep us up to date on what they find. Hopefully it will be the full number - 796 little bodies waiting for a dignified burial." Catherine Corless refused to give up until she learnt what became of the children who died at the mother and baby home in Tuam, County Galway.

Ben Ansell dissects the increasing extremism in British commentary about race: "For a large number of writers - from Matt Goodwin to David Goodhart, Lord Frost to the MP Neil O’Brien - the distinctions among British citizens are apparently important and worthy of what can at best be described as suspicion and at worst denigration."

Olivia Bridgen asks if trail hunting is an important tradition or just a cover for illegal hunting.

"Racism, especially Islamophobia, is impossible to avoid in Farage-adjacent TikTok. Some of it is imbued with nationalist melancholia, the screen dotted with Union Jacks, clips of wartime heroics interspersed with laments for what the country has become. Some of it is didactic, explaining to the viewer where Islam originated, and the dangers it supposedly presents." William Davies ventures into Faragist TikTok.

Josh Jones looks at research that confirms what philosophers and writers have always known: walking fosters creativity.

"The six town centres are now littered with empty and derelict historic buildings, many of which are in the hands of absentee owners. Meanwhile, those that are put to use are often terribly managed by what can only be described as rogue landlords." Dave Proudlove weighs the prospects for postindustrial Stoke-on-Trent.