The Joy of Six 1535

"When news of the arrests of the three Ukrainians broke, a rumour soon began to spread online that the alleged perpetrators were, in fact, Ukrainian male sex workers employed by Starmer and that the arson attack was revenge for unpaid bills. Perhaps unsurprisingly, one of the most influential online figures involved in spreading this 'Rent Boys' conspiracy theory was Stephen Lennon." Joe Mulhall and Nick Lowles argue that Tommy Robinson is Putin's useful idiot.

Theo Rodwell fears the Liberal Democrats are being held hostage by Conservatives who have lent them their votes.

"The mayor of New York, Zohran Mamdani, announced that 'one thousand New Yorkers won our lottery for affordable tickets to the World Cup ... the beautiful game belongs to everyone.' Having to run an affordable lottery suggests that maybe it doesn't." Natasha Chahal on FIFA and Trump's world cup.

Emma Peplow looks back to the Christchurch by-election of 1993.

Richard Williams reads a new biography of Brian Epstein: "A man who loved the theatre and classical music, he understood their adventurous creative instincts. When they made that first film, it was directed by the innovative Dick Lester rather than a Wardour Street hack. When the sleeve art of their second album was being prepared, he guided them towards Robert Freeman, whose photos of John Coltrane he had admired and who listened to the group when they showed him Astrid Kirchherr's black and white chiaroscuro Hamburg photographs as a potential template."

"Every day, in New York alone, millions pass by her. On Columbia University’s campus, at the Frick Collection, in Central Park, near City Hall, and at the Brooklyn entrance to the Manhattan Bridge. ... Yet the woman behind the face lived a life marked by exploitation, disappointment, and profound tragedy. Her death in 1996, at the age of 104, attracted almost no attention at all, as if history forgot all that she had been and given. The statues remain, but she was buried in an unmarked grave in northern New York state." Josie Cox tells the sad story of Audrey Munson, America's first supermodel.