Showing posts with label Southampton. Show all posts
Showing posts with label Southampton. Show all posts

Monday, July 20, 2026

Kevin Keegan: The humble superstar of the Seventies

Embed from Getty Images

Kevin Keegan made his debut for Scunthorpe United at the age of 17 and played for them for three seasons in the old fourth division. Word soon got round that he was a talent, and managers and scouts from many big clubs came to watch him. Perhaps discouraged by his short stature, none of them took their interest further.

But Bill Shankly did sign him for Liverpool before the start of the 1971/2 season. What made Keegan's name was that Shankly put him straight into the first team, playing just off the tall Welsh striker John Toshack rather than in the midfield role he filled at Scunthorpe, and he was an immediate success. A year later he was playing for England under Alf Ramsey, who did make some funky selections in the dying months of his reign.

During his time at Liverpool, Keegan won three league titles, the European Cup, the FA Cup and the Uefa Cup twice. By 1976 he was England's captain and best player, and the following year he left to play for Hamburg. 

This was an era when hardly any British footballers played abroad, but Keegan made a huge success of it, twice winning the Ballon d'Or, which was effectively the European Player of the Year Award. Keegan returned to England in 1980, playing first for Southampton and then for Newcastle United.

His international career ended in disappointment. In 1982 England qualified for the World Cup Finals for this first time since 1970, but their best two players, Trevor Brooking and Keegan himself, were injured and probably shouldn't have been picked at all. This was a particular blow as the two enjoyed the sort of near-telepathic understanding that Keegan had developed with John Toshack in his early days at Liverpool.

As it was, England won their three group games, and then went through to second group of three teams, along with West Germany and Spain. England played out two goalless draws and failed to progress to the semi-finals, with Keegan only able to play for their last 26 minutes in the tournament.

Keegan's managerial career began at Newcastle United, where he electrified supporters with an attacking brand of football that took the club back into the top division and made them strong contenders for the title. In the end, though, his "don't worry if we let three in because we'll score four" style didn't win trophies, and he was psyched out by the wilier Alex Ferguson. He managed England for 18 months in 1999 and 2000, but resigned admitting that he was not up to the job.

Two more things need to be said. The first is that, while Keegan was undoubtedly a talented player, his prodigious appetite for training was what made him an outstanding one. In his early days at Anfield he upset some of the established players by beating all of them in every single gym test. I don't often remember or quote the words of David Mellor from his days hosting football phone-ins, but when he said Keegan had made himself a better footballer than God had ever intended him to he, he had it about right.

The other thing is that readers today may not realise just what a huge celebrity Keegan was in the Seventies. He released a pop single (it was a hit in Germany where he was then playing), he was a star of the hugely popular BBC television multisport contest Superstars and he advertised Brut alongside Henry Cooper, then the most loved man in British sport. It was the next best thing to being asked to do a television commercial with the Queen Mother.

George Best ('the fifth Beatle') had been a big celebrity in the Sixties, but it was rare before Italia 90 and the advent of the Premiership for footballers to find such fame outside the game. After 1982, for instance, England's captain and best player Bryan Robson was much less famous than Ian Botham.

But in the Seventies Keegan was everywhere. And his personality – hardworking, honest, genuine – made him popular wherever he went.

Friday, June 05, 2026

The Joy of Six 1528

Tom Williams reports from Southampton: "The demonstration descended into rioting as protesters clashed with police. Out-of-towners, including Tommy Robinson and Laurence Fox, merged with locals outside Southampton police station to form a crowd of several hundred. They marched to Belmont Road, where Nowak was killed. Riot police prevented them reaching Digwa’s family home."

"I had expected to meet a former MP with the usual recollections and political anecdotes. What I encountered instead was something rarer: a political thinker who remained genuinely concerned with ideas, and who was determined to dispel the myths that had accumulated around Liberal history like barnacles on a ship's hull." Andrew Page pays tribute to Michael Meadowcroft.

Matthew Pennell analyses last month's local election results and looks forward to future conquests: "What are the key battlegrounds in England? In 2027 we’ll see if we can build on long term gains in North Yorkshire and East Riding, whether we can retake Bedford and if there’s a chance of completing jigsaw in the far West of England by flipping the status of Herefordshire."

Ellie Davies talks to three Bristol academics about the impact that villages – both literal and metaphorical – have on our health and happiness.

"She wanted to do all that men could do, painting nudes at a time when female art students weren’t allowed to do so. She treated her subjects with seriousness and commitment, but also with enormous sensuous energy and a feel for the pleasures of looking, whether it’s the naked women on Cornish beaches, the garish clowns in her 1930s circus pictures, or even the Women’s Auxiliary Air Force commanders of the 1940s, surrounded by the meticulously rendered paraphernalia of their working lives." Lara Feigel salutes the continuing relevance of Laura Knight.

"There is an unavoidable ethical dimension to all this: though Payne’s deeply-considered and expert work on the sketches was clearly much more than the 'tinkering' Elgar was worried about, we have to acknowledge that the composer’s wish needs to be more-or-less disregarded if we are to perform or listen to the completed work." Jeremy Benson on Elgar's unfinished third symphony.