"Swinson’s policy has, if nothing else, achieved two things. It has introduced a measure of clarity to our politics that many have been craving, when so many of our politicians still cling to what the late Sir Geoffrey Howe called in his resignation speech the endless search for separating words from meaning. And it has given committed Remainers a clear political home." Joe Zammit-Lucia thinks our new Brexit policy has a lot going for it.
Larissa Lockwood argues that London’s streets should be for the majority, not a car-owning minority. She's right.
"Every year, more than a century after its heyday, ‘The Land Song’ is the opening number at an event with good claim to be the country’s best political sing-song, at the Liberal Democrats’ party conference." Andrew Whitehead tells the story of the Glee Club's favourite anthem.
Matthew Smith looks at the strange career of Ritalin, the drug that has been sold as a tonic for worn-out housewives and a treatment for hyperactive children.
Tim Worthington takes us back to 1991 and a live recording of Lee and Herring's Lionel Nimrod’s Inexplicable World.
Watching Leicestershire, says Backwatersman, resembles stumbling through the deep gloom of an abandoned railway tunnel, though with less danger of being run into by a manic cyclist or bitten by a rat.
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