The Joy of Six 1460

"Governments and taxpayers fund universities not because they are efficient 'businesses', but because they are essential public institutions. They generate research that underpins economic growth and cultural life. They educate professionals on whom society depends. They are meant to be spaces where difficult questions can be asked and discussed. They are fundamental institutions in a democratic society." Monica Franco-Santos fears that in trying to 'fix' universities, we are quietly unmaking them. 

Emma John reminds us that England has ruthlessly privatised cricket, while Australia still embraces it with constant public displays of affection: "In the parks and pubs, cricket remains the dominant summer pastime and subject of conversation. In the Grampians of western Victoria, whose peaks are better known for their world-class climbing, I constantly witnessed pick-up games in the backyards and paddocks of the cafes and restaurants, or mums and dads tossing up hit-mes to tiny toddlers holding miniature bats."

Lee Elliot Major on a Cambridge college's plans to target elite private schools in its student recruitment: "Alumni LinkedIn feeds and social media threads quickly filled with outrage, as many Cambridge graduates interpreted the move as class prejudice rearing its ugly head once again. One angry fellow at the college said it amounted to a 'slap in the face' for their state-educated undergraduates."

"I first watched the film this year, on moving to the West Midlands, but I’ve been haunted by screenshots of the production circulating on social media for a decade: a burnt severed hand looming over the Worcestershire countryside, a terrifying claymation-style succubus sitting on a bed, an androgynous William Blake-inspired golden angel reflected in a lake." Samuel McIlhagga discusses the enduring influence of David Rudkin's 1974 television play Penda’s Fen.

"Three women are being released from Holloway Prison on the same morning. They come from vastly different backgrounds and each has plans for what they want to do on their first day of freedom, but they have all agreed to meet for dinner that evening. This simple story, told with warmth and empathy, follows the lives of these women during the span of that one day and the touching and tragic events that take place before and after this dinner." Silver Scenes finds Turn the Key Softly (1953) is an underrated British gem.

Steve Parissien charts the rise and fall of Babycham.