The Joy of Six 1387

"We don’t have a political system, more like the US, where people are more empowered to act for their area, to act independently. I think the British political system and MPs individually would rise in the public’s esteem if they were able to act with more independence on an everyday basis and say what they really feel. Maybe we’d have a more vibrant political debate if people went into interviews and said what they were feeling, as opposed to what they’ve been told to say." Andy Burnham talks to Hardeep Matharu from Byline Times.

Stewart Lee once described Twitter as "a state surveillance agency staffed by gullible volunteers". Jason Koebler and Matthew Gault come to much the same conclusion about more recent developments: "The CEO seemingly having an affair with the head of HR at his company at the Coldplay concert is a viral video for the ages, but it is also, unfortunately, emblematic of our current private surveillance and social media hellscape."

Gary T. Gunnels reviews Hayek's Bastards by Quinn Slobodian: "Slobodian’s central thesis is that Hayek’s intellectual edifice, rooted in his arguments for spontaneous order and market mechanisms, has been warped by a group of unwanted 'bastards' into a justification for a racially hierarchical social order."

Kate Moore argues that, for many people, ageing means lost independence in a digital online world built without them in mind."

"I first heard of Baron from Iain Sinclair's description of him (and Gerald Kersh) as being amongst 'the Reforgotten' – British writers brought back in and out of fashion over the decades." Discontinued Notes on Alexander Baron.

Kelefa Sanneh considers the strange persistence of prog rock: "The genre’s bad reputation has been remarkably durable, even though its musical legacy keeps growing. Twenty years ago, Radiohead released 'OK Computer,' a landmark album that was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long. But when a reporter asked one of the members whether Radiohead had been influenced by Genesis and Pink Floyd, the answer was swift and categorical: 'No. We all hate progressive rock music.'"