The Joy of Six 1494

"After months of rhetoric from Keir Starmer and Rachel Reeves blaming newts and bats for supposedly blocking growth, it’s good to see the Land Use Framework recognises nature restoration is a priority, underpinning all our other uses of land. Senior civil servants in the Department for Environment, Food and Rural Affairs now view their ministry as a 'department of land', and regard implementing the Land Use Framework as their overriding mission." Guy Shrubsole welcomes the news that revealing who owns England has just become government policy.

Josiah Mortimer finds that Reform UK councils are dismantling the fight against climate change.

Sarah Fitz-Claridge on the relationship between Karl Popper's account of human knowledge and her view of raising children.

"The new Peaky Blinders film, The Immortal Man, offers us a character, John Beckett, who is a British Nazi. One of the two founders of Britain’s first Nazi party in 1937, alongside William Joyce, was indeed a man named John Beckett, who was formerly a Labour MP. He had been director of publications for Oswald Mosley's British Union of Fascists, but that year he fell out with Mosley. I'm Beckett’s biographer. I'm also his son." Francis Beckett decries the trend for popular films to create populist myths about the second world war – myths that will do us real harm as we confront the new face of fascism in 2026.

"What if Auden had died on the cusp of exile? If, say, his first airplane flight, to Denmark in 1935, had crashed into the sea? Auden would still be remembered. He was, after all, an astonishingly prolific poet, already well known in Europe and America. But he would not be known as a poet of anxious urbanity, and certainly not as a Christian, or even as a leftist. Instead, he would be defined, as many young people are, by the land of his parents and ancestors. The young Auden was, first and foremost, an Englishman, haunted by England's tortured landscape and its war-battered population." James Chappel considers the early poems of W.H. Auden.

Jo Hutchings has some behind-the-scenes photographs of Jon Pertwee filming filming the Doctor Who story The Dæmons in Aldbourne.