The best-known scene from a British film involving children and bombsites is the climax of Hue and Cry (1947), where the office boys and errand boys of London stream across a ruined cityscape to confront the villains. It feels more Roberto Rosselini than Ealing.
Here, you sense, is the exotic London captured by Rose Macaulay in her novel The World My Wilderness (1950). A city where the bombsites are bright with flowers and lush with vegetation. A city of sudden unaccustomed vistas of Italianate churches. A city where the displaced sleep at night among the ruins.
That was me writing on Lion & Unicorn earlier this year. This video looks at the locations used in the filming Hue and Cry and what remains of them today.
No comments:
Post a Comment