Richard Dadd and Victorian treatment of lunatics

Jonathan Jones wrote about the painter Richard Dadd, who spent much of his life as a patient at Broadmoor Hospital, in the Guardian earlier this week:

You can’t escape the tragedy of a gifted artist who spent so much of his life locked up, albeit in more liberal conditions than our stereotype of Victorian asylums might lead you to expect.

When I went on my guided walk around Desford in May, the guide stopped at the top of hill above the village's railway station and told us that doctors would bring patients from a local asylum by train for picnics in a nearby field. She also remarked that this isn't how we usually think of the Victorians treating what they called lunatics.

Yes, I think I may have found another myth about the Victorians – or at least a partial myth.

As I've argued before, part of the trouble is that the Victorian age lasted for more than 60 years. There's a limit to the number of useful generalisations you can make about such a long period that saw so much change. And there was both kind and brutal treatment of mental patients in the 19th century, just as there was in the 20th. Frequently they occurred side by side in the same institutions.

What you can say, I think, is that there is no simple, Whiggish tale of progress to be told here. Some of the worst abuses of such patients – lobotomy, leucotomy, electroshock – date from the 20th century, not the 19th.

While Edward Elgar began his musical career in 1879 at Powick Lunatic Asylum near Worcester. There he rehearsed and conducted the staff orchestra that played at dances for the patients and also gave concerts for their entertainment.

The Joy of Six 1528

Tom Williams reports from Southampton: "The demonstration descended into rioting as protesters clashed with police. Out-of-towners, including Tommy Robinson and Laurence Fox, merged with locals outside Southampton police station to form a crowd of several hundred. They marched to Belmont Road, where Nowak was killed. Riot police prevented them reaching Digwa’s family home."

"I had expected to meet a former MP with the usual recollections and political anecdotes. What I encountered instead was something rarer: a political thinker who remained genuinely concerned with ideas, and who was determined to dispel the myths that had accumulated around Liberal history like barnacles on a ship's hull." Andrew Page pays tribute to Michael Meadowcroft.

Matthew Pennell analyses last month's local election results and looks forward to future conquests: "What are the key battlegrounds in England? In 2027 we’ll see if we can build on long term gains in North Yorkshire and East Riding, whether we can retake Bedford and if there’s a chance of completing jigsaw in the far West of England by flipping the status of Herefordshire."

Ellie Davies talks to three Bristol academics about the impact that villages – both literal and metaphorical – have on our health and happiness.

"She wanted to do all that men could do, painting nudes at a time when female art students weren’t allowed to do so. She treated her subjects with seriousness and commitment, but also with enormous sensuous energy and a feel for the pleasures of looking, whether it’s the naked women on Cornish beaches, the garish clowns in her 1930s circus pictures, or even the Women’s Auxiliary Air Force commanders of the 1940s, surrounded by the meticulously rendered paraphernalia of their working lives." Lara Feigel salutes the continuing relevance of Laura Knight.

"There is an unavoidable ethical dimension to all this: though Payne’s deeply-considered and expert work on the sketches was clearly much more than the 'tinkering' Elgar was worried about, we have to acknowledge that the composer’s wish needs to be more-or-less disregarded if we are to perform or listen to the completed work." Jeremy Benson on Elgar's unfinished third symphony.