The Joy of Six 1503

Marcus Hughes on the many problems the Welsh government must overcome in achieving its laudable aim of removing private profit from the care system. "The anxiety inducing question from those working in the sector is what happens if local authority and not-for-profit provision can’t replace that offered by the private sector in time? Finding places for some young people is already a challenge even with the current options available." 

"Could the bellicose, belligerent and braying Hegseth – with his Crusader tattoos, his disdain for diplomacy, and his evident taste for violent domination – have convinced Trump to start a war to complete the unfinished business of the Crusades?" Julia Carrie Wong reveals the militant Christian theology animating the US attack on Iran

Hannah Sharland reports on fears that the government's transport strategy will not see the improvements for disabled travellers that were promised.

"Standing at 6ft 2in, with an imposing physique and a razor-scarred face, she was a Black, gay multi-instrumentalist who refused to let a racist society or a rapacious industry confine her. Thornton should be ranked alongside the likes of Billie Holiday and Nina Simone, but instead she is little more than a footnote in the histories of Elvis Presley and Janis Joplin as the original voice behind songs they would make famous." Garth Cartwright celebrates Big Mama Thornton.

"For really I think that the poorest he that is in England hath a life to live, as the greatest he." A London Inheritance takes us to St Mary's, Putney, where the Putney Debates took place in 1647. 

Simon Hughes (not that one) remembers Channel 4's years of covering test cricket – they gave us Geoffrey Boycott without the tiresome public-school teasing of him by Jonathan Agnew: "Our principle aim was to make cricket coverage more interesting and informative: to tell ‘why’ as well as ‘what’. Part of our motivation came from people who said they often watched cricket on the TV but turned the sound off and listened to the radio commentary. We wanted our content to be so intriguing viewers would turn the sound up."