The rigged system Freda Jackson overcame to become an actress in the 1930s

I wrote about the actress Freda Jackson's background on Central Bylines:

Jackson was born in Nottingham in 1907, the daughter of a railway porter. She was educated at High Pavement School and the city’s University College. In 1933 she was teaching English and Drama at Haywood School, Sherwood, and spending her evenings acting with a local theatre group, when a letter to the director of its repertory company won her an audition at Northampton’s Theatre Royal.

Yesterday's purchase Repertory at The Royal: Sixty-Five Years of Theatre in Northampton 1922–92 tells us what happened after that successful audition:

Miss Jackson's status for her first five months in Northampton was that of pupil, which meant that she received no salary. She had originally applied to Herbert Prentice, by then at the Birmingham Repertory Theatre, but, since the pupil system did not operate there, he advised her to try Northampton. The pupil arrangement was confined to actresses, young actors being in such short supply that they could command a salary from the outset.

The dedication of the pupil actress extended not only to support herself without salary, but also to providing an adequate personal wardrobe for modern plays, a much more onerous requirement than for her male colleagues.

Were young male actors really in such short supply, or was it simple sexism that saw them paid from the outset when young actresses weren't.

Whatever the reason, this arrangement made it next to impossible for a young working-class woman to embark on a theatrical career. It explains why maids in Thirties films, of which there were many, were usually played by upper-class girls with unconvincing cockney accents.

We are seeing a return to such an arrangement in Britain today: every well-endowed private school has its own theatre, but the public facilities open to youngsters from poorer homes are under increasing financial pressure.It's no wonder we see the same limited group of privately educated actors snaffling the star roles in British films. And narrowing the pipeline of talent entering the acting profession can only result in a reduction in quality.

Anyway, you can see Freda Jackson above as Mistress Quickly in Laurence Olivier's 1944 film of Henry V.

The other actors in the scene are Robert Newton as Pistol and two who were to be dead within months of shooting it: Frederick Cooper (with the nose) as Nym and Roy Emerton as Bardolph. The boy is unmistakably a young George Cole.