Leo Litra and Gabrielė Valodskaitė say the success of Maia Sandu’s pro-EU party in Moldova’s parliamentary election holds three valuable lessons for protecting votes from Russian meddling in the future – whether in Moldova or in other vulnerable democracies.
"The Librarians, directed by Kim A. Snyder and recently released in the UK, is a documentary about the crackdown on American school libraries that began in 2021 in Texas and soon spread to other states. Ordered to remove 850 books from their shelves ... several librarians resisted. Some were fired; some received death threats." Anna Aslanyan on the battle against censorship.
Kenan Malik reviews a new book that challenges accepted views of the appeal of the arts: "Today, much of that working-class culture has not just slipped away but also been lost to memory. It is partly the result of the changing relationship between the state and the arts. Thatcherite free market ideology of the 1980s combined with New Labour’s stress on 'social impact' both to commodify the arts and to instrumentalise it – the worth of any work of art lay not in the work itself but in its capacity to promote economic growth, .urban regeneration and, most importantly, 'social inclusion”."
Natasha A. Fraser looks back on the cinematic legacy of her stepfather, Harold Pinter. She remembers his understanding of actors, the yellow legal pads he wrote his scripts on, his Hollywood flirtations and disdain for the clutter of Academy correspondence.
"It would have been fascinating to see where Tey's pen and her ingenious mind would have taken her. As it stands, a headline from the Scots newspaper, The Herald, from 2022 rather seems to sum it up: 'Josephine Tey,' it declared, 'the best crime writer you’ve never heard of'. Quite possibly. And it’s high time that changed." Alec Marsh champions the forgotten queen of crime fiction.

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