Cliff Mitchell accuses Northamptonshire's two Reform-run councils of ignoring the reality of climate change across the county: "As predicted by climate scientists, Northamptonshire is seeing drier summers as well as wetter winters. Droughts are happening more quickly and becoming more intense. When combined with frequent winter floods, this leads to soil damage and erosion, reduced crop yields, and impacts on livestock grazing and biodiversity."
"It might seem silly or not worthy of attention to look into the Trump administration’s aesthetic decisions, all of the gold ornamentations smeared all over the Oval Office and ballrooms and Arc de Trumps, and etc, but the aesthetic is a way to make the political physically present. It’s a way to rally people’s energies. It’s a way to make it seem like things are changing and like Trump is keeping his promises when he’s actually not." Erin Thompson says Trump’s gilded White House makeover is all about power.
Robin Eagles discusses his work identifying Black voters in 18th-century elections.
"The BFI website suggests that Hell is a City is 'unaccountably overlooked; and suggests that it was ‘as important a film as Room at the Top’ ... They put this down to 'critical snobbery towards its solidly commercial director Val Guest' as well the fact that it was one of the very few non-horror films made by Hammer Studios, not known for its high-brow output." David Rudlin watches Hell is a City, which was filmed largely on location in Manchester and Oldham in the autumn of 1959.
Lynne About Loughborough goes in search of the town's forgotten Football League club.
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