This is the second of Ian Christie's The Worlds of Powell and Pressburger lectures from last year:
World War Two set British filmmakers a challenge: to be relevant and entertaining and to inspire without patronising. Powell and Pressburger brought wit and imagination to their task, questioning what Britain stood for, warts and all.
Notoriously, Churchill hated The Life and Death of Colonel Blimp. But many ordinary cinema-goers were grateful for The Archers’ poetic patriotism, in this as well as in A Matter of Life and Death. Britishness redefined in the stress of war is the theme of this lecture.
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